.. and we’re back

for a couple of days at least..!

Susannah and I will be streaming live from the studio today and tomorrow before we take another quick break this Wednesday to Friday. We will be back to our regular scheduled programming next week; Monday- Friday, 9am – 5pm (or thereabouts) Perth time, with the usual lunch hiatus.

If you get in early enough this morning you’ll se me hit 3,500 linked teardrops (only 1,600 more to go!) You might also get to see Susannah and I share what we got up to on our 4-day hiatus – in my case some very non-canonical jewellery remodeling as part of a commission, and restocking some bracelets. Always good to have a bracelet or two on hand (see what I did there!?!)

Which reminds me! I finally got my copy of the new Nicolas Estrada-edited jewellery look-book New Bracelets. (The Nile link – currently cheapest available in Australia, check shipping tho.) As usual he’s done a great job, and I have a couple of works in there, including some of those pinhole riveted bracelets that I have just restocked, which I do in a plain steel finish (as per the book) as well as a sandblasted texture finish that is heat coloured to a deep purple brown. Check it out on Instagram – I’ll pop up a pic of the latest batch today.

If you’re after the other style in there – the multilayered bracelet joined with my signature tensioned steel cable – you should head over to Tereza Seabra gallery in Lisbon, she currently has the finest collection of them in all the lands!

Attention Enamellists!

Helen Aitken Kuhnen’s prize-winning work. Photo courtesy Gallery Bilk, Canberra.

Thus far I have collected scant new items for the The Enamelist Society (TES) newsletter, aside from the wonderful news that Helen Aitken-Kuhnen has received the President Award in the 52nd International Exhibition of Japan Enamelling Artist Association.

So, if you in an upcoming exhibition; have you seen a cool collection; are leading a workshop; doing a residency, or are in the know about some enamel event that needs more media coverage, then…

enamel (at) melissacameron.net

Include details, dates, images (with artist and photographer captions at the very least) and other relevant info and I put it into the prestigious TES newsletter. And I’ll email you back, though probably not until within a week of the next first-of-the-month deadline. Which is next week. Submissions due to me next Wednesday, please 😉

Tasting Tales from the Toolbox

Narrative Jewelry: Tales from the Toolbox has arrived!

I don’t know about y’all, but my eyes popped at the initial photos I saw of this book. Scale is a big thing with me, and a little part of me went “Eep, they’ve stuffed it.” when I saw the pics on the socials with editor Mark Fenn holding his advanced copy. Why? Because it is a mammoth book.

What can I say? I was just so wrong. Happily wrong (is that a thing?)

Mark and Schiffer have done a really beautiful job here, producing a book that I am really keen to sit down and read. There are so many artists and just soooo many works, packaged respectfully with each makers words, and laid out so carefully, all one book! I was so excited to turn the pages and see familiar ‘faces’ of artworks that I know and love, by artists who I respect, admire and of course also love.

Congratulations to Mark Fenn, to Jack Cunningham for his words, and to Dauvit Alexander (Mr Justified to those in the know,) on the beautiful cover, and to all of my friends in this one (all 241 of us!) We’ve done a good, and beautiful, thing. Please enjoy!

Monday – Gun day

Wow, a whole week has rolled around without an intervening post – sorry team, that wasn’t mean to happen, but the Northwest Jewelry and Metals Symposium took over my focus late last week (from making works for Bilk Gallery in Canberra – more on that soon…) and the whole weekend, and what can I say, it was a CORKER! The best yet. If you’re ever in the area for the third weekend in October, you HAVE to head to it. And I can say this with unbiased hand to unbiased heart, as I’ve been off the organising committee a full two symposia now 😉

So, it’s Monday – gun day, part II.

I have a bunch of gun research that stretches back to 2012, which I’ve decided to start sharing, and lucky for y’all, this seems to be the obvious place. I’m not trying to trigger anyone, so if you’re not keen on following this line of thought, know that on Monday (Tuesday in some time-zones,) there will be posts generated as a result of my past and ongoing gun research.

The above images comes from a really interesting post that I first saw a couple of years ago, in 2015. I see it semi-regularly, as the post has been open in my web-browser since the day I came across it. I found it really arresting, but I didn’t know what to do with it. It’s so affecting, however, that I now count it amongst my always-open tabs (there are a random assortment of site alongside this, not just my mail client.) When I occasionally run across it, I’ll again scroll through to see what 33,636 guns looks like.

The author of this really unusual ‘article’, Matt Haughey writes; “According to the Centers for Disease Control, in 2013 all deaths due to firearms in the US amounted to 33,636 people.” He found a unique and very compelling way to visualise this, which proves really ‘sticky’ (you know what I mean?), at least to my brain.

I hope you take a look.

1 book and 3 deadlines

I’ve got to sell you this book that’s launching very soon:

like everyone – I’m in it!!

Narrative Jewelry: tales from the toolbox, edited by Mark Fenn, is now available for pre-order via www.narrative-jewellery.com and www.markfenn.co.uk  or via the usual.

And since I’m here (and only if you’re really, really quick – two expire in a matter of hours), let me sell you on entering these 3 things:

Craft Forms 2017

Snag Jams 2017

and one for the 18th – China time:

Beijing International Jewelry Art Exhibition – a biennial

Imagine Peace Now – RSVP, books and Metalsmith article

NB: a post about guns and where you can see an exhibition of them. With a snow-friend chaser.

For those of you in the greater Boston area whose interest was piqued at the mention of the opening of Imagine Peace Now at the Society for Arts and Crafts last week, there’s a place to RSVP if you’re planning to attend.

Opening reception for I.M.A.G.I.N.E. Peace Now (IPN) will be held on Thursday, February 23, 2017 from 6:00 PM to 9:00 PM (EST) at the new Society of Arts + Crafts in Boston.

And if your interest was piqued by mention of the catalogue, then you might want to go here to grab yourself a copy. I received mine last week, and it’s an intense read. The images are universally great, and as you might imagine, the included artist statements are by turns affecting, depressing and thought-provoking.

There is also a new Findings section in Metalsmith Magazine (in the newly refreshed format – something we have had in the pipeline for the last eight months – I have mine and I’m proud to have my name in it as it’s a corker!) featuring a couple of the works from the IPN exhibition. You can see it via a digital free trial or you can purchase yourself a hard copy to keep forever!

Finally, Boris Bally, the man to whom we owe this whole exhibition, the man who sourced, stored and then sent out all of the ‘hardware’ used to make pieces for the show, is a keynote speaker at the ACJ 20:20 Visions Conference in Sheffield in July. He will be speaking about this show, and no doubt his deep antipathy towards guns. And as I mentioned last week, I’ll be there too, speaking about the evolution of my work from my residency in the UK in 2011 until today, namely all of the protest art (including the pieces about/with guns) that I have created over this period.

Phew, heavy topics.

OK, we’re in dark times, and sometimes you just need a breather. This is not something I would normally share, but I think it’s time to take a moment to contemplate a (very) simple joy:

in the spirit of repair…

19C Caltrop, 2015. Part of the Escalation Series.

A spot of promo for Metalsmith:

2017 Curated “Exhibition in Print” – Call for Related Work
Repair and Renewal: Making Things Whole Again
Guest Curator, Stuart Kestenbaum
Deadline: January 15

  

Besides prolonging the life of an object, repair also speaks to our yearning to make things right again, to make things whole. Repairing is more than fixing–it’s a metaphorical way to look at the role of makers. When we repair things, are we also fixing ourselves?  Can giving renewed life to objects and materials-perhaps ones that have had other functions-renew us as well?  How does the world look when we say that what is broken can be made whole again, using ingenuity and imagination?

For the 2017 “Exhibition in Print” Repair and Renewal: Making Things Whole Again, curator Stuart Kestenbaum is seeking work that addresses these questions.  While the work does not need to have been repaired, it should have the spirit of repair, and be fueled by a desire to extend an object’s value and usefulness.

Deadline is this Sunday, January 15, 2017.

Ever made something that fits this description? Then perhaps you might share it with us – it’s really simple – email some photos/links to the email address listed in the post.

In today’s Seattle Times

Detail image of work My House - Tanya Lippe's Lunch Box, made out of a section of Tanya's lunch box and stainless steel.
Detail image of work My House – Tanya Lippe’s Lunch Box, made out of a section of Tanya’s lunch box and stainless steel.

An article entitled: Transforming metal: ‘Metalmorphosis’ exhibit at BAM shows new possibilities by Gayle Clemans was published in the Seattle Times newspaper today. It’s a review of the Metalmorphosis exhibition at the Bellevue Arts Museum here in Seattle, and features an image of part of my installation My House: Tanya Lippe’s Lunch Box (the print version has a large reproduction of the brooch section of my piece next to the article – online it’s in a slide section, of the image included above) as well as an insightful commentary about Micki Lippe‘s work, among others.

As you might have guessed I was pretty chuffed when I found out, doubly so as the news came via an excited email from Micki this morning!

And yes, for those of you yet to see the show or not familiar with local jewellery doyenne Micki Lippe, Tanya is the name of Micki’s daughter. I’m not trying to tease with my lack of details – in fact there’s been some descriptions in Instagram of the work – but I’ve been refraining from posting full images of the installation until Micki has seen it, as due to other commitments she missed the openings at the start of the month.

Right, I’m off, to go get a copy of the newspaper 😉