Today we’re celebrating the launch of the Connexions exhibition website! While you’re there be sure to check out the short films of each exhibiting artist by our mate Brendan Hutchens of Vam Media, with filming assistance from Kantesha Takai of Lola Digital for Emily on Horn Island.
Connexions showcases new contemporary jewellery works by Australian artists Emily Beckley, Fatemeh Boroujeni, Melissa Cameron, Blandine Hallé, Eden Lennox and Sultana Shamshi.
And don’t forget this Saturday is our artists’ talk; click on the link that says Link to Zoom Meeting on this page. It’s on at 11am– Sat October 10th, Paris time, or at:
2 a.m.: Seattle 10:00 a.m.: UK 11 a.m.: Paris 1:30 p.m.: Iran 2:30 p.m.: India 5 p.m.: Perth 7 p.m.: Horn Island 8 p.m.: Sydney 10 p.m.: New Zealand
Hope to see y’all there!
We are proud to be supported by The Department of Local Government, Sport and Cultural Industries in Western Australia and the Australia Council for the Arts.
This year’s annual Seattle Metals Guild Symposium is happening and will be presented online for your convenience on Oct. 10, 2020. If you’ve never attended one because of expense or distance you’re in luck! There will be an outstanding lineup of speakers, artists, silent auction, speaker panel, and even a Happy Hour! It will all be recorded for viewing anytime from your time zone. You can register and get tickets now.
The Seattle Metals Guild put on the symposium annually – you’ll have seen me spruik it here before – and this year a few of my buddies are speaking. It’s not a local affair by any means – the 5 main speakers are all very much non-Seattleites, but 3 of them just happen to be colleagues/friends I would pretty regularly catch up with around the US at different events. There’s Cappy Counard, Stephen Yusko and Maria Eife, my occasional SNAG wife (or wifey, cos Eife and wifey… For those unfamiliar, there’s a lot of people who share a twin room at SNAG every year with the same friend, who claim their shared-room-partner as their SNAG-spouse 😉 ) along with Andrea Hill and Morgan Asoyuf.
Yes! They still managed to get an international guest! Morgan Asoyuf hails from British Columbia and is a jeweller and cultural education teacher. She is from the Tsm’syen people and has a rich First Nations and traditional goldsmithing background. And Andrea Hill will be talking growth for jewellery businesses, so it’s a very well rounded year, with those two, Stephen the precision blacksmith, (I bought a lovely bottle opener made by him the first time we met, which was nicked by some rascal at a party at ours one time – something tells me I shoulda searched Andy Cooperman [see video above] as he left the party… He and I both were introduced to Stephen at the same event and he lusted over it too.) Cappy the professor of jewellery who I did the Smitten Forum with in 2018, whose beautiful layered practice really makes you think, and Maria the designer par excellence who has been innovating with laser and 3D print technologies her whole career, and who knows the ins and outs of the jewellery fair scene. See pic below for proof!
So the benefit of not being in realbody for this symposium, aside from the ‘no pants’ option Andy has kindly laid out to us, is that those of us in completely non-synced time-zones can get onboard and see these unique and talented makers talk about their works when it’s convenient for us. For a price that’s about a third of the usual dirt-cheap SMG Symposium sign-up fee. Huzzah! COVID-19 can’t take all our fun 🙂
And so, I will get up at 7am next Sunday and while still bleary-eyed make myself an early morning mimosa, to toast all of my friends at the Zoom Happy Hour. Feel free to join me!
(And don’t let it slip, when I tell them it was all great, that I won’t be watching them speak until later that day. Ssshhhh…)
Connexions showcases new contemporary jewellery works by Australian artists Emily Beckley, Fatemeh Boroujeni, Melissa Cameron, Blandine Hallé, Eden Lennox and Sultana Shamshi. It debuts at the Parcours Bijoux International Triennial in October 2020 at Galerie Assemblages in Paris, France, then travels to the Indian Ocean Craft Triennial in Perth, Australia, in 2021.
Exhibition dates: 6 – 25 October 2020
Hours: Window display open 24 hours a day, 7 days a week Galerie Assemblages, 66 rue Legendre, 75017 Paris, France
See the expanded exhibition online www.connexions-exhibition.com from the 6th of October (we have a lot of content in development, since we couldn’t use our grants from the DLGSC and Australia Council as they were intended – to travel to France for the opening) and more via the Connexions Instagram page, where we’re sharing nuggets like this:
And finally, please put the date of our Zoom Artist Talk in the diary: 11am– Sat October 10th, Paris time, or at:
2 a.m.: Seattle 10:00 a.m.: UK 11 a.m.: Paris 1:30 p.m.: Iran 2:30 p.m.: India 5 p.m.: Perth 7 p.m.: Horn Island 8 p.m.: Sydney 10 p.m.: New Zealand
Talking about recent works at the JMGA monthly meeting in WA
Next Tuesday, the 24th of September, I’m going to be talking to some of y’all at the JMGA WA monthly meeting. If you’re not across it but you’re in the WA area (visitors welcome, just let me know and I’ll look out for you) you’re hereby invited to come hear and see what I’ve been up to over the last couple of years, jewel-wise.
It’s on at 7:30 pm@ WA Lapidary and Rock-hunting Club 31/35 Gladstone Road, Rivervale WA 6103
As for the photo, this was taken by Helen Aitken-Kuhnen (*clang* first name drop) at last weekend’s masterclass with these legends of jewellery in Australia. For the finished product of David Walker’s endeavours (as you might expect, he put us all to shame with his work ethic and the quality of his output), and to hear me spill the tea about another jewellery-legend that I lunched with this week (*hint* he’s over from Europe [just…] and been at #RadPav and The Jam in the last week) you’d better get in on time to claim a seat.
In all honesty, I could fill my time just talking about the last two weeks. BTW, does anyone know how much time I have??
Short films and a performance; crafting experience as well as the object
Last Friday night I went to the Real to Reel Craft Film Festival here in Perth and it was incredible! Presented by local craft heroes Maker & Smith (organisers of workshops, talks and other beautifully thought-out and executed events) it is screening again this Friday night in Perth at Camelot Cinema. The fest is then touring to Melbourne – end of this month – and Sydney – early next – so check out that first link for dates. I love a short film fest, and this was one for the ages.
Also in Melbourne you have the Su san Cohn performance Meaninglessness in the middle of this month. Please go, it looks to be another powerful presentation from one of Australia’s finest jewellery thinkers. I look forward to living vicariously.
In her practice Melissa Cameron has perfected the application of liquid enamel onto small objects. It’s a unique enamelling method, well suited to both flat and dimensional forms, with coating found objects like wire and tiny laser-cut parts being Melissa’s specialties.
In this workshop with the artist, learn her tips and tricks for using liquid enamel on steel and copper, from metal surface preparation to enamel mixing, application, and firing. Extend your decorative palette with textures and patterns using simple techniques, well suited for use on items of jewellery and small objects.
This masterclass is being held in conjunction with Melissa Cameron’s solo exhibition at Bilk Gallery opening on Friday the 13 September 2019, 6pm – 8pm.
Workshop details Time: 9.30 am – 5pm, Saturday and Sunday 14 – 15 September. Location: Workshop Bilk, 403 Captians Flat Road Carwoola Queanbeyan NSW Australia. Attendees will need to bring their own lunch. Coffee and tea will be provided. Materials: All materials and tools will be supplied. Cost: $450 per person for the two days. Maximum of six places available.
Joondalup Art Gallery showcasing jewellery as a craft in March 2019
Happy New Year!
My studio is finally back on line after a 5-month hiatus, during which time Bruce and I have moved country, sold a house in the USA, bought a house in Australia, made some minor renovations to the place and celebrated the closing of a year and the beginning of a new one. I did not stop working entirely but I did take advantage of the studio down-time to slow down a bit. The year proceeding the move was intense, but it was planned that way knowing that there would be some down-time immediately after our US exit, which in the end worked great. It has taken a month since the unpacking began to get my office and studio back in working order, and while I have a few tweaks left to do for full functionality in the studio (anyone have a drill press or air compressor going cheap?) the non-studio work on upcoming exhibitions and other events never really ceased. Which brings me to the latest news:
The Adorn exhibition and Driven to Adorn forum
The Jewellers and Metalsmiths Group of Australia – Western Australian (JMGAWA) branch is hosting a member exhibition at the City of Joondalup Art Gallery from 18 March-12 April 2019, and local craft thinker Carola Akindele-Obe of Maker and Smith is presenting a day of conversation with well-known local makers to coincide with the show on 24 March. And if that’s not enough, local legends Sarah Elson and Claire Townend will be teaching one-day classes of their respective specialties the following weekend; cuttlebone casting and enameling. I learned how to cast with Sarah in high school – in an uncharacteristic display I believe I drew and made a butterfly (in a surprise twist I was not actually influenced by Sarah’s superb Moth series as I believe they came later) – while Claire was my teacher when I went back to Curtin to dabble in jewellery in 2005. I’d not be where I am today without these two engaging instructors who are also thoughtful makers.
The Driven to Adorn conversation on March 24th will feature Katherine Kalaf, who in her Cottesloe gallery played host to significant international artist including – very memorably – the recent Loewe Prize shortlisted artist Giovanni Corvaja. Katherine’s space and the makers she attracted were an inspiration to me in my early career, and she was one of my first stockists. After Katherine’s presentation the Driven to Adorn forum will move into a 6×6 presentation, in which I will be one of the six local makers to present six minutes on an aspect of their practice. The full listing of ‘sixers’ for the afternoon is:
2-5pm 24 Mar 2019 (Includes afternoon tea and an invitation to a viewing of the Adorn exhibition after the forum)
Joondalup Reception Centre, Boas Avenue, Joondalup
Places are limited to 30 and there are 16 spots left (as of 15.2.19)
This year’s dynamic speaker line-up includes European jewelry artist Terhi Tolvanen, metalsmith/sculptor David H. Clemons, jeweler/enamelist Deborah Lozier, and repoussé master Douglas Pryor; plus Ideation: From the Belly to the Brain, a panel discussion featuring artists Melissa Cameron, Eva Funderburgh, and Gina Pankowski.
The Symposium will be in Seattle this year, rather than in Tacoma as originally planned. Due to unforeseen circumstances, we’ve had to make a last-minute change, so this year we will be at the Langston-Hughes Performing Arts Institute, with everything the Symposium has to offer: Silent Auction, Book Sale, and a fabulous line up of speakers and panelists, detailed above.
Date: Saturday, October 6, 2018 Location: Langston-Hughes Performing Arts Institute, Seattle, WA
It’s the day before I leave the USA permanently for Perth, Australia, so come say goodbye and join us at the after-party to end all after-parties!
3/ Uneasy Beauty
See my works Drone: Attempts to Kill… and RPG in this exhibition at The Fuller Craft Museum in MA, curated by Suzanne Ramljak the former editor of Metalsmith Magazine.
Uneasy Beauty: Discomfort in Contemporary Adornment will bring together 75 examples of contemporary jewelry and costume that demonstrate the immense power of adornment to impact us physically, emotionally, and intellectually. Showcasing wearable work in various media from regional and national artists, the exhibition will explore the outer limits of comfort through works that constrict body movement, irritate the skin, make extreme demands, or touch upon sensitive cultural nerves. Uneasy Beauty is part of the Mass Fashion collaborative, a consortium of eight cultural institutions that aim to explore and celebrate the many facets of the Bay State’s culture of fashion. This exhibition is curated by Suzanne Ramljak, an art historian, writer, curator, and former editor of Metalsmith magazine.
October 6, 2018 – April 21, 2019
Fuller Craft Museum
455 Oak Street
Brockton, MA 02301
This exhibition, begun in 2016, seems to pick up more relevance as it goes. If you’d like to see it in your town, please let us know.
Before I present all the details, I wanted to tell you that this show is a real labor of love for the curator, Boris Bally. I had the privilege to hear him speak last year at the Association for Contemporary Jewellery20:20 Visions Conference in the UK about the genesis of this exhibition, and to speak with him about the show both there and at SNAG. In speaking with him, it’s clear that he’s driven by the pure desire, in fact need, to make these things go away from the hands of vulnerable people in this country. He also just happens to be one of the most generous and humble artists that I have ever had the pleasure to meet, so if you are anywhere near St Louis, I really do urge you to go see him speak. (And if you do, please tell him that I sent you, and that I’m thinking of him.) And more amazingly, he is but one part of an incredible line-up of presenters, panelists and artists who will be talking about gun violence in St Louis and the USA.
Craft Alliance Center of Art + Design will partner with Maryville University to present I.M.A.G.I.N.E. Peace Now, a powerful traveling exhibition created as a positive response to the rising tide of gun violence in America. Conceived by metalsmith Boris Bally and brought to St. Louis through the help of his long-time collector Michael Staenberg, the exhibition features works by some 100 artists who have crafted sculptures using decommissioned firearms collected during community buy-back programs.
Over the last twenty years, we have seen the rise of this violence sweep into our schools, movie theaters, malls, and neighborhoods. Throughout history, artists have often served as the voices and illustrators of movements for change. This exhibition is an invitation to conversations about violence in America today and about potential constructive responses to that crisis.
Maryville University Opening Reception + Panel Discussion
Morton J. May Foundation Gallery
Thursday, April 5, 5:00 – 8pm
Conversation Towards Peace
Thursday, April 5, 7:00 -8 pm
Maryville University Auditorium
With the opening of I.M.A.G.I.N.E Peace Now, we invite you to join metalsmith / activist / organizer Boris Bally, Geriann Brandt, director of Maryville University’s Criminal Justice program; a spokesperson from Moms Demand Action; and Becky Tingle, CRC, CLPC, child therapist with Alive, Inc. They will discuss the effects of gun violence in our everyday lives. Panel moderator is Art Holliday, award-winning KSDK newscaster. This event is free + open to the public.
Craft Alliance Center of Art + Design Opening Reception + Curator’s Talk
Friday, April 6, from 5:30 – 8:30pm
Boris Bally Curator’s talk, 5:30 – 6:30pm
Craft Alliance’s Delmar Loop Gallery
Thursday, April 12, 4pm
Matt Donovan will read excerpts from Gun Shy, his book-length work-in-progress that delves deep into America’s gun culture. Donovan is an acclaimed author whose works include A Cloud of Unusual Size and Shape: Meditations on Ruin and Redemption and two collections of poetry – Vellum and Rapture & the Big Bam.
Bullets into Bells
Saturday, April 14, 7 – 9 p.m.
The Stage at KDHX in Grand Center
In partnership with the Saint Louis Poetry Center, local poets and activists will read from the anthology Bullets into Bells: Poets and Citizens Respond to Gun Violence.
More exhibitions open around the USA this weekend.
Imagine Peace Now continues it’s journey this weekend, opening on Saturday (or tomorrow evening if you’re among the artists or invited guests) January 20 – March 16 at the Kentucky Center for African American Heritage, 1701 W. Muhammad Ali Blvd. You can see my gun work, Resilience, there, but if you’re closer to the Metal Museum then perhaps you’d like to go see HEAT at the Enamelist Society’s Alchemy 4 exhibition.
The opening reception for Alchemy4 at the Metal Museum will be Sunday, January 21, from 3PM-5PM. There will be a gallery talk given by the Director of Collections and Exhibitions, Grace Stewart, beginning at 4PM. The show goes from January 21 – April 29, 2018.