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the festive is almost upon us

In honour of present-fest 2019 I have made some new jewellery AND I have sent over to the other side of the country some jewellery I made last year that had not been exhibited in Australia before. So industrious!

1/ Bridget Kennedy Project Space

Let me start with the second part first – Bridget Kennedy has come to the conclusion that for the experience-based and consume-less economy there should be an Art-Jewellery bank. Thus the work below – looking fiiiine on a sister of mine – is available at three, yes 3, price points from her gallery this season. A one-week rental, a 4-week rental, and an own-outright price. And if you rent and decide you can’t part with it, the price you have already paid will count against what’s left. Genius!

This is a very short summary of course, and Bridget explains the bigger philosophy around her grand idea here. And you should know that the artists’ ‘bankable’ pieces are supported by other matching works. If this neckpiece is on the large size for you there’s matching pins, earrings and pendants that will also be on display, all for immediate sale.

what she thinking? Bridget, what a great idea!

The opening for Bridget’s of year celebrations Little Forest by Anna Vlahos (another Perth girl out in the world and a personal fave of mine) and The Art Jewellery Bank is Thursday 28th November 5-8pm and is an RSVP event. Get along then or before the 23rd of December to:

53 Ridge Street,
North Sydney
NSW 2060
11 – 5pm Wednesday, Thursday, Saturday
10 – 6pm Friday

2/ And then there’s Bilk!

Please join us Saturday 23 November for our end of year exhibition, The Big Dry.
​
Featuring new work by Linda Hughes, Kath Inglis, Chris Bahng, Zoe Brand, Claire McArdle, Vicki Mason, Larah Nott, Thomas O’Hara, Helen Aitken-Kuhnen, Mio Kuhnen, Marian Hosking, Jane Reilly, Melissa Cameron, Eugenie Keefer Bell, Sean O’Connell and many more.

In previous years Bilk has celebrated the end of year with White Christmas.  This year we asked Artists to think of pressing issues which are affecting the wider community and Australia – the environment, water, biodiversity, wind and drought. ​Even with the harshest of environments and extremes in climates, there is still a beauty that can be seen through the heat, dust, cracking soils and the transforming colours water can bring.

Exhibition dates 23 November – 24 December 2019

12 Palmerston Lane, Manuka, ACT 2603   Phone +61 (0) 2 61622761  

Hours Wed-Fri 11-5  Sat 11-4

Master Makers and Toowoomba Contemporary Wearables open SOON!

East Coast of Australia exhibitions is where it’s at this week, and next.

I have works in two exhibitions starting Thursday and Friday of this week.

If you’re in Melbourne have a great time at #RadPav, I’ll see you at the next one for sure. If you’re in Toowoomba this is my first Contemporary Wearables for a few years (you have to be in Australia to apply). It’s great to be back!

MasterMakers has an invite-only opening on Thursday, with guest speaker Virginia Trioli (!)

Contemporary Wearables ’19 is open to all by RSVP, details on the invitation below. National treasure (and my mentor) Marian Hosking will be at the opening as the judge of the awards. If only I weren’t headed to Canberra the next day. I know the collection of jewellery there is very impressive, I hope to get to see it one day.

MasterMakers at RMIT Gallery:

RMIT Gallery, Building 16, 344 Swanston Street, Melbourne.

Since the 1970s, leading Australian and international Gold and Silversmithing artists have delivered and participated in masterclasses in the RMIT School of Art which has had a profound impact on the training of the craft in Australia.

This major exhibition explores the masterclass legacy, showcasing both recent works of the visiting ‘master makers’ and work produced at the master classes, as well as recording the cultural, artistic and technical shift in contemporary jewellery and object. 

Curator Mark Edgoose

Featuring artists: Ruby Aitchison, Helen Aitken-Kuhnen, Robert Baines, Nicholas Bastin, Peter Bauhuis, Dianne Beevers, Doris Betz, Renee Bevan, David Bielander, Julie Blyfield, Zoe Brand, Helen Britton, Sue Buchanan, Melissa Cameron, Bifei Cao, Pamela Chan, Yu Fang Chi, David Clarke, Anna Clynes, Katie Collins, Conversation Piece (Beatrice Brovia & Nicholas Cheng), Anna Davern, Helen Dilkes, Bin Dixon-Ward, Joungmee Do, Mark Edgoose, Sian Edwards, Ian Ferguson, Karl Fritsch, Emi Fukuda, Eli Giannini, Kiko Gianocca, Allona Goren, Rowena Gough, Wayne Guest, Caz Guiney, Marcos Guzman, Mary Hackett, Kirsten Haydon, Peter Hoogeboom, Marian Hosking, Katherine Hubble, Linda Hughes, David Huycke, Naoko Inuzuka, Kazuhiro Itoh, Nicole Jacquard, Tassia Joannides, Cara Johnson, Hermann Jünger, Jiro Kamata, Jung-Hoo Kim, Inari Kiuru, Wendy Korol, Daniel Kruger, Otto Künzli, Andrew Last, Benjamin Lignel, Sue Lorraine, Carlier Makigawa, Stefano Marchetti, Marion Marshall, Chris Massey, Claire McArdle, Kelly McDonald, Lindy McSwan, Sam Mertens, Karl Millard, Yutaka Minegishi, Marc Monzó, Shelley Norton, Michaela Pegum, Jana Roman, Lucy Sarneel, Elise Sheehan, Debbie Sheezel, Bettina Speckner, Michelle Stewart, Leah Teschendorff, Elizabeth Turrell, Renée Ugazio, Manon van Kouswijk, Michael Wong and Aurelia Yeomans.

Contemporary Wearables ’19

531 Ruthven St, Toowoomba.

We are honoured to have one of Australia’s most respected metalsmiths,  Marian Hosking, selecting this year’s Award Prize winners and making suggestions for collection acquisitions.

The selection panel this year was Simon Cottrell, Lecturer / Researcher, Gold and Silversmithing Workshop, ANU School of Art & Design, Claire Sourgnes CEO Artisan, and Chloë Powell Curator and Exhibitions Manager, Craft Victoria / Co-founder and Director, Radiant Pavilion: Melbourne Contemporary Jewellery and Object Biennial. The Gallery team is very grateful to them for their valuable contribution in selecting the exhibition.

Master Class Workshop – Liquid Enamel for Steel and Copper with visiting artist Melissa Cameron.

fuckthispresidentandtheregimeherodeinon 2017. Stainless steel, titanium, vitreous enamel

14 – 15 September 2019

In her practice Melissa Cameron has perfected the application of liquid enamel onto small objects. It’s a unique enamelling method, well suited to both flat and dimensional forms, with coating found objects like wire and tiny laser-cut parts being Melissa’s specialties.

In this workshop with the artist, learn her tips and tricks for using liquid enamel on steel and copper, from metal surface preparation to enamel mixing, application, and firing. Extend your decorative palette with textures and patterns using simple techniques, well suited for use on items of jewellery and small objects.

This masterclass is being held in conjunction with Melissa Cameron’s solo exhibition at Bilk Gallery opening on Friday the 13 September 2019, 6pm – 8pm.

Workshop details
Time: 9.30 am – 5pm, Saturday and Sunday 14 – 15 September.
Location: Workshop Bilk, 403 Captians Flat Road Carwoola Queanbeyan NSW Australia. Attendees will need to bring their own lunch. Coffee and tea will be provided.
Materials: All materials and tools will be supplied.
Cost: $450 per person for the two days. Maximum of six places available.

The Neck

an exhibition of works with a message made to dangle from the neck

The Neck is an exhibition of neckpieces curated by Bridget Kennedy which will be going on show at Bridget Kennedy Contemporary Jewellery and Object Gallery from Thursday July 4th, with opening drinks from 6-8pm. See it at 53 Ridge St North Sydney, Wed to Sat 11 – 5pm until 27th of July.

The neck, often seen as a sensual part of the body, a site of vulnerability, is also a site of strength, supporting the heavy head, a conduit to our heart and lungs, providing life giving oxygen to our bodies, and nourishment through the ingestion of food. At a time when our planet and humanity seems to be suffocating on many fronts, strangled by powerful, self serving ‘leaders’, Bridget Kennedy invites selected artists to explore the neck as a vehicle for political, social and environmental activation. Artists include; Melissa Cameron, Melinda Young, Liane Rossler, Pennie Jagiello, Claire McArdle, Peter Deckers, Nicole Robins, Misa Gelin, Shirley Cho, Cara Johnson, Zoe Brand, Kelly McDonald, Vivian Atkinson, Tracey Clement, Vernon Bowden, Renee Pearson, Helena Bogucki, Roseanne Bartley.

10% of artist profits will be donateed to Pacific Calling Partnership (PCP) . The exhibition will be opened by Corinne Fisher, Coordinator of the Pacific Calling Partnership (PCP) initiative at the Edmund Rice Centre for Justice and Community Education.

My contribution was originally seen in the IMAGINE exhibition, curated by Boris Bally, which toured the US for a couple of years. It’s the first time it is being seen in Australia, and consequently it’s the first time I’ve posted a gun inside Australia. Fingers crossed it makes it…

Adorn and Driven to Adorn

Joondalup Art Gallery showcasing jewellery as a craft in March 2019

Happy New Year!

My studio is finally back on line after a 5-month hiatus, during which time Bruce and I have moved country, sold a house in the USA, bought a house in Australia, made some minor renovations to the place and celebrated the closing of a year and the beginning of a new one. I did not stop working entirely but I did take advantage of the studio down-time to slow down a bit. The year proceeding the move was intense, but it was planned that way knowing that there would be some down-time immediately after our US exit, which in the end worked great.  It has taken a month since the unpacking began to get my office and studio back in working order, and while I have a few tweaks left to do for full functionality in the studio (anyone have a drill press or air compressor going cheap?) the non-studio work on upcoming exhibitions and other events never really ceased. Which brings me to the latest news:

The Adorn exhibition and Driven to Adorn forum

The Jewellers and Metalsmiths Group of Australia – Western Australian (JMGAWA) branch is hosting a member exhibition at the City of Joondalup Art Gallery from 18 March-12 April 2019, and local craft thinker Carola Akindele-Obe of Maker and Smith is presenting a day of conversation with well-known local makers to coincide with the show on 24 March. And if that’s not enough, local legends Sarah Elson and Claire Townend will be teaching one-day classes of their respective specialties the following weekend; cuttlebone casting and enameling. I learned how to cast with Sarah in high school – in an uncharacteristic display I believe I drew and made a butterfly (in a surprise twist I was not actually influenced by Sarah’s superb Moth series as I believe they came later) – while Claire was my teacher when I went back to Curtin to dabble in jewellery in 2005. I’d not be where I am today without these two engaging instructors who are also thoughtful makers.

The Driven to Adorn conversation on March 24th will feature Katherine Kalaf, who in her Cottesloe gallery played host to significant international artist including – very memorably – the recent Loewe Prize shortlisted artist Giovanni Corvaja. Katherine’s space and the makers she attracted were an inspiration to me in my early career, and she was one of my first stockists. After Katherine’s presentation the Driven to Adorn forum will move into a 6×6 presentation, in which I will be one of the six local makers to present six minutes on an aspect of their practice. The full listing of ‘sixers’ for the afternoon is:

Melissa Cameron, Sarah Elson, Susannah Kings-Lynne, Bethamy Linton, Claire Townsend and Alister Yiap

Adorn

Joondalup Art Gallery
4/48 Central Walk, Joondalup WA 6027
18 March – 12 April 2019

Tuesday – Thursday: 10am to 2pm
Friday: 10.30am to 2.30pm

Driven to Adorn

2-5pm 24 Mar 2019 (Includes afternoon tea and an invitation to a viewing of the Adorn exhibition after the forum)
Joondalup Reception Centre, Boas Avenue, Joondalup
Places are limited to 30 and there are 16 spots left (as of 15.2.19)

DRIVEN TO ADORN – a forum for craft conversations

East-side shows

big love for small business

The coasts with the mosts…

For those of you in Sydney head to Bridget Kennedy Project Space TONIGHT! for her year-end celebrations, and you can bag yourself a very rare ‘73’ pendant. They’re also available at Bilk in Canberra (and they have a few new pieces from me in their current ‘White Christmas’ show which opened last Saturday), at Bini in Melbourne and at Contemporary Craft in Pittsburgh.

The pendants commemorate the 73 lives lost to gun violence in the USA on 1.1.2017. 

Exhibition – IMAGINE on tour

Continuing the tour of this important anti-gun-violence exhibition

The Boris Bally coordinated exhibition IMAGINE Peace Now has continued to gain relevance as it has toured the USA. It now makes its home at Radius Gallery in Santa Cruz, where Ann Hazels, the director, has made the bold move of showing it in time for the midterm elections in the USA. We are all of us, here in the rest of the world, crossing our fingers for you my USA people.

And if you want to go see the exhibition, (mentioned on here lot in the last two years) please see the address and important dates below.

Open from October 11- November 11, 2018
October 25: Peace Panel – partnering with SCPD and Resource Center for Non-violence
November 11: Artist Talk 2pm (also closing day of show)

Part of the Tannery Arts Center
1050 River St Unit 127
Santa Cruz, CA 95060
Hours: Wednesday – Sunday 12:00-5:00 pm

Monday – Gun day

Even I thought we were done with gun-days…

1.1.2017

The last post was all about the impending photo shoot of the above-titled work, which took place without a hitch just over two weeks ago. A huge ovation and a raucous Hip-Hip-Hooray! for my 56 intrepid volunteers, who modeled the 73 pieces that I had made in the previous month like absolute professionals. We worked basically by city, so we managed to get the works arrayed across our models.

I then took all the wearable works back into the studio to photograph them with the 73 containers from which they had come. After that I packed up the whole of 1.1.2017 and sent it to Contemporary Craft in Pittsburgh, and emailed a batch of the finished photos of the piece by the deadline, as per our contract. Then I reclaimed my weekends!

Contemporary Craft are now assembling the works of the 26 artists juried into Transformation 10: Contemporary Works in Found Materials in preparation for opening the exhibition and  awarding the Elizabeth R. Raphael Founder’s Prize on the 14th of September.

Now I’m working towards other deadlines. Have I mentioned that I’ll be in an exhibition With Other Eyes starting at the Ruthin Craft Centre in Wales on the 29th of September? I’m currently waiting on my first ever order of enamel decals (don’t worry, you’ll hear about it) while slowly slicing some 2mm shipping container steel.

So that’s why I regretfully don’t have any images to share of the work, or the shoot, just yet. But if you seek them out on Facebook, a few of my volunteers posted their images and thoughts. And yes, I’m still doing the editing on the pictures that I didn’t send (we shot about 680 images on the Saturday in Fremont, and I took about that many again in the studio), so I will be able to share images of everyone involved, and the whole work, very soon.

In the mean time, there was some positive gun news on The Guardian recently-there’s been more sales slumps for one of my favourite brands << you’ll be sure to shovel on the sarcasm for those last 2 words, won’t you? >>

SNAG 2018

So much to see and do at the SNAG conference this week, but try these for starters!

For those of y’all headed to Portland for the SNAG conference, here’s a few things I’m involved with that I’d love for you to check in on:

1\ Crossings

See works by SMG and CMAG members at Crossings in the Pearl District

Crossings is a combined show of Portland Creative Metal Arts Guild (CMAG) and Seattle Metals Guild (SMG) members. Come check out the best of the Northwest!

It’s on at: Annie Meyer Gallery
Wednesday 23r​d​ May-Saturday the 26t​h​ May
12-5:30pm and during Gallery Crawl – 5-8pm on Thursday
120 NW 9th Ave Ste 102, Portland, Oregon 97209

The Crossings show explores the intersection of diverse disciplines, processes, and media. Artists were encouraged to work across craft boundaries such as incorporating ceramics, wood, or glass. Collaborations between artists were also encouraged. This show represents a cross section of our metals communities and a wide variety of styles and materials will be represented, including jewelry and sculpture.

It’s the only exhibition I’m involved in that’s in a real gallery, so please get out and support it!

/ / /

The rest are a part of SNAG’s own Adorned Spaces, which runs Thursday, May 24th, 10:00 am – 6:00 pm and Friday, May 25th, 10:00 am – 8:00 pm at the conference venue: Portland Marriott Downtown Waterfront, 1401 SW Naito Pkwy, Portland, OR.

2\ (Un)common Interest

Curated by (and including) Sharon Massey, it showcases: April Wood, Ben Dory, Kat Cole, Jim Dunn, Michael Dale Bernard, Jessica Tolbert, Maia Leppo, Lynn Batchelder, Melissa Cameron, Sarah Holden and Michael Hull. Need a hint as to why we’re all together in this one? We all like to work in STEEL! (who doesn’t?)

See in rooms G,H and I next to the main ballroom that is hosting all of the presentations.

3\ In Touch

Katja Toporski and Anja Eichler’s co-curated exhibition from Munich Jewellery Week, In Touch, is getting a second outing just for SNAG, and I for one am very pumped to finally see it! And see it I will, long and often, as it is kitty-corner (don’t you love Americanisms?) from the Plate Glass show, in Salons C + D, on the same level as the main SNAG presentation venue!

This time it will feature one of my award-winning social unit works beautifully arranged, as I (and the universe – I did not invent the signage from which it takes its form,) originally intended.

…hopefully… There’s a lot to get done that afternoon, folks, because…

4\ Plate Glass

is having it’s 3rd and final outing in the USA. I’m making the display equipment out of cardboard, while coordinating the object drop-off for my current container-to-jewellery barter scheme (which is ultimately to complete the Monday-Gun Day project) which means I have also been able to add to the design a handy place to stash all the containers I receive from you this week!

Please consider helping out with the swap project if you can (forward it on to those distant cousins in Florida, why doncha? – or if you are at SNAG, I’ll have self-addressed padded envelopes for you to pick up to help you mail me something in return for your jewel), and definitely come and see this show. It’s received rave reviews in its two previous incarnations, and I think this is the best display yet! (Or it will be when I finish it…)

Phew! And if you’re chillin around these parts often, (and coming to P-town this week) you might recall I mentioned that it was my birthday couple of weeks back. The hottest rumor is a combined Seattle-peeps birthday celebration on one of the nights… Come say helloooo and get the skinny.

Exhibitions – Seattle and Taipei

See some of my works at a couple of new shows opening in the next few weeks!

ryan james fine arts: Visual Impressions

And yes! I will be in Kirkland for the opening reception on the 12th of April from 5pm. Please come along and say hi!​

The second is a huge international enamel art exhibition organised by National Taiwan Craft Research and Development Institute,
Chinese Taipei Enamel of Art Association

2018 Blaze: International Art Enamel

April 19th (Thursday) to August 19th (Sunday), 2018
National Taiwan Craft Research and Development Institute Taipei Branch 4 Floor (41, Nanhai Road, Zhongzheng District, Taipei City, Taiwan 100)