Melissa Cameron
  • 1.1.2017 or Monday – Gun Day
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  • Highlights
  • Hi, I’m Melissa
  • Enamel on Steel – insights
  • MDC
  • Conference Papers
    • Holistic Thinking: Interconnectivity In Jewels And Practice
    • How to become an artist jeweller: a Seattle community case study
    • Examining the connections between architecture and jewellery: Looking into the last 100 years to inform a vision of jewellery practice in the future
  • Symposia
  • Part B
  • Juukan Tears Offcuts / Island Welcome both open tomorrow

    Juukan Tears Offcuts / Island Welcome both open tomorrow

    If only it could be a double bill, then I could be at both too! Juukan Tears Offcuts opens at Bridget Kennedy Project Space at 53 Ridge St, North Sydney from 2-4pm tomorrow (30.4.22). There will be an artist talk (yup, more of this kind of thing), and chats, and drinks, and contrary to my […]

    April 29, 2022
  • Juukan Tears – last days to see!

    There is but a few short days left to see my work Juukan Tears at the John Curtin Gallery as a part of IOTA21 in Curiosity and Rituals of the Everyday. If you’re not gonna make it (who even travels any more? I can’t – really, I’m in WA and state daddy says no…) I […]

    October 26, 2021
  • Juukan Tears is up!

    Juukan Tears has been launched for nearly a week now, so here’s a few images of the work for those far away and curious. Juukan Tears In May of 2020 mining company Rio Tinto destroyed a site which contained the Juukan Shelters, a place that had been in use by the First Nations traditional custodians […]

    September 15, 2021
  • Juukan Tears Offcuts

    Juukan Tears – Offcuts After using a jewellers saw that is 0.25mm wide to hand saw around 200m of steel, I linked the cut pieces back together again to form a portrait of the headquarters of the biggest iron ore producer in Australia. To make the portrait, and the 4,600 tears that emanated from it, […]

    September 7, 2021
  • thank you for watching – Juukan Tears update

    sigh It has been bittersweet, winding down this project over the last week. I finished making and tearing off decals last Tuesday the 11th of May, after a mammoth effort by Susannah who had started the stripping the previous Friday while I prepped the support board for eventually hanging the work. Then the Friday just […]

    May 17, 2021
  • Juukan Tears

    In May of 2020 mining company Rio Tinto destroyed the Juukan Shelters, containing sacred caves that had been in use by the traditional custodians of that part of (what we now call) Western Australia, the Puutu Kunti Kurrama and Pinikura (PKKP) peoples, for over 46,000 years. The Shelters were in the remote Pilbara region of […]

    February 10, 2021
  • Juukan Caves Anniversary / Virtual Indigenous Film Fest 2021

    Yesterday marks 1 year since the destruction of the Juukan Shelters, a traditional site of the Puutu Kunti Kurrama and Pinnikura (PKKP) peoples located in the Pilbara area in the northwest of Western Australia. If you’ve been following this blog for the last few months you’ll know that I have made the facts of that […]

    May 24, 2021
  • IOTA:24

    IOTA:24

    The Indian Ocean Triennial Australia – otherwise known as the Indian Ocean Craft Triennial owing to its craft focus – is already in the planning stages for the 2024 edition. As an artist I was heavily involved in the last one – my piece Juukan Tears was in one of the keystone exhibits, and the […]

    September 8, 2022
  • We Are SNAG

    With the slightly slower pace of this year I’ve found time to get with this year’s SNAG online exhibition, We Are SNAG. If you’re a regular follower of the shenanigans here you’ll have seen the image, but for the international audience I’ve finally got on the front foot to put Juukan Tears up onto a […]

    July 26, 2022
  • North Sydney Art Prize

    North Sydney Art Prize

    I’m heading to Sydney tomorrow to attend the opening and awards ceremony of the North Sydney Art Prize (NSAP) on Saturday the 14th of May, as my 2021 work Juukan Tears is a finalist. From the NSAP Media: The North Sydney Art Prize is a major biennial arts event showcasing some of the best in […]

    May 12, 2022
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Melissa Cameron

© 2022

I live and work on Whadjuk Noongar Boodjar.

I acknowledge Aboriginal and Torres Strait Islander peoples as the Traditional Custodians of the lands, waters and seas where I live and work. I pay my respects to their Elders and to all Traditional Owners/Custodians and acknowledge that sovereignty was never ceded.

Melissa Cameron is an artist, jeweller, writer, designer and former resident alien. She moved back to her hometown Perth, Western Australia in 2018, where it smells of eucalyptus.

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Images on this site are the work of Melissa Cameron, unless otherwise stated. Images are copyrighted and are not be used without permission. All inquiries to blog @ melissacameron.net Cheers!