The adequately-oiled machine that is my studio practice has had some time out from being even that reliable of late (for many reasons, a great one being fixing the moisture problem that normally creates a less-than ornamental pond in my studio over the winter months,) so right now I’m busy finishing works and preparing images for two upcoming exhibitions that begin in early May – from the 3rd there’s a group show called Drawing the Line at Facere Art Jewelry in downtown Seattle and then opening on the 4th there’s Seattle Metals Guild and the Wawona – at Northwind Arts Center in Port Townsend.
It’s too early for image spoilers on those (as in, I’ve not taken them yet..!), but if you are keen to get a fix of new works, check out the hashtag #PlateGlassExhibition on Instagram, for a bunch of new works in development by the 29 invited artists of the Plate Glass exhibition. This is the one that I’m curating for the Enamellist Society and will be shown during their biennial conference, this year in Gatlinburg, Tennessee at Arrowmont School of Arts and Crafts in August, from the 2nd – 9th.
Several of the artists are new to the format of the plate, though needless to say I think they’re all doing an amazing job, and I truly cannot wait to reveal every single one of them to y’all in August. Until then we’re all lucky to have these images to marvel at and ponder over.
Announcing more stuff! Here’s some other things that I’ll be doing over the coming months:
March: Starting March 18th I’ll be in an exhibition curated by the irrepressible Maggie Smith (not the dame, but a grande dame) called Tech in Craft. So far we have two dates, from the 18th-27th of March at Libbie Mill Library, Henrico Co Virginia, and then directly after at CodeVA’s Eureka Workshop, Richmond VA until May 5th. These are non-traditional exhibitions venues as this series of exhibits is focused on education, so I can’t wait to see what people have to say! More on this shortly.
Studio disruption – Also in March we’ll be having our basement – aka my studio space – waterproofed. On the place side I won’t have to navigate through the space on pontoons during the wet season (and being Seattle, it rains only a paltry nine months.) but on the down side I have to pack up the studio to keep the sensitive equipment – and the sandblaster – away from the dust. (It is well timed to sort out the taxes though…)
May: From the 9th of May I’ll have work in a show at the new Studio 2017 Project Space in Sydney organised by the impressive Sarah Heyward, entitled:
FORCES: Strength and Fluidity in contemporary jewellery and object practice using steel – the dirty metal
Also in May: Along with everyone else I’ll be at the SNAG Conference in New Orleans – come along to the Trunk Show where I’ll have my little collection (including some of the RESISTance) laid out and bag yourself a pretty.
July: I’ll be speaking at the Association for Contemporary Jewellery’s 20:20 Visions Conference in Sheffield in the UK. My presentation will be on my work, and the political turn it has taken which began at a residency I undertook at the University of the West of England in 2011.
August: It’s looking very likely that I’ll head over to Arrowmont for the Enamel Society Conference, where you can see my previously mentioned latest attempt at curating, the exhibition Plate Glass.
At Arrowmont I’ll also have works in the exhibition Alchemy4, the 16th Juried International Enamel Exhibition, sponsored by the Enamelist Society. So please come along to see that too! I plan to be there for the opening on the 4th of August. After Gatlinburg the show will tour, first to the Ohio Craft Museum, Columbus, OH and then beginning early in 2018 it will be exhibited at the National Ornamental Metals Museum, Memphis, TN.
September: In the first week of this month I’ll be teaching an enameling workshop as a part of the Radical Enameling Workshop series presented by the Center for Enamel Art at The Crucible in Oakland, California.
My last jewellery works for 2016 were very… striking?
There’s a few things already on the agenda for 2017, so here, in an attempt at chronological order:
In March I’m headed to Munich for Jewellery Week, as I got into Schmuck with The Drone work! (Full listing of participants on Klimt02) Let me know if you’re heading over so I can look out for you, eh? (Unless you already have, and tbh, you probably did…)
The Shared Concerns exhibition hits Bilk in Canberra in April/May
I’m in an exhibition called Drawing the Line at Facèré here in Seattle, also starting in April.
I’m curating an exhibition for the Enamelist Society conference at Arrowmont this year. Emerging enamelists beware, I’ll be getting on contact with a tight deadline very, very soon.
I have preliminary plans to hit Radiant Pavilion in August/September in Melbourne, where I’m hoping to bring some United States of America-ns to town with me. We’ll be opening/showing Shared Concerns at Bini.
I hope you all had joyful solstice and New Year celebrations too 😉
I’ve done a bit of house-keeping today, and finally added my SNAGnext presentation from May to the list of conference papers, located over in that sidebar to the left (or above if you’re moblie-y inclined). While I was there, I made Conference Papers into its own menu, so that you can now easily reach each of the three papers I’ve delivered to a few select audiences over the years. The new one I added today, and also (as of today) the 2013 paper from the JMGA conference in Brisbane, have in-line slides that go along with the text, which add something interesting to look at, especially useful if you get bored of all those words.
Below are links to each of them, starting from the most recent and working my way back. (And yes, I hope to work on sorting out the same deal for the symposium papers next 😉 )
3/ This final one has been kicking around on the internet for a while – my presentation for the 2010 JMGA conference in Perth held at the Central Institute of Technology in April of that year, entitled:
… to the presentation I’m doing tomorrow on the SnagSpark theme of holistic practice (where I’ll go into how and why to sustain your creative existence and ways to attain and maintain flow from 3:45pm at the On Broadway Arts Building) I’ve also been added to the 20/20 lineup for Friday night.
“What is this 20/20 that you speak of, Melissa?”
I’m so glad you asked! This Friday, May 20th from 7:00-10:00pm at the On Broadway Arts Building (49 Broadway Ave) in Asheville there has been added a group of 20 x 7 minute slide presentations where people are going to “Show us their vision.” More specifically, I’m going to talk about my recent solo show Body Politic that took place earlier this year at Gallery Bilk in Canberra.
I’ve lots of things to say about the show, the work and the inspiration for each work, and only a tiny time to do it in (SEVEN MINUTES!!) so come watch me talk my own face red trying to squeeze too many words into far to little time. I’m on second so y’all better be on time!!
And of course, let’s not forget the Trunk Show – 3pm – 6pm in the Grand Ballroom at The Renaissance on Saturday.
I’m in a tiny show at The Vatican at studio e which opens on Saturday night in Seattle’s Georgetown neighbourhood. The space is viewable 24-7 at 609 S Brandon street, Seattle WA 98108. Make plans quick to join me on Saturday May 7th at the opening from 6-9pm.
studio e gallery hours:
May 13th - June 4th
Friday, Saturday & Sunday 1-6pm
also open late Saturday May 14th for Georgetown Art Walk 6-9 pm
Shared Concerns is open at Penland Galleries! For those of y’all heading to SNAGneXt in Asheville you should budget an hour each way to reach Penland. My plan is currently to car pool, and I’ll be heading out there on Sunday the 22nd of May. Look forward to seeing you there! If you do want to head to this year’s amped up SNAG (and see my *brilliant* presentation) you’d better snap to it – tickets now only available at the door.
Keen observers will have noted my name on the list of people speaking at SNAGneXt this year in Asheville. Even keener ones will have noted that a few weeks ago I was near (and briefly in) Asheville, NC, at Penland for a week. Asheville: the neodymium magnet of the Carolinas*…
At the modified and re-branded SNAG conference this year I’m very pleased to have been invited to speak in the SNAGspark portion of the program, where I will be giving a presentation entitled Holistic Thinking: Interconnection in Jewels and Practice. There, amongst a few other things, I’ll share my “tips for maintaining a sustainable creative practice, gleaned from sources near and far.” The basic premise of my talk is that I get around, and in all the places I go, I’ve noticed a few common threads that help make for robust communities (first hint) and economically sustainable jewellery practices.
For those of you who are currently looking into coming to SNAG this year, it would be a wasted opportunity if you didn’t also go and visit the famed and newly renovated Penland Galleries while you’re in town. And because I am always in service to you, beloved reader, I am happy to provide you with one more excuse to take the hour-long drive into the mountains to finally see Penland for yourself, as showing there during May and part of June will be the Shared Concerns exhibition, which was the reason for my first Asheville visit earlier this year.
So, #SharedConcerns? What’s that all about?
Shared Concerns is an exhibition documenting the meeting of a group of artists, brought together to work in the Penland studios in the mountains of North Carolina. As a group they shared the intimate ‘concerns’ of their practice, and each has created a small suite of works that interprets the ‘concern’ of another group member. Pieces were begun during their Winter Residency at Penland, and finished in studios across the United States as well as in Australia and Denmark, where this diverse group of jewelry artists call home.
We spent a very short week with one another as participants in the Penland Winter Residency where we shared a studio, traded concerns to work on and enjoyed some profoundly creative times (as well as some amazing food) all on the Penland campus. We don’t know when we will meet again, but what we do know is that the work we began together will be completed over the coming months, and will go on show in the Penland Galleries in May, just in time to be seen by anyone visiting Asheville for SNAGneXt. From there the works will head on to Velvet da Vinci gallery in San Francisco for the opening of Shared Concerns there on the 1st of July, and from there it will travel internationally in 2017.
So if you’re coming to Asheville for SNAGneXt, be sure to set aside some time to see the best of this beautiful and creative city, drink some coffee (or at one of the supposedly *9* microbreweries in town) and head to Penland to see our Shared Concerns exhibition.
* Now, you realise that my getting around doesn’t usually mean dropping into Asheville twice in a six-month period, but they served me the best cup of decaf soy I’ve had since I was last in Melbourne (Cafe Vue, Melbourne Airport, April 2015) while I was there with the #SharedConcerns crew, so you know I have to go back. (This will be hot on the heels of another Melbourne visit *spoiler alert*, so the comparison will be more robust. Suffice to say, if it holds its own again, I’m thinking of moving…)
So I’m back from #SnagBoston, and made it home to cap off a great, if somewhat frenetic, conference experience with the 2015 edition of that perennial favourite, #SnagFlu. I’m blaming the 6:30am fire alarm on Thursday morning for getting us all off to a premature start, and costing us the last bit of energy needed to scrape home with immunity uncompromised. I know that I did promise a Snag update (and no, this is not it) immediately following the conference, but it’s been delayed… Sorry chaps!
Rather than history, we’re looking forward, as it’s time to remind y’all that coming up from the 10th – 12th of July is the biannual JMGA Conference, this time hosted by the wonderful team in Sydney, which is this year entitled edgesbordersgaps. From the exhibition media:
In 2015 the broader conference project includes 3 days of talks; an exhibition program; a workshop program (pre- and post- conference); social events, including the infamous Pin Swap; and additional satellite events [that] include a multitude of jewellery exhibitions.
Guest speakers include:- Peter Bauhuis, Pravu Mazumdar, Atinuj Tantavit, Gitte Nygaard & Josephine Winther (Makers Move). Workshop hosts include Philip Sajet, Peter Bauhuis, Vick Mason, Sue Lorraine and Catherine Truman.
For the extended blurb see the website; I’m going to cut to the chase on this:
YOU’VE GOT PRAVU MAZUMDAR!
The name might not immediately ring bells, but if you keep up to date on the AJF website (RSS that sh*t, c’mon people, it’s important) and blog you will know him as the author of two (or one, if you push the halves of what was intended as a whole back together) of the best posts that went up last year. His critique of criticism is well reasoned and beautifully written, and his analysis of Bruce Metcalf meticulous and incisive, and the whole piece a master work on the subject, both necessary and timely. But don’t believe me:
Not yet convinced? He’s spoken in Munich during the Schmuck week at Die Neue Sammlung – The International Design Museum Munich, and written catalogue essays for Alchimia amongst others. If I had not already made my quota of trips back home for the next 3 years in the last 12 months I’d be stomping onto an A380 and getting my butt to Sydney for his presentation alone. I cannot wait to hear what else has been forming in this person’s brain. I will willingly give this little stage to any person who wants to share, or perhaps even critique, his presentation in Sydney.
And there’s more! For some more detail on the rest of the presentations, check out the Speakers tab on the website.
Going to be in Boston for the SNAG conference this week? Come say hi! Not going to be there? Follow along with the shenanigans on Instagram or Twitter by following @thejewellist (t) or @thejewellist (i).
Don’t know/care what I’m talking about with all that #@ nonsense? Then stay with me here on the blog and I’ll wrap it up at the end of the weekend. But for those of you needing a hit beforehand, here’s the skinny on where I’m going to be…
1/ OK, first up, permit me one more hashtag while I explain what I’m going to be doing on Friday:
Collect- from our Artist-Agents (announced soon)
Photograph- on yourself or a friend
It’s a secret no more! I’m an Artist-Agent (always wanted to be agent melissa!) for Platforma’s 2015 #STICKITSNAG SNAG adventure. Come get yourself a sticker from me any time on Friday, put it on, snap a pic and post it – oh and hashtag yourself and the gorgeous work/non-work. And might I add, one of those images is actually a work from me… It’s simultaneously the most/least effort I’ve ever put into a pin-swap 😉
2/ My video (need I remind you?!) is IN COMPETITION! I’m keen to get it played in front of a whole auditorium of my peers – am I? Well, lets say I am, and let’s say you could be a decisive figure in actioning my wish.
I know, actioning?
3/ Trunk Show!!
I have amassed a beautiful collection of my Sieve series works – including some rare 2015 jewels that I recently made made from parts that I had been holding on to for a rainy day – and today I’ve taken delivery of a limited edition set of full-sized laser-engraved prints of the Sieve pattern from my laser-cutter, all of which will be for sale at the Trunk Show this coming Saturday! The laser-engraved prints pictured are full size and in miniature, with the smaller versions to be packaged with works sold at SNAG only!
(I had a copy of this pattern pasted on my wall over my computer in Australia, under which I had written and signed “When I die I want this pattern etched onto my casket.” That’s how proud I was of this work/how much I love this pattern.)
All of these, along with some pieces from the One Design Series (yup – as shown in the video above) as well as a few earrings and pieces from the La Geometrie Series will be on display this Saturday, so if you’ve every wanted to check out an array of my all stainless and titanium works, Saturday is the day.
The TrunkShow will be held on the 23rd of May in the Plaza Ballroom with VIP entry from 3:30 pm and open to all from 4:30pm – 6:30pm. Not at the conference? No worries! Come along – we’re at the The Boston Park Plaza Hotel & Tower, 50 Park Plaza at Arlington St. Boston, MA 02116
And for those of you who are nowhere near the conference – let’s talk. Email me for a price list.
But if you’re not in NY and you want to come hang out with me and learn something about applying liquid enamel to steel? Well I have 2 more options for you.
1\ Local enamel aficionado Rebbecca Tomas has kindly asked me to team up with her to teach an eight-week class at Pratt in Seattle, Beginning Enameling Survey. Starting on the 25th of March, Rebbecca will take the class through the basics of enameling onto copper, and then I step in on week five to take the scene to the steel level. It’s going to be a comprehensive guide to getting the best bang for you buck out of powdered and liquid enamels on the two best materials, copper and steel.
2\ If an 8 intensive is not your style, and you were looking for a early-summer West Coast play-cation, then perhaps this final class will be more up your alley? On June 13th and 14th I’ll be reprising last year’s Enamel on Copper and Steel in a weekend workshop, also at Pratt in Seattle. In that class we’re going to be using liquid enamels on new and recycled steels and copper, working with them and the sandblaster to achieve unique textures and surfaces. I know I’ve had some queries as to when I’d be doing another weekend workshop, so I’m glad to finally be able to oblige. I’ll be sure to let you know when it goes live for registration.