If you’re anywhere near Sydney get on over to Studio 2017 Project Space at Bridget is having a SALE! There are a lot of artists involved in this space, including the maestro Bridget herself, so it’s worth it just to check out what treasures she has stashed around the gallery.
Studio 20/17 are the longest supporters and continuous stockists of my work, so they have quite the back catalogue of pieces, many of which simply aren’t available anywhere else (and some that never were.) This really is your only chance to see and try these works, and to maybe pick yourself out a little something while it’s going for a song!
Hooray! I’m in a show with Trophy Wife Barbie! Check her out (link goes to Instagram) if you’re not familiar.
This show feature brooches by Melissa Cameron, Marian Hosking, Nick Bastin,
Panjapol Kulpapangkorn, Kath Inglis, Johannes Kuhnen, Helen Aitken-Kuhnen,
Eugenie Keefer Bell, Inari Kiuru, Janice Vitkovsky, Jo Hawley, Jasmine Watson, Larah Nott, Zoe Brand, Laura Eyles and the Trophy Wife Barbie (Annelies Hofmeyr).
I’m really pleased to share the Drone works (half of which is in the image above) will be showing alongside the the Drawing the Line exhibition at Facèré Jewelry Art when it opens this Wednesday, May 3rd, in downtown Seattle. Come to the opening lecture from 4pm to hear me talk about the works in the show – the new additions to the Body/Politic series, and their progenitor, the Drone series.
May 3, 2017 – May 23, 2017
Lecture: Wednesday, May 3 at 4:00 PM
Reception: Wednesday, May 3 at 5:00 PM
Launched in 1897, the Wawona was the largest three-masted sailing schooner ever built in North America. The ship was used to haul lumber up and down the Pacific Coast and used in the Bering Sea codfishing trade. In 1970 the Wawona became a National Historic Site and she was the first ship in the nation to be listed on the National Register. In 2009 she was deemed too expensive to restore and was demolished.
Come and see what the Seattle Metals Guild have done with the pieces of the ship that were not made into the huge sculpture by John Grade at MOHAI (that’s the Museum of History and Industry for all y’all not in the PNW [Pacific North West – and yes, I did that one to be facetious 😉 .])
The exhibition opens at Northwind Arts Center May 6 – 5:30 pm
701 Water Street, Port Townsend, WA
Thursday – Monday, 11:30am-5:30pm
Tuesday – Wednesday, Noon-5pm
If you’re anywhere near Canberra, please make your way over to Bilk Gallery for the opening of the Shared Concerns exhibition next Friday, the 5th of May. The show, by a small group of artists, is not about our shared concerns, but about individual concerns that we chose to share, with one other participant in the residency, and following exhibition.
Once logged, these concerns were duly responded to, in January to April of last year. These might now be considered more carefree concerns, in that we now live together in a different time. As such, they are a poetic message from the past, addressed to anyone who is willing to hear them. Please go and visit with them, and listen for what you can about the concerns of our former selves.
Do you like what we are doing with the I.M.A.G.I.N.E. Peace Now exhibition? If so, we could really use your help.
This national competition opens for voting today and is a chance for us to support the exhibition’s travel to Southern Indiana and Southern Kentucky and to include vital community programming aimed at the gun violence epidemic in this region.
(you can vote daily til May 12 – that’s the 13th of May in Aus!)
My work from the exhibition will (hopefully!) be heading along with the touring show, so if you are in Indiana or Kentucky and you want to see it, please vote 😉 And for those of you who will vote but won’t get to the US, here’s a video I made of the making process:
Introducing the ‘social unit’ pieces \/|- . Once again the binary sequence (rendered using enamel in different skin tones) in each neckpiece spells out the same two words, ‘social unit’. The unfurled pieces (in the image social unit *) give little hint to their original format.
These works will be on show at Facèré Jewelry Art in the exhibition Drawing the Line which opens on the 3rd of May in downtown Seattle. Come to the opening lecture from 4pm to hear me talk about these and their friends, the Body/Politic and Drone works.
Can’t wait to see my friends at my first international jewellery hook-up (it’s not that kind, please,) for the year, starting next week. If you want to see my work, and it’s just the one, it’s at Schmuck 2017, from the 8th-14th of March, 9:30am – 6pm daily at the International Handwerkmesse, in the Fairground Messe München, Hall B1.
And if you want to see a couple of my mates? Well the best place to see the line up, and what everyone else is up to, is on the Current Obsession website, or better yet in their Paper edition which you can purchase in select places in Munich (of course there’s also the shorter Master Program with metro map here, with thanks to Klimt02). Seek out Claire McArdle’s work in Sextet, opening Thursday March 9 from 6-8pm at Das KloHäuschen. And Zoe Brand will be exhibiting with Atta Gallery in Hall B1 – as a part of the internationally gallery line-up at the IHM. Then there’s Kat Cole in Perfect Strangers, and a tonne more people in Duality of Presence – just look up the CO list, yeah?
Announcing more stuff! Here’s some other things that I’ll be doing over the coming months:
March: Starting March 18th I’ll be in an exhibition curated by the irrepressible Maggie Smith (not the dame, but a grande dame) called Tech in Craft. So far we have two dates, from the 18th-27th of March at Libbie Mill Library, Henrico Co Virginia, and then directly after at CodeVA’s Eureka Workshop, Richmond VA until May 5th. These are non-traditional exhibitions venues as this series of exhibits is focused on education, so I can’t wait to see what people have to say! More on this shortly.
Studio disruption – Also in March we’ll be having our basement – aka my studio space – waterproofed. On the place side I won’t have to navigate through the space on pontoons during the wet season (and being Seattle, it rains only a paltry nine months.) but on the down side I have to pack up the studio to keep the sensitive equipment – and the sandblaster – away from the dust. (It is well timed to sort out the taxes though…)
May: From the 9th of May I’ll have work in a show at the new Studio 2017 Project Space in Sydney organised by the impressive Sarah Heyward, entitled:
FORCES: Strength and Fluidity in contemporary jewellery and object practice using steel – the dirty metal
Also in May: Along with everyone else I’ll be at the SNAG Conference in New Orleans – come along to the Trunk Show where I’ll have my little collection (including some of the RESISTance) laid out and bag yourself a pretty.
July: I’ll be speaking at the Association for Contemporary Jewellery’s 20:20 Visions Conference in Sheffield in the UK. My presentation will be on my work, and the political turn it has taken which began at a residency I undertook at the University of the West of England in 2011.
August: It’s looking very likely that I’ll head over to Arrowmont for the Enamel Society Conference, where you can see my previously mentioned latest attempt at curating, the exhibition Plate Glass.
At Arrowmont I’ll also have works in the exhibition Alchemy4, the 16th Juried International Enamel Exhibition, sponsored by the Enamelist Society. So please come along to see that too! I plan to be there for the opening on the 4th of August. After Gatlinburg the show will tour, first to the Ohio Craft Museum, Columbus, OH and then beginning early in 2018 it will be exhibited at the National Ornamental Metals Museum, Memphis, TN.
September: In the first week of this month I’ll be teaching an enameling workshop as a part of the Radical Enameling Workshop series presented by the Center for Enamel Art at The Crucible in Oakland, California.