And finally, Bilk gallery has White Christmas, for which I made a few new goodies, like the ornament below, and some jewels to go along with them of course. Because who doesn’t want to match their decor this celebration season?
And so too is my line of jewellery, entitled Resist.
The ÿ neckpiece is the latest addition to the series, and yes, it is the type of welded steel chain one might normally use to doubly secure one’s trailer to the hitch at the back of the car. I got it at my local hardware store (Shout out to 5 Corners Hardware – yes, not to be confused with the 5 Spot – a diner also in Queen Anne, or 5 Point Cafe, just down the road in Belltown. If you’ve not visited Seattle, and Queen Anne especially, the crosswalk motif is ‘at least 5 lanes of traffic, awkwardly conjoined’ and is somehow considered a whimsical feature. Shout out to Sydney, AU, I know you know this scene…) a year or so ago when contemplating chains for my piece for Boris Bally’s gun show Imagine. This length has thus been hanging on the door to my basement studio for long enough to leave semi-circular marks as the chain frequently arced across the door, tethered by a single nail.
I was gradually sandblasting every scrap of steel chain I could come up with in my studio, and one day I was sitting at my enamel bench when I realised there was one I hadn’t tried. Cut to 20 minutes later, after hand sawning a sacrificial link *twice* in order to separate it from the rest of the length (the chain is just too thick to try and bend to get away with one cut alone), I was hugging the sandblaster in my usual fashion. Because zinc is a neurotoxin at just about the same temperature that enamel fires, it pays to assiduously remove all traces of galvanisation. Once blasted, I painted on a pretty swatch of my favourite blue of the day, fired, and viola! I had a beautiful chain, that read ‘ÿ’ in binary, because, well, ÿ are we in this mess…?
And in case you’re new, ÿ binary, or even, ÿ blue?
In the Resist system of binary/ascii* communication, the 0’s and 1’s of binary code are switched from numbers to colors, gray and blue respectively. By individually enameling each part of a piece in the correct sequence, I encode words like ‘no’ onto earrings, or ‘resist’ onto pins and neckpieces.
So why blue? Because that color is the opposite of orange on the traditional color wheel.
These little messages in jewellery form are each hand-made and hand-enamelled in stainless steel, with titanium rivets and ear hooks on the ‘Resist tile’ pieces. They are very reasonably priced, and in some sort of seasonal coincidence, all of my stores have just been resupplied! What [in]credible timing!
Please go check out these pretties ‘in the real’ in Australia at:
And if you’re around Seattle’s U district this coming Friday, Danaca Design is having its first ever Black Friday Jewelry Sale!
Tis the season to buy into the beautifully handmade resistance.
As ever, 5% the artist’s price from this series goes to Islamic Relief USA, a 501 (c) (3) non-profit humanitarian agency, whose work includes domestic and international development and relief projects.
*gotta put ASCII in there or I’ll have to face a nerd uprising
No, not me, I’ve made maybe a dozen rings in my career – but at least four of them will be on show at Bilk Gallery for the opening of Ring Master tonight! This group show of rings by makers from all over the world is a part of the Design Canberra Festival. To get into some jewels designed in AutoCad and handmade by me (with some laser cutting involved, though not in the little number above mind, it was hand-sawn all the way) you’d better get in quick 😉
Did I mention the show is on til Christmas eve? Timing!
Ring Master, an exhibition exploring the notion and designs of the humble (and not so humble) ring. Featuring rings by; Helen Britton, Julia deVille, Johannes Kuhnen, Helen Aitken-Kuhnen, Carlier Makigawa, Godwin Baum, Julie Blyfield, Melissa Cameron, Cinnamon Lee, Chris Robertson, Sean O’Connell, Jane Bowden, Bin Dixon-Ward, Philip Noakes, Vincent Pontillo-Verrastro, Mikki Trail, Sam Mertens and Mio Kuhnen (and many more).
This year Bilk Gallery is pleased to be part of Design Canberra Festival 2017 with Ring Master, an exhibition exploring the notion and designs of the humble (and not so humble) ring.
Speaking Out: Art & Politics in Words
September 27, 2017 – November 10, 2017
Openings: 1-3pm and 5-7pm on Wednesday, September 27, 2017
Speaking Out highlights artists who use words as the basis of their work, creating pieces that inspire discussion around topics of political and social justice. What are the words necessary to start the discussion or argument, to pull people together or apart? How can language be used to share, to trivialize or to provoke? Can a word help you to see what it is like in the shoes of another? And how can a word of indifference end a discussion? We hope that you will see the work in the gallery as a starting place for conversation around topics that are highlighted in current events and contemporary activism.
For those of you visiting Melbourne for the upcoming Radiant Pavilion festivities (on the map we’re stop 53, on the Collingwood/Fitzroy border), and of course all of you locals, please consider yourself invited to the opening of Shared Concerns at Bini Gallery from 5:30pm on Friday the 25th of August.
This opening of the show is very special as it will see a record attendance of participating artists at the opening – we will be joined by our Victorian artists Jill Hermans as well as Caitie Sellers from Richmond, VA in the USA, and me! I’m so excited to see everyone in my beloved second home city, I just can’t wait! Hope to catch you there 🙂
If you’re anywhere near Sydney get on over to Studio 2017 Project Space at Bridget is having a SALE! There are a lot of artists involved in this space, including the maestro Bridget herself, so it’s worth it just to check out what treasures she has stashed around the gallery.
Studio 20/17 are the longest supporters and continuous stockists of my work, so they have quite the back catalogue of pieces, many of which simply aren’t available anywhere else (and some that never were.) This really is your only chance to see and try these works, and to maybe pick yourself out a little something while it’s going for a song!
Hooray! I’m in a show with Trophy Wife Barbie! Check her out (link goes to Instagram) if you’re not familiar.
This show feature brooches by Melissa Cameron, Marian Hosking, Nick Bastin,
Panjapol Kulpapangkorn, Kath Inglis, Johannes Kuhnen, Helen Aitken-Kuhnen,
Eugenie Keefer Bell, Inari Kiuru, Janice Vitkovsky, Jo Hawley, Jasmine Watson, Larah Nott, Zoe Brand, Laura Eyles and the Trophy Wife Barbie (Annelies Hofmeyr).
I’m really pleased to share the Drone works (half of which is in the image above) will be showing alongside the the Drawing the Line exhibition at Facèré Jewelry Art when it opens this Wednesday, May 3rd, in downtown Seattle. Come to the opening lecture from 4pm to hear me talk about the works in the show – the new additions to the Body/Politic series, and their progenitor, the Drone series.
May 3, 2017 – May 23, 2017
Lecture: Wednesday, May 3 at 4:00 PM
Reception: Wednesday, May 3 at 5:00 PM
Launched in 1897, the Wawona was the largest three-masted sailing schooner ever built in North America. The ship was used to haul lumber up and down the Pacific Coast and used in the Bering Sea codfishing trade. In 1970 the Wawona became a National Historic Site and she was the first ship in the nation to be listed on the National Register. In 2009 she was deemed too expensive to restore and was demolished.
Come and see what the Seattle Metals Guild have done with the pieces of the ship that were not made into the huge sculpture by John Grade at MOHAI (that’s the Museum of History and Industry for all y’all not in the PNW [Pacific North West – and yes, I did that one to be facetious 😉 .])
The exhibition opens at Northwind Arts Center May 6 – 5:30 pm
701 Water Street, Port Townsend, WA
Thursday – Monday, 11:30am-5:30pm
Tuesday – Wednesday, Noon-5pm