After a hiccup and a delayed start, we opened our window display in Paris overnight on October the 13th. So you can finally see the (admittedly abbreviated) Connexionsin the real! We’re at Galerie Assemblages as a part of the Parcours Bijoux jewellery festival:
66 rue Legendre, 75017 Paris, France
Exhibition dates are being extended so we can keep our 3 week engagement, so likely closing around November 7th.
Hours: We’re a window display open 24 hours a day, 7 days a week. The original COVID-19 friendly way to see a show! And because we’re clustered in a window there’s a few works we couldn’t fit (ok, more like 3/4 of the show) so please peruse those works at your leisure on our website.
Connexions showcases new contemporary jewellery works by Australian artists Emily Beckley, Fatemeh Boroujeni, Melissa Cameron, Blandine Hallé, Eden Lennox and Sultana Shamshi. It debuts at the Parcours Bijoux International Triennial in October 2020 at Galerie Assemblages in Paris, France, then travels to the Indian Ocean Craft Triennial in Perth, Australia, in 2021.
Exhibition dates: 6 – 25 October 2020
Hours: Window display open 24 hours a day, 7 days a week Galerie Assemblages, 66 rue Legendre, 75017 Paris, France
See the expanded exhibition online www.connexions-exhibition.com from the 6th of October (we have a lot of content in development, since we couldn’t use our grants from the DLGSC and Australia Council as they were intended – to travel to France for the opening) and more via the Connexions Instagram page, where we’re sharing nuggets like this:
And finally, please put the date of our Zoom Artist Talk in the diary: 11am– Sat October 10th, Paris time, or at:
2 a.m.: Seattle 10:00 a.m.: UK 11 a.m.: Paris 1:30 p.m.: Iran 2:30 p.m.: India 5 p.m.: Perth 7 p.m.: Horn Island 8 p.m.: Sydney 10 p.m.: New Zealand
In honour of present-fest 2019 I have made some new jewellery AND I have sent over to the other side of the country some jewellery I made last year that had not been exhibited in Australia before. So industrious!
1/ Bridget Kennedy Project Space
Let me start with the second part first – Bridget Kennedy has come to the conclusion that for the experience-based and consume-less economy there should be an Art-Jewellery bank. Thus the work below – looking fiiiine on a sister of mine – is available at three, yes 3, price points from her gallery this season. A one-week rental, a 4-week rental, and an own-outright price. And if you rent and decide you can’t part with it, the price you have already paid will count against what’s left. Genius!
This is a very short summary of course, and Bridget explains the bigger philosophy around her grand idea here. And you should know that the artists’ ‘bankable’ pieces are supported by other matching works. If this neckpiece is on the large size for you there’s matching pins, earrings and pendants that will also be on display, all for immediate sale.
The opening for Bridget’s of year celebrations Little Forestby Anna Vlahos (another Perth girl out in the world and a personal fave of mine) and The Art Jewellery Bank is Thursday 28th November 5-8pm and is an RSVP event. Get along then or before the 23rd of December to:
53 Ridge Street, North Sydney NSW 2060 11 – 5pm Wednesday, Thursday, Saturday 10 – 6pm Friday
2/ And then there’s Bilk!
Please join us Saturday 23 November for our end of year exhibition, The Big Dry. Featuring new work by Linda Hughes, Kath Inglis, Chris Bahng, Zoe Brand, Claire McArdle, Vicki Mason, Larah Nott, Thomas O’Hara, Helen Aitken-Kuhnen, Mio Kuhnen, Marian Hosking, Jane Reilly, Melissa Cameron, Eugenie Keefer Bell, Sean O’Connell and many more.
In previous years Bilk has celebrated the end of year with White Christmas. This year we asked Artists to think of pressing issues which are affecting the wider community and Australia – the environment, water, biodiversity, wind and drought. Even with the harshest of environments and extremes in climates, there is still a beauty that can be seen through the heat, dust, cracking soils and the transforming colours water can bring.
East Coast of Australia exhibitions is where it’s at this week, and next.
I have works in two exhibitions starting Thursday and Friday of this week.
If you’re in Melbourne have a great time at #RadPav, I’ll see you at the next one for sure. If you’re in Toowoomba this is my first Contemporary Wearables for a few years (you have to be in Australia to apply). It’s great to be back!
MasterMakers has an invite-only opening on Thursday, with guest speaker Virginia Trioli (!)
Contemporary Wearables ’19 is open to all by RSVP, details on the invitation below. National treasure (and my mentor) Marian Hosking will be at the opening as the judge of the awards. If only I weren’t headed to Canberra the next day. I know the collection of jewellery there is very impressive, I hope to get to see it one day.
MasterMakers at RMIT Gallery:
RMIT Gallery, Building 16, 344 Swanston Street, Melbourne.
Since the 1970s, leading Australian and international Gold and Silversmithing artists have delivered and participated in masterclasses in the RMIT School of Art which has had a profound impact on the training of the craft in Australia.
This major exhibition explores the masterclass legacy, showcasing both recent works of the visiting ‘master makers’ and work produced at the master classes, as well as recording the cultural, artistic and technical shift in contemporary jewellery and object.
Curator Mark Edgoose
Featuring artists: Ruby Aitchison, Helen Aitken-Kuhnen, Robert Baines, Nicholas Bastin, Peter Bauhuis, Dianne Beevers, Doris Betz, Renee Bevan, David Bielander, Julie Blyfield, Zoe Brand, Helen Britton, Sue Buchanan, Melissa Cameron, Bifei Cao, Pamela Chan, Yu Fang Chi, David Clarke, Anna Clynes, Katie Collins, Conversation Piece (Beatrice Brovia & Nicholas Cheng), Anna Davern, Helen Dilkes, Bin Dixon-Ward, Joungmee Do, Mark Edgoose, Sian Edwards, Ian Ferguson, Karl Fritsch, Emi Fukuda, Eli Giannini, Kiko Gianocca, Allona Goren, Rowena Gough, Wayne Guest, Caz Guiney, Marcos Guzman, Mary Hackett, Kirsten Haydon, Peter Hoogeboom, Marian Hosking, Katherine Hubble, Linda Hughes, David Huycke, Naoko Inuzuka, Kazuhiro Itoh, Nicole Jacquard, Tassia Joannides, Cara Johnson, Hermann Jünger, Jiro Kamata, Jung-Hoo Kim, Inari Kiuru, Wendy Korol, Daniel Kruger, Otto Künzli, Andrew Last, Benjamin Lignel, Sue Lorraine, Carlier Makigawa, Stefano Marchetti, Marion Marshall, Chris Massey, Claire McArdle, Kelly McDonald, Lindy McSwan, Sam Mertens, Karl Millard, Yutaka Minegishi, Marc Monzó, Shelley Norton, Michaela Pegum, Jana Roman, Lucy Sarneel, Elise Sheehan, Debbie Sheezel, Bettina Speckner, Michelle Stewart, Leah Teschendorff, Elizabeth Turrell, Renée Ugazio, Manon van Kouswijk, Michael Wong and Aurelia Yeomans.
Contemporary Wearables ’19
531Ruthven St, Toowoomba.
We are honoured to have one of Australia’s most respected metalsmiths, Marian Hosking, selecting this year’s Award Prize winners and making suggestions for collection acquisitions.
The selection panel this year was Simon Cottrell, Lecturer / Researcher, Gold and Silversmithing Workshop, ANU School of Art & Design, Claire Sourgnes CEO Artisan, and Chloë Powell Curator and Exhibitions Manager, Craft Victoria / Co-founder and Director, Radiant Pavilion: Melbourne Contemporary Jewellery and Object Biennial. The Gallery team is very grateful to them for their valuable contribution in selecting the exhibition.
In her practice Melissa Cameron has perfected the application of liquid enamel onto small objects. It’s a unique enamelling method, well suited to both flat and dimensional forms, with coating found objects like wire and tiny laser-cut parts being Melissa’s specialties.
In this workshop with the artist, learn her tips and tricks for using liquid enamel on steel and copper, from metal surface preparation to enamel mixing, application, and firing. Extend your decorative palette with textures and patterns using simple techniques, well suited for use on items of jewellery and small objects.
This masterclass is being held in conjunction with Melissa Cameron’s solo exhibition at Bilk Gallery opening on Friday the 13 September 2019, 6pm – 8pm.
Workshop details Time: 9.30 am – 5pm, Saturday and Sunday 14 – 15 September. Location: Workshop Bilk, 403 Captians Flat Road Carwoola Queanbeyan NSW Australia. Attendees will need to bring their own lunch. Coffee and tea will be provided. Materials: All materials and tools will be supplied. Cost: $450 per person for the two days. Maximum of six places available.
The neck, often seen as a sensual part of the body, a site of vulnerability, is also a site of strength, supporting the heavy head, a conduit to our heart and lungs, providing life giving oxygen to our bodies, and nourishment through the ingestion of food. At a time when our planet and humanity seems to be suffocating on many fronts, strangled by powerful, self serving ‘leaders’, Bridget Kennedy invites selected artists to explore the neck as a vehicle for political, social and environmental activation. Artists include; Melissa Cameron, Melinda Young, Liane Rossler, Pennie Jagiello, Claire McArdle, Peter Deckers, Nicole Robins, Misa Gelin, Shirley Cho, Cara Johnson, Zoe Brand, Kelly McDonald, Vivian Atkinson, Tracey Clement, Vernon Bowden, Renee Pearson, Helena Bogucki, Roseanne Bartley.
10% of artist profits will be donateed to Pacific Calling Partnership (PCP) . The exhibition will be opened by Corinne Fisher, Coordinator of the Pacific Calling Partnership (PCP) initiative at the Edmund Rice Centre for Justice and Community Education.
My contribution was originally seen in the IMAGINE exhibition, curated by Boris Bally, which toured the US for a couple of years. It’s the first time it is being seen in Australia, and consequently it’s the first time I’ve posted a gun inside Australia. Fingers crossed it makes it…
Joondalup Art Gallery showcasing jewellery as a craft in March 2019
Happy New Year!
My studio is finally back on line after a 5-month hiatus, during which time Bruce and I have moved country, sold a house in the USA, bought a house in Australia, made some minor renovations to the place and celebrated the closing of a year and the beginning of a new one. I did not stop working entirely but I did take advantage of the studio down-time to slow down a bit. The year proceeding the move was intense, but it was planned that way knowing that there would be some down-time immediately after our US exit, which in the end worked great. It has taken a month since the unpacking began to get my office and studio back in working order, and while I have a few tweaks left to do for full functionality in the studio (anyone have a drill press or air compressor going cheap?) the non-studio work on upcoming exhibitions and other events never really ceased. Which brings me to the latest news:
The Adorn exhibition and Driven to Adorn forum
The Jewellers and Metalsmiths Group of Australia – Western Australian (JMGAWA) branch is hosting a member exhibition at the City of Joondalup Art Gallery from 18 March-12 April 2019, and local craft thinker Carola Akindele-Obe of Maker and Smith is presenting a day of conversation with well-known local makers to coincide with the show on 24 March. And if that’s not enough, local legends Sarah Elson and Claire Townend will be teaching one-day classes of their respective specialties the following weekend; cuttlebone casting and enameling. I learned how to cast with Sarah in high school – in an uncharacteristic display I believe I drew and made a butterfly (in a surprise twist I was not actually influenced by Sarah’s superb Moth series as I believe they came later) – while Claire was my teacher when I went back to Curtin to dabble in jewellery in 2005. I’d not be where I am today without these two engaging instructors who are also thoughtful makers.
The Driven to Adorn conversation on March 24th will feature Katherine Kalaf, who in her Cottesloe gallery played host to significant international artist including – very memorably – the recent Loewe Prize shortlisted artist Giovanni Corvaja. Katherine’s space and the makers she attracted were an inspiration to me in my early career, and she was one of my first stockists. After Katherine’s presentation the Driven to Adorn forum will move into a 6×6 presentation, in which I will be one of the six local makers to present six minutes on an aspect of their practice. The full listing of ‘sixers’ for the afternoon is:
2-5pm 24 Mar 2019 (Includes afternoon tea and an invitation to a viewing of the Adorn exhibition after the forum)
Joondalup Reception Centre, Boas Avenue, Joondalup
Places are limited to 30 and there are 16 spots left (as of 15.2.19)
For those of you in Sydney head to Bridget Kennedy Project Space TONIGHT! for her year-end celebrations, and you can bag yourself a very rare ‘73’ pendant. They’re also available at Bilk in Canberra (and they have a few new pieces from me in their current ‘White Christmas’ show which opened last Saturday), at Bini in Melbourne and at Contemporary Craft in Pittsburgh.
The pendants commemorate the 73 lives lost to gun violence in the USA on 1.1.2017.
Continuing the tour of this important anti-gun-violence exhibition
The Boris Bally coordinated exhibition IMAGINE Peace Now has continued to gain relevance as it has toured the USA. It now makes its home at Radius Gallery in Santa Cruz, where Ann Hazels, the director, has made the bold move of showing it in time for the midterm elections in the USA. We are all of us, here in the rest of the world, crossing our fingers for you my USA people.
The last post was all about the impending photo shoot of the above-titled work, which took place without a hitch just over two weeks ago. A huge ovation and a raucous Hip-Hip-Hooray! for my 56 intrepid volunteers, who modeled the 73 pieces that I had made in the previous month like absolute professionals. We worked basically by city, so we managed to get the works arrayed across our models.
I then took all the wearable works back into the studio to photograph them with the 73 containers from which they had come. After that I packed up the whole of 1.1.2017 and sent it to Contemporary Craft in Pittsburgh, and emailed a batch of the finished photos of the piece by the deadline, as per our contract. Then I reclaimed my weekends!
Contemporary Craft are now assembling the works of the 26 artists juried into Transformation 10: Contemporary Works in Found Materials in preparation for opening the exhibition and awarding the Elizabeth R. Raphael Founder’s Prize on the 14th of September.
Now I’m working towards other deadlines. Have I mentioned that I’ll be in an exhibition With Other Eyes starting at the Ruthin Craft Centre in Wales on the 29th of September? I’m currently waiting on my first ever order of enamel decals (don’t worry, you’ll hear about it) while slowly slicing some 2mm shipping container steel.
So that’s why I regretfully don’t have any images to share of the work, or the shoot, just yet. But if you seek them out on Facebook, a few of my volunteers posted their images and thoughts. And yes, I’m still doing the editing on the pictures that I didn’t send (we shot about 680 images on the Saturday in Fremont, and I took about that many again in the studio), so I will be able to share images of everyone involved, and the whole work, very soon.