In honour of present-fest 2019 I have made some new jewellery AND I have sent over to the other side of the country some jewellery I made last year that had not been exhibited in Australia before. So industrious!
1/ Bridget Kennedy Project Space
Let me start with the second part first – Bridget Kennedy has come to the conclusion that for the experience-based and consume-less economy there should be an Art-Jewellery bank. Thus the work below – looking fiiiine on a sister of mine – is available at three, yes 3, price points from her gallery this season. A one-week rental, a 4-week rental, and an own-outright price. And if you rent and decide you can’t part with it, the price you have already paid will count against what’s left. Genius!
This is a very short summary of course, and Bridget explains the bigger philosophy around her grand idea here. And you should know that the artists’ ‘bankable’ pieces are supported by other matching works. If this neckpiece is on the large size for you there’s matching pins, earrings and pendants that will also be on display, all for immediate sale.
The opening for Bridget’s of year celebrations Little Forestby Anna Vlahos (another Perth girl out in the world and a personal fave of mine) and The Art Jewellery Bank is Thursday 28th November 5-8pm and is an RSVP event. Get along then or before the 23rd of December to:
53 Ridge Street, North Sydney NSW 2060 11 – 5pm Wednesday, Thursday, Saturday 10 – 6pm Friday
2/ And then there’s Bilk!
Please join us Saturday 23 November for our end of year exhibition, The Big Dry. Featuring new work by Linda Hughes, Kath Inglis, Chris Bahng, Zoe Brand, Claire McArdle, Vicki Mason, Larah Nott, Thomas O’Hara, Helen Aitken-Kuhnen, Mio Kuhnen, Marian Hosking, Jane Reilly, Melissa Cameron, Eugenie Keefer Bell, Sean O’Connell and many more.
In previous years Bilk has celebrated the end of year with White Christmas. This year we asked Artists to think of pressing issues which are affecting the wider community and Australia – the environment, water, biodiversity, wind and drought. Even with the harshest of environments and extremes in climates, there is still a beauty that can be seen through the heat, dust, cracking soils and the transforming colours water can bring.
East Coast of Australia exhibitions is where it’s at this week, and next.
I have works in two exhibitions starting Thursday and Friday of this week.
If you’re in Melbourne have a great time at #RadPav, I’ll see you at the next one for sure. If you’re in Toowoomba this is my first Contemporary Wearables for a few years (you have to be in Australia to apply). It’s great to be back!
MasterMakers has an invite-only opening on Thursday, with guest speaker Virginia Trioli (!)
Contemporary Wearables ’19 is open to all by RSVP, details on the invitation below. National treasure (and my mentor) Marian Hosking will be at the opening as the judge of the awards. If only I weren’t headed to Canberra the next day. I know the collection of jewellery there is very impressive, I hope to get to see it one day.
MasterMakers at RMIT Gallery:
RMIT Gallery, Building 16, 344 Swanston Street, Melbourne.
Since the 1970s, leading Australian and international Gold and Silversmithing artists have delivered and participated in masterclasses in the RMIT School of Art which has had a profound impact on the training of the craft in Australia.
This major exhibition explores the masterclass legacy, showcasing both recent works of the visiting ‘master makers’ and work produced at the master classes, as well as recording the cultural, artistic and technical shift in contemporary jewellery and object.
Curator Mark Edgoose
Featuring artists: Ruby Aitchison, Helen Aitken-Kuhnen, Robert Baines, Nicholas Bastin, Peter Bauhuis, Dianne Beevers, Doris Betz, Renee Bevan, David Bielander, Julie Blyfield, Zoe Brand, Helen Britton, Sue Buchanan, Melissa Cameron, Bifei Cao, Pamela Chan, Yu Fang Chi, David Clarke, Anna Clynes, Katie Collins, Conversation Piece (Beatrice Brovia & Nicholas Cheng), Anna Davern, Helen Dilkes, Bin Dixon-Ward, Joungmee Do, Mark Edgoose, Sian Edwards, Ian Ferguson, Karl Fritsch, Emi Fukuda, Eli Giannini, Kiko Gianocca, Allona Goren, Rowena Gough, Wayne Guest, Caz Guiney, Marcos Guzman, Mary Hackett, Kirsten Haydon, Peter Hoogeboom, Marian Hosking, Katherine Hubble, Linda Hughes, David Huycke, Naoko Inuzuka, Kazuhiro Itoh, Nicole Jacquard, Tassia Joannides, Cara Johnson, Hermann Jünger, Jiro Kamata, Jung-Hoo Kim, Inari Kiuru, Wendy Korol, Daniel Kruger, Otto Künzli, Andrew Last, Benjamin Lignel, Sue Lorraine, Carlier Makigawa, Stefano Marchetti, Marion Marshall, Chris Massey, Claire McArdle, Kelly McDonald, Lindy McSwan, Sam Mertens, Karl Millard, Yutaka Minegishi, Marc Monzó, Shelley Norton, Michaela Pegum, Jana Roman, Lucy Sarneel, Elise Sheehan, Debbie Sheezel, Bettina Speckner, Michelle Stewart, Leah Teschendorff, Elizabeth Turrell, Renée Ugazio, Manon van Kouswijk, Michael Wong and Aurelia Yeomans.
Contemporary Wearables ’19
531Ruthven St, Toowoomba.
We are honoured to have one of Australia’s most respected metalsmiths, Marian Hosking, selecting this year’s Award Prize winners and making suggestions for collection acquisitions.
The selection panel this year was Simon Cottrell, Lecturer / Researcher, Gold and Silversmithing Workshop, ANU School of Art & Design, Claire Sourgnes CEO Artisan, and Chloë Powell Curator and Exhibitions Manager, Craft Victoria / Co-founder and Director, Radiant Pavilion: Melbourne Contemporary Jewellery and Object Biennial. The Gallery team is very grateful to them for their valuable contribution in selecting the exhibition.
In her practice Melissa Cameron has perfected the application of liquid enamel onto small objects. It’s a unique enamelling method, well suited to both flat and dimensional forms, with coating found objects like wire and tiny laser-cut parts being Melissa’s specialties.
In this workshop with the artist, learn her tips and tricks for using liquid enamel on steel and copper, from metal surface preparation to enamel mixing, application, and firing. Extend your decorative palette with textures and patterns using simple techniques, well suited for use on items of jewellery and small objects.
This masterclass is being held in conjunction with Melissa Cameron’s solo exhibition at Bilk Gallery opening on Friday the 13 September 2019, 6pm – 8pm.
Workshop details Time: 9.30 am – 5pm, Saturday and Sunday 14 – 15 September. Location: Workshop Bilk, 403 Captians Flat Road Carwoola Queanbeyan NSW Australia. Attendees will need to bring their own lunch. Coffee and tea will be provided. Materials: All materials and tools will be supplied. Cost: $450 per person for the two days. Maximum of six places available.
The neck, often seen as a sensual part of the body, a site of vulnerability, is also a site of strength, supporting the heavy head, a conduit to our heart and lungs, providing life giving oxygen to our bodies, and nourishment through the ingestion of food. At a time when our planet and humanity seems to be suffocating on many fronts, strangled by powerful, self serving ‘leaders’, Bridget Kennedy invites selected artists to explore the neck as a vehicle for political, social and environmental activation. Artists include; Melissa Cameron, Melinda Young, Liane Rossler, Pennie Jagiello, Claire McArdle, Peter Deckers, Nicole Robins, Misa Gelin, Shirley Cho, Cara Johnson, Zoe Brand, Kelly McDonald, Vivian Atkinson, Tracey Clement, Vernon Bowden, Renee Pearson, Helena Bogucki, Roseanne Bartley.
10% of artist profits will be donateed to Pacific Calling Partnership (PCP) . The exhibition will be opened by Corinne Fisher, Coordinator of the Pacific Calling Partnership (PCP) initiative at the Edmund Rice Centre for Justice and Community Education.
My contribution was originally seen in the IMAGINE exhibition, curated by Boris Bally, which toured the US for a couple of years. It’s the first time it is being seen in Australia, and consequently it’s the first time I’ve posted a gun inside Australia. Fingers crossed it makes it…
Joondalup Art Gallery showcasing jewellery as a craft in March 2019
Happy New Year!
My studio is finally back on line after a 5-month hiatus, during which time Bruce and I have moved country, sold a house in the USA, bought a house in Australia, made some minor renovations to the place and celebrated the closing of a year and the beginning of a new one. I did not stop working entirely but I did take advantage of the studio down-time to slow down a bit. The year proceeding the move was intense, but it was planned that way knowing that there would be some down-time immediately after our US exit, which in the end worked great. It has taken a month since the unpacking began to get my office and studio back in working order, and while I have a few tweaks left to do for full functionality in the studio (anyone have a drill press or air compressor going cheap?) the non-studio work on upcoming exhibitions and other events never really ceased. Which brings me to the latest news:
The Adorn exhibition and Driven to Adorn forum
The Jewellers and Metalsmiths Group of Australia – Western Australian (JMGAWA) branch is hosting a member exhibition at the City of Joondalup Art Gallery from 18 March-12 April 2019, and local craft thinker Carola Akindele-Obe of Maker and Smith is presenting a day of conversation with well-known local makers to coincide with the show on 24 March. And if that’s not enough, local legends Sarah Elson and Claire Townend will be teaching one-day classes of their respective specialties the following weekend; cuttlebone casting and enameling. I learned how to cast with Sarah in high school – in an uncharacteristic display I believe I drew and made a butterfly (in a surprise twist I was not actually influenced by Sarah’s superb Moth series as I believe they came later) – while Claire was my teacher when I went back to Curtin to dabble in jewellery in 2005. I’d not be where I am today without these two engaging instructors who are also thoughtful makers.
The Driven to Adorn conversation on March 24th will feature Katherine Kalaf, who in her Cottesloe gallery played host to significant international artist including – very memorably – the recent Loewe Prize shortlisted artist Giovanni Corvaja. Katherine’s space and the makers she attracted were an inspiration to me in my early career, and she was one of my first stockists. After Katherine’s presentation the Driven to Adorn forum will move into a 6×6 presentation, in which I will be one of the six local makers to present six minutes on an aspect of their practice. The full listing of ‘sixers’ for the afternoon is:
2-5pm 24 Mar 2019 (Includes afternoon tea and an invitation to a viewing of the Adorn exhibition after the forum)
Joondalup Reception Centre, Boas Avenue, Joondalup
Places are limited to 30 and there are 16 spots left (as of 15.2.19)
For those of you in Sydney head to Bridget Kennedy Project Space TONIGHT! for her year-end celebrations, and you can bag yourself a very rare ‘73’ pendant. They’re also available at Bilk in Canberra (and they have a few new pieces from me in their current ‘White Christmas’ show which opened last Saturday), at Bini in Melbourne and at Contemporary Craft in Pittsburgh.
The pendants commemorate the 73 lives lost to gun violence in the USA on 1.1.2017.
Checking the date stamps will tell you that this post has been a month in the making, so thankfully I do have something pretty special to share for the elapsed time. Last week we had an offer accepted on a new house – 6 weeks to the day after arriving in Perth. It settles in January, so then we’ll finally be able to unpack our shipping container (which is now in storage) and I’ll be able to set up my studio and get back to work in earnest. In the mean time I’ve been compelled and coerced into a couple of seasonal shows.
For my fellow West-Australians, I’m going to be at two exhibition openings/Christmas parties on the 7th of December, where I’ll be showcasing some enamel works that I brought back to the country with me. For my fellow Perthlings and the nearby Freo dwellers, this is the first time that my works have been on display west-side since 2014. Catch you early at:
Galvanise Artsource Member Exhibition
Opening 6pm – 8pm and running until January 5.
Old Customs House
8 Phillimore Street, Fremantle WA 6160, Australia
Open 10am – 4pm daily, excepting December 24-28, (these dates inclusive)
Select wonderful Christmas* gifts of hand-made jewellery by ContemporaryMetal practitioners and W.A. contemporary jewellers.
6pm-8:30pm, December 7th – one night only!
Unit 6 · 77-79 Howe Street
Osborne Park, WA 6019
In the first exhibition see some enamel pieces that have never been sighted on this side of the country, and in the Contemporary Metal show, some pieces never before seen on these shores.
(*why do Aussies, and I’d probably add Brits in there too, use Christmas as the all-encompassing seasonal word, often notwithstanding their own religious denomination, while the US and Canada say Holiday/s? All answers accepted. [Including – you’re clearly white trash, Melissa, we don’t use that Christian word here.])
There’s a non-hilarious anecdote to open the proceedings, before we get back to the horror at hand.
When I wrote about Sir Bob Geldof a few weeks back, I forgot to insert my infinitesimal anecdote. My family were celebrating the 21st birthday of the youngest of my siblings a few years back at an ever-popular riverside restaurant in my home town of Perth…
Quick aside: about a week or so back, on finding out that I came from the western-most Australian capital city, my Lyft driver said, “Most isolated city in the world!” It’s the achingly familiar catch-cry of residents and visitors alike, to which I’m not sure that I actually hold because there are plenty of other contenders, like Auckland, or Honolulu, or others that you can google. BTW, Lyft-er had been to my home town, and proceeded to tell me about happy times spent at The Court Hotel and Connections. As my fellow Perthlings can attest, they knew how to have a good time!
…Anyway, sitting outdoors at fancy restaurant surrounded by large family-of-origin and their spouses, and who walks in to also sit on the balcony, but the aforementioned knighted gentleman! “WTF is he doing in Perth?” was on the lips of the collected Cameron party. Til someone remembered that it was St Patrick’s Day. In our defense, we were all focused on other celebrations – the birthday dinner had been slightly delayed to coincide with Turbo and I coming to town in time for the impending nuptials of a couple also seated at that table. March is a big month for me and my people 😉
St Patrick’s Day is also the anniversary of my move to the US, which happened in 2012. Yup, six years this Saturday. A little while back I realised that I’ve practiced here longer than I have – in either of my careers – within Australia. Explains a few things..
Well, that was an unusually gentle introduction. Now the guns.
We start this week in Cobb County, Georgia, where a Canton resident, Chad Erik Roberts (35) was killed by two officers of the Woodstock Police Department, Matt Davis and William Vincent. Roberts had first contact with the police at 10:09pm on the 31st of December, when he was stopped in a parking lot next to a gas station. From the Cherokee Tribune & Ledger-News:
“The driver of the vehicle initially spoke to the officer but then fled in his vehicle, striking the officer,” Rich said. “Officers with the Canton Police Department pursued the vehicle into the Woodstock area.”
Woodstock Police and Cherokee County Sheriff’s Office deputies joined in on the chase and a tire deflation device was used to disable Roberts’ vehicle, which came to a stop in the northbound lanes of Interstate 75 near the Wade Green Road exit, investigators said.
“The driver exited the vehicle and presented a gun during contact with law enforcement,” Rich said. “Two officers with the Woodstock Police Department fired their weapons during the incident. The driver sustained gunshot wounds and died as a result of his injuries.”
Later in the same article, it states that, “The Canton officer who was hit by the man’s car was transported to a local hospital, treated and released, Canton Police Chief Mark Mitchell said.” while the two officers who shot Roberts were put on administrative leave pending an investigation.
With initial contact between the police and Rogers around 10pm – where he apparently ran over the foot of an officer as he departed – my thought was to double-check that this shooting was not misfiled as a January 1 event. But it turns out that at 2am, around four hours later, the shooting took place on the blocked-off interstate highway, once the victim/”driver exited the vehicle and presented a gun during contact with law enforcement.” (From the Georgia Bureau of Investigation.) If you think it sounds odd, you’re not alone, and it being an officer-involved crime has given it a bit of extra attention.
I was unable to find out anything about the guns of any of the people involved. The Woodstock Police Department falls in Cherokee County, GA, and after much research I found out that they carry the Glock 23. It’s not the best reference, but the neighbouring Cobb County PD publish in their policy documents that they use a Glock 22, so this choice has a bit of weight behind it. Georgia’s law enforcement seem to have a lot of Glocks in their register, and they probably belong to a huge swathe of the rest of the population due to Georgia’s “Guns Everywhere” laws, (Al Jazeera) as well as a couple of cities who have managed to make owning guns mandatory. (I am not linking to that data.) The 23 is meant to have the same dimensions as the Glock 19, excepting weight, to account for the slightly bigger round you can fire in the 23. And the 19 is a slightly scaled-down version of the 17, which is the first officer-fired gun that I drew in this series.
So here’s my second Glock, but the first drawing of a Glock 23. There’s two, one each for Davis and Vincent, the officers who fired on Rogers.
Lewis was on a bicycle and had a prolonged – 11 minute – encounter during which he fired his weapon (the officers did not feel threatened at this point so continued with other negotiation methods) and refused to speak with the officers. Only when he pointed the weapon at the officers from a distance of about 10 feet, did three of them open fire at Lewis. Officers Joshua Brown, Daniel Carlson and Brandon Gonzales have been placed on leave pending an investigation.
By contrast with the first incident this week, the guns that officers in the Springfield Police Department carry were easy to find in their Standard Operating Guidelines. The Department Issued Handgun is a Glock 9mm semi-automatic handgun. There are a lot of Glocks that take a 9mm cartridge, so I’m going to go with the one I used for the Chicago PD earlier, the Glock 17. Three of them, because of the three police who fired at Lewis.