Many thanks to Kerry Ann Cousins for her article published yesterday in the Canberra Times:
Next Tuesday, the 24th of September, I’m going to be talking to some of y’all at the JMGA WA monthly meeting. If you’re not across it but you’re in the WA area (visitors welcome, just let me know and I’ll look out for you) you’re hereby invited to come hear and see what I’ve been up to over the last couple of years, jewel-wise.
It’s on at 7:30 pm@ WA Lapidary and Rock-hunting Club
31/35 Gladstone Road, Rivervale WA 6103
As for the photo, this was taken by Helen Aitken-Kuhnen (*clang* first name drop) at last weekend’s masterclass with these legends of jewellery in Australia. For the finished product of David Walker’s endeavours (as you might expect, he put us all to shame with his work ethic and the quality of his output), and to hear me spill the tea about another jewellery-legend that I lunched with this week (*hint* he’s over from Europe [just…] and been at #RadPav and The Jam in the last week) you’d better get in on time to claim a seat.
In all honesty, I could fill my time just talking about the last two weeks. BTW, does anyone know how much time I have??
Please join us this Friday to meet Melissa Cameron and view her solo exhibition opening of Marfa, TX.
Opening Friday 13 September August 6pm – 8pm
Exhibition dates 11 September – 13 October 2019.
I’ll be in the gallery for a bit today and tomorrow if you want to come say hi and have a guided preview 😉
14 – 15 September 2019
In her practice Melissa Cameron has perfected the application of liquid enamel onto small objects. It’s a unique enamelling method, well suited to both flat and dimensional forms, with coating found objects like wire and tiny laser-cut parts being Melissa’s specialties.
In this workshop with the artist, learn her tips and tricks for using liquid enamel on steel and copper, from metal surface preparation to enamel mixing, application, and firing. Extend your decorative palette with textures and patterns using simple techniques, well suited for use on items of jewellery and small objects.
This masterclass is being held in conjunction with Melissa Cameron’s solo exhibition at Bilk Gallery opening on Friday the 13 September 2019, 6pm – 8pm.
Time: 9.30 am – 5pm, Saturday and Sunday 14 – 15 September.
Location: Workshop Bilk, 403 Captians Flat Road Carwoola Queanbeyan NSW Australia. Attendees will need to bring their own lunch. Coffee and tea will be provided.
Materials: All materials and tools will be supplied.
Cost: $450 per person for the two days. Maximum of six places available.
Checking the date stamps will tell you that this post has been a month in the making, so thankfully I do have something pretty special to share for the elapsed time. Last week we had an offer accepted on a new house – 6 weeks to the day after arriving in Perth. It settles in January, so then we’ll finally be able to unpack our shipping container (which is now in storage) and I’ll be able to set up my studio and get back to work in earnest. In the mean time I’ve been compelled and coerced into a couple of seasonal shows.
For my fellow West-Australians, I’m going to be at two exhibition openings/Christmas parties on the 7th of December, where I’ll be showcasing some enamel works that I brought back to the country with me. For my fellow Perthlings and the nearby Freo dwellers, this is the first time that my works have been on display west-side since 2014. Catch you early at:
Artsource Member Exhibition
Opening 6pm – 8pm and running until January 5.
Old Customs House
8 Phillimore Street, Fremantle WA 6160, Australia
Open 10am – 4pm daily, excepting December 24-28, (these dates inclusive)
Then later at:
Select wonderful Christmas* gifts of hand-made jewellery by Contemporary Metal practitioners and W.A. contemporary jewellers.
6pm-8:30pm, December 7th – one night only!
Unit 6 · 77-79 Howe Street
Osborne Park, WA 6019
In the first exhibition see some enamel pieces that have never been sighted on this side of the country, and in the Contemporary Metal show, some pieces never before seen on these shores.
(*why do Aussies, and I’d probably add Brits in there too, use Christmas as the all-encompassing seasonal word, often notwithstanding their own religious denomination, while the US and Canada say Holiday/s? All answers accepted. [Including – you’re clearly white trash, Melissa, we don’t use that Christian word here.])
Thus far I have collected scant new items for the The Enamelist Society (TES) newsletter, aside from the wonderful news that Helen Aitken-Kuhnen has received the President Award in the 52nd International Exhibition of Japan Enamelling Artist Association.
So, if you in an upcoming exhibition; have you seen a cool collection; are leading a workshop; doing a residency, or are in the know about some enamel event that needs more media coverage, then…
enamel (at) melissacameron.net
Include details, dates, images (with artist and photographer captions at the very least) and other relevant info and I put it into the prestigious TES newsletter. And I’ll email you back, though probably not until within a week of the next first-of-the-month deadline. Which is next week. Submissions due to me next Wednesday, please 😉
Brace yourselves Team Enamel.
It’s Global Enamel News time once again. My deadline for copy is next Wednesday and I’m running a little late on the round-up, so if you have an enamel story to tell, I’ll take it right up to midday of that date.
Is Wondernamel happening at RMIT? I can find nothing on the web this far out, but someone must know? Will your end-of-year student shows have enamel in them, Australia? In fact, do you have a Christmas/holiday exhibition in the works, Canada? If so, please drop me a line – email@example.com
This won’t publish until October, and as I’ve complained before, finding venue and date info of practically anything more than 2 months out is tough (except maybe airline, or Hamilton, tickets,) so I’ll take conjecture.
At this stage I have a document that has the second set of dates added to the With Other Eyes exhibition, so I’m faced with the possibility that this will become a creative writing exercise about the chipped enamelled butter dish that well-known feminist enamel person Marissa Saneholtz sent me last month. There’s a lot to say there, sure, in fact it could be quite a story, but maybe the Enamelist Society Newsletter is not the best audience for that.
You know what to do.
This is it, folks, the last enamel class I’m scheduled to teach in the USA before I head back to Australia in October.
Come on down to Danaca Design in the U district of Seattle for the 16th-17th of June. We’re going to concentrate on Enameling Recycled Steel for Jewelry. Bring your hat and sun lotion, we’re going to walk the neighbourhood to find some of our materials on the street – basically duplicating how I tend to live my life – before we start on Saturday morning. There’s a construction site down the street right now, so who knows what riches we may find? I’ve been working up to taking a whole class for a walk like this for a while, so I hope I’ll have a few courageous souls who’ll be interested in trying it out with me.
And yes, we’ll do some enameling on steel chain. I’ll bring the chain 😉
It’s Mothers Day on Sunday, and Danaca Design in Seattle have organised a Brooch Brunch for the preceeding day, to kick of the weekend in style (and for you to get your mama something special from their roster of artists!) featuring a casual buffet-style champagne brunch and a gallery full of brooches made by local, national and international metalsmiths!
It’s on 12-3pm at Danaca Design
5619 University Way NE, Seattle, Washington 98105
Take your parental unit and treat them to a new bit o’bling.
I’d love to be there, but I’ll be celebrating a different milestone in Australia instead. Fear not, creative folk of the Northwest (or indeed, any other) persuasion, I’ll be back in Seattle early next week 😉
See y’all at the SNAG conference in Portland, no?
The deadline for the Enamelist Society Newsletter is hurtling towards me, and thus far, I have nothing. Nada. Niente. Nil. OK, so there’s actually Jane, exhibiting some works at SNAG (image, Jane?), but aside from that…
Please see my last post on being the purveyor of Global Enamel News for all the important details. The one thing I will remind y’all of is that I have to hand in my copy about 2 months before publication, so next Tuesday I’ll hand over stuff that will appear in print in early July. So if you have anything for July/August/September, please hit me up now.
And fair warning, I’m on holiday/vacation in Australia right now, so if you send something, I will receive but just not respond until the deadline is nigh, so please include all the details and images that you can as there won’t be time for me to cross-check details.
And now, to Busselton!