This year’s dynamic speaker line-up includes European jewelry artist Terhi Tolvanen, metalsmith/sculptor David H. Clemons, jeweler/enamelist Deborah Lozier, and repoussé master Douglas Pryor; plus Ideation: From the Belly to the Brain, a panel discussion featuring artists Melissa Cameron, Eva Funderburgh, and Gina Pankowski.
The Symposium will be in Seattle this year, rather than in Tacoma as originally planned. Due to unforeseen circumstances, we’ve had to make a last-minute change, so this year we will be at the Langston-Hughes Performing Arts Institute, with everything the Symposium has to offer: Silent Auction, Book Sale, and a fabulous line up of speakers and panelists, detailed above.
Date: Saturday, October 6, 2018 Location: Langston-Hughes Performing Arts Institute, Seattle, WA
It’s the day before I leave the USA permanently for Perth, Australia, so come say goodbye and join us at the after-party to end all after-parties!
3/ Uneasy Beauty
See my works Drone: Attempts to Kill… and RPG in this exhibition at The Fuller Craft Museum in MA, curated by Suzanne Ramljak the former editor of Metalsmith Magazine.
Uneasy Beauty: Discomfort in Contemporary Adornment will bring together 75 examples of contemporary jewelry and costume that demonstrate the immense power of adornment to impact us physically, emotionally, and intellectually. Showcasing wearable work in various media from regional and national artists, the exhibition will explore the outer limits of comfort through works that constrict body movement, irritate the skin, make extreme demands, or touch upon sensitive cultural nerves. Uneasy Beauty is part of the Mass Fashion collaborative, a consortium of eight cultural institutions that aim to explore and celebrate the many facets of the Bay State’s culture of fashion. This exhibition is curated by Suzanne Ramljak, an art historian, writer, curator, and former editor of Metalsmith magazine.
October 6, 2018 – April 21, 2019
Fuller Craft Museum
455 Oak Street
Brockton, MA 02301
This exhibition, begun in 2016, seems to pick up more relevance as it goes. If you’d like to see it in your town, please let us know.
Before I present all the details, I wanted to tell you that this show is a real labor of love for the curator, Boris Bally. I had the privilege to hear him speak last year at the Association for Contemporary Jewellery20:20 Visions Conference in the UK about the genesis of this exhibition, and to speak with him about the show both there and at SNAG. In speaking with him, it’s clear that he’s driven by the pure desire, in fact need, to make these things go away from the hands of vulnerable people in this country. He also just happens to be one of the most generous and humble artists that I have ever had the pleasure to meet, so if you are anywhere near St Louis, I really do urge you to go see him speak. (And if you do, please tell him that I sent you, and that I’m thinking of him.) And more amazingly, he is but one part of an incredible line-up of presenters, panelists and artists who will be talking about gun violence in St Louis and the USA.
Craft Alliance Center of Art + Design will partner with Maryville University to present I.M.A.G.I.N.E. Peace Now, a powerful traveling exhibition created as a positive response to the rising tide of gun violence in America. Conceived by metalsmith Boris Bally and brought to St. Louis through the help of his long-time collector Michael Staenberg, the exhibition features works by some 100 artists who have crafted sculptures using decommissioned firearms collected during community buy-back programs.
Over the last twenty years, we have seen the rise of this violence sweep into our schools, movie theaters, malls, and neighborhoods. Throughout history, artists have often served as the voices and illustrators of movements for change. This exhibition is an invitation to conversations about violence in America today and about potential constructive responses to that crisis.
Maryville University Opening Reception + Panel Discussion
Morton J. May Foundation Gallery
Thursday, April 5, 5:00 – 8pm
Conversation Towards Peace
Thursday, April 5, 7:00 -8 pm
Maryville University Auditorium
With the opening of I.M.A.G.I.N.E Peace Now, we invite you to join metalsmith / activist / organizer Boris Bally, Geriann Brandt, director of Maryville University’s Criminal Justice program; a spokesperson from Moms Demand Action; and Becky Tingle, CRC, CLPC, child therapist with Alive, Inc. They will discuss the effects of gun violence in our everyday lives. Panel moderator is Art Holliday, award-winning KSDK newscaster. This event is free + open to the public.
Craft Alliance Center of Art + Design Opening Reception + Curator’s Talk
Friday, April 6, from 5:30 – 8:30pm
Boris Bally Curator’s talk, 5:30 – 6:30pm
Craft Alliance’s Delmar Loop Gallery
Thursday, April 12, 4pm
Matt Donovan will read excerpts from Gun Shy, his book-length work-in-progress that delves deep into America’s gun culture. Donovan is an acclaimed author whose works include A Cloud of Unusual Size and Shape: Meditations on Ruin and Redemption and two collections of poetry – Vellum and Rapture & the Big Bam.
Bullets into Bells
Saturday, April 14, 7 – 9 p.m.
The Stage at KDHX in Grand Center
In partnership with the Saint Louis Poetry Center, local poets and activists will read from the anthology Bullets into Bells: Poets and Citizens Respond to Gun Violence.
More exhibitions open around the USA this weekend.
Imagine Peace Now continues it’s journey this weekend, opening on Saturday (or tomorrow evening if you’re among the artists or invited guests) January 20 – March 16 at the Kentucky Center for African American Heritage, 1701 W. Muhammad Ali Blvd. You can see my gun work, Resilience, there, but if you’re closer to the Metal Museum then perhaps you’d like to go see HEAT at the Enamelist Society’s Alchemy 4 exhibition.
The opening reception for Alchemy4 at the Metal Museum will be Sunday, January 21, from 3PM-5PM. There will be a gallery talk given by the Director of Collections and Exhibitions, Grace Stewart, beginning at 4PM. The show goes from January 21 – April 29, 2018.
I’m on my way to East Carolina University for the Material Topics Symposium which begins tomorrow. Eep! I’ve just checked out the action packed schedule, and Nadia, Adam and co. have given us a Sophie’s Choice for the breakout sessions on Saturday morning. Or maybe to keep up with the parlance of the kids, it’s a Hunger Games kind of scenario. Now I’ve said it, the idea of seeing Stone vs Cooperman in a battle does tickle me, but to the death might be going a bit far. Though something tells me that Matty Lambert could (albeit with a heavy conscience – which would make for a gripping finale,) take them all out. However, I’ve not met Kimberly Winkle, so she is the dark horse in this competition. From the few images I’ve googled, I feel like she could be an unassuming type (not necessarily a closet killer, but it’s always the quiet ones, y’know?), so I’m not ready to lay any bets…
Anyway, that bout of creative writing (I think I’ve been cooped up too long today…) has not helped me to triage the list at all, so it remains to be seen who I will end up learning from on Saturday. But there’s time to influence me if you have any intel on ways to break the Cooperman-Lambert-Stone-Winkle dead heat. What I do know is that I’m on last on Sat afternoon, so if you have been on the fence, you still have time to head on over and check out what has been manifesting in my basement since I got to the US in 2012. And to catch the infectious Mike Holmes, a literal treasure-trove of information and history about the industry.
Though you will have missed the slew of openings scheduled for tomorrow night, as well as the keynote slot by Andy. Yeah, you should probably leave now.
In case it wasn’t obvious, I’m really looking forward to this one.
I will be sticking around in Oakland to attend day one of a weekend of large scale enameling at KVO Industries on the 9th, which is super-exciting. Knowing that I have plans to make some more panel-based works in the next year or so for a show in the UK, I’m looking to up my large-format game, and since Judy Stone at the Center for Enamel Art – all-round champion of enamel and artists – suggested I do it, how could I refuse? Not that my moderate-panel game appears to be too shabby, as I recently won a prize for Wall Works (for the above) in the Enamelist Society Alchemy 4 Juried Exhibition!
I’ll also be giving a free public lecture next Wednesday night at California College of the Arts:
“From a tamper-proof fence to Body Politic – my enamel journey so far” 7:30pm, Nahl Hall, Oakland Campus, 5212 Broadway (map)
Looking forward to spending time in the heat after just finishing up my Aussie shenanigans of the past few weeks. Northern Summer, come at me!
The one about going to Sheffield in the UK to do jewellery things.
I’m on route to Sheffield to speak at the ACJ 20:20 Visions Conference about my works (spoiler, I’m on Saturday afternoon), and I’m getting pretty excited, and no, just not just to go to the multiple steel museums!
Now that the final programme has been published I see that along with catching up with friends I’ve not seen since I was last in the UK in 2011, I get to check in with a few faces familiar from other global jewellery haunts, which I’m really looking forward to.
I’ve found as the annual SNAG conference has become much more familiar to me, my participation has become very business-like (thanks especially to the annual Editorial Advisory Committee meeting and always spending the preceding week finishing work for the trunk show.) I’m looking forward to being able to learn about a less-familiar jewellery culture while meeting some heroes and making a few new friends. And having some relaxing tours of local museums and such, while finally (fingers crossed!) experiencing summer in England.
If you’re on Instagram, expect to see supreme random-ness from Sheffield, London, Birmingham and Manchester 😉 And if you’re in those places, look out for me in my hat!
Speakers confirmed include Boris Bally (USA), Elizabeth Shaw (Australia), Melissa Cameron (USA), Johanna Zellmer (NZ / Germany) Simon Fraser (UK) and many more!
Delegate fees £180 / £100 for an amazing 3 day programme including food
What’s not to love?! Food too!
(BTW – jealous of Johanna and her 2 listed countries 😉 )
I’m going to talk about my work and especially my enamel journey. As you’ll all remember (…or not – don’t worry, no test…) my pieces in enamel started in 2011 thanks to the infectious and unrelenting energy of Elizabeth Turrell (see her latest project here) and has become an essential component of my protest work, the vehicle I use for spelling out encoded messages, which is practically all the work I have made this year. I’m also going to gad about England for a couple of weeks, so if you’re in London, Birmingham, Manchester, Sheffield or briefly Liverpool, lets grab a cuppa and have a chin-wag, yeah?!
(Lawd, I’m such a dag… ok, so look that up, and for the love of language, get beyond the first definition…)
I’m very much looking forward to it, but in the meant time, for all my friends across the pond, good luck with your election today. I know the world is feeling voted-out (or out voted) right now, but it’s one powerful way to get your message across. Being in a place where I don’t get to have my say, I can tell you, it’s worth a lot more than you might think.
Forces, an exhibition in North Sydney at the wonderful Studio 20/17 Project Space, run by Bridget Kennedy
Forces – 10.5.17 – 27.5.17
Fluidity and strength in contemporary jewellery and object practice using steel – the dirty metal
Closing drinks and Artists Talk on Saturday 27th May 2-4pm
An exhibition of contemporary steel art by a selected range of jewellery and object makers, curated by Melbourne artist Sarah Heyward.
The use of steel in contemporary jewellery and object practice is intriguing. Whilst traditionally used for manufacturing purposes, steel is seductive with a beautiful luster and sheen. Investigations into industrial landscapes, enamel on steel, heat treatment methods, and the repurposed object are all areas in which notable makers have been exploring and engaging with this material within their practice.
“This exhibition explores themes around fluidity and strength in our everyday lives. The push and pull of our environment, both in the natural world and political sphere, the forces, which make us feel both fragile and insignificant but also powerful and resilient. At a time where we face potential environmental catastrophes, nature – in which many artists find inspiration – reminds us how merciless the earth’s forces can be. This exhibition hopes to act as a celebration of steel as a material and also the investigations we undertake to make the material speak.” – Sarah Heyward
On Saturday 27th May there will be an Artist Talk accompanied with celebratory drinks from 2-4pm. The artists speaking are Sarah Heyward, Susan Buchanan, and Lindy McSwan; all welcome.
Artists participating: Sarah Heyward, Jin ah Jo, Lindy McSwan, Melissa Cameron, Alicia Carriero, and Susan Buchanan, Inari Kiuru.
Check out the show here:
Studio 20/17 Project Space
53 Ridge Street, North Sydney
Open: 11 – 5 Tues – Sat
+61 411 808 274
Melissa is exhibiting at a group show at Facèré Jewelry Art in Seattle. Lecture and opening: Wednesday, May 3 at 4 and 5pm!
I’m really pleased to share the Drone works (half of which is in the image above) will be showing alongside the the Drawing the Line exhibition at Facèré Jewelry Art when it opens this Wednesday, May 3rd, in downtown Seattle. Come to the opening lecture from 4pm to hear me talk about the works in the show – the new additions to the Body/Politic series, and their progenitor, the Drone series.
May 3, 2017 – May 23, 2017
Lecture: Wednesday, May 3 at 4:00 PM
Reception: Wednesday, May 3 at 5:00 PM
Launched in 1897, the Wawona was the largest three-masted sailing schooner ever built in North America. The ship was used to haul lumber up and down the Pacific Coast and used in the Bering Sea codfishing trade. In 1970 the Wawona became a National Historic Site and she was the first ship in the nation to be listed on the National Register. In 2009 she was deemed too expensive to restore and was demolished.
Come and see what the Seattle Metals Guild have done with the pieces of the ship that were not made into the huge sculpture by John Grade at MOHAI (that’s the Museum of History and Industry for all y’all not in the PNW [Pacific North West – and yes, I did that one to be facetious 😉 .])
The exhibition opens at Northwind Arts Center May 6 – 5:30 pm
701 Water Street, Port Townsend, WA
Thursday – Monday, 11:30am-5:30pm
Tuesday – Wednesday, Noon-5pm