Snag y’all

I’m off to Snag in Toronto tonight. I booked a red eye – much against Cameron company policy (yes, that is just me, but it sounds more professional, yo), in the days after my last trip to Australia when the thought of more connecting flights was still too traumatic to contemplate. But now I get in at 7am-ish, and that’s possibly just as bad an idea… Still, it was the only direct flight from Seattle.

Enough trivialities! I am busy making, as well as doing a pewter spoon course (see below). I bought some pewter dishes to work with recently (not really intending to, but you can hardly buy pewter by accident, you know what I’m saying?) and this course happened to be running at Danaca Design (a local jewellery workshop that offers night classes) so for the last two Monday nights I’ve been learning the dark arts of pewter-smithing. The Chubby Bubby spoon is my (as yet unfinished) first attempt.

Melissa Cameron. Chubby Bubby Spoon. 2013. Image by Melissa Cameron

Melissa Cameron. Chubby Bubby Spoon. 2013. Image by Melissa Cameron

 

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Part B is freakin loud

Part-B_NOISY_flyer

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Perth!

View of Perth from the South Perth foreshore. Next time we meet, get me to tell you the one about seeing Sir Bob Geldof only minutes before this picture was taken...

View of Perth from the South Perth foreshore. Next time we meet, get me to tell you the one about seeing Sir Bob Geldof only minutes before this picture was taken…

Yes, as mentioned, I went from Pittsburgh to Perth in about 6 days, via Seattle (and a few other stopovers of course,) and once I was there I had more work to do!

On Tuesday the 19th of March I gave a lecture on my work at Contemporary Metal in Osborne Park. I completely forgot to take any photographs while I was there, but I spoke to about thirty people on the night and had my work on display in their gallery space for a few days afterwards also.

As I mentioned previously the space has not long been open, though from what I can tell it’s off to a flying start. It is a really lovely, welcoming studio, with lots of room, basic benches and tools around the place as well as a dedicated hammering room, a couple of rather large looking kilns and a dedicated chemicals room.  They have now got their website up, and the list of scheduled classes is already pretty long. It includes basic and more challenging courses for beginner right through to experienced makers, and to my eye they are all very reasonably priced.

I also bumped into one of the artists I featured in last year’s Coming Up From The South exhibition on Crafthaus, Sarah Munday. She is recently back from a long trip to the UK and has begun working again, using the studios at Contemporary Metal as her base. She too has recently set up a new website for her work, much of which seems to involve a shiny new toaster oven… Artist jewellers and their tools; there’s a research topic going begging…

Turbo and I had a quick stop through Melbourne too, where I got to check out the the 2012 Cicely & Colin Rigg Contemporary Design Award at the Ian Potter Centre (otherwise known as the NGV Australia), and as luck would have it I also got to see a painting by my favourite WA artist, Howard Taylor. It was being exhibited as a part of the current exhibit The Joseph Brown Collection – staged in the gallery next-door to the design award. I also made it to Craft for the Signature Style jewellery show as well as a bunch of venues around town for some comedy, thanks to the festival. Comedy Festival time is my favourite time of year in Melbourne, so I was very happy with my handful of days.

And now? Seattle. Til next week. The SNAG conference is in Canada this year, don’t-you-know?

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Gilty – Claire McArdle strikes gold

I dunno.  What reason is there to create more jewellery in a world that has already produced this? It’s wonderful, playful, hubris-destroying genius. Congratulations to Claire for the masterful execution.

For more, check out Claire’s blog (especially for the two essays by Zoe Brand), and Melbourne Jeweller’s take on seeing the exhibition on the day before it closed.

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backtrack – more Pittsburgh

I know, I’d just moved on to what was happening in Perth last month, but I have a little note to add to what I already told about the workshop entitled Building Jewelry from Found Objects that I taught at the beginning of the month, thanks to the recently refurbished SCC blog.

Kyrstyn, one of the group of amazing attendees I had for my SCC workshop, has taken the time to write both a review of the workshop as well as a curriculum proposal (she is studying to be a teacher at Duquesne University in Pittsburgh) for students to do a writing exercise based on the instruction she received and the works produced.

Creativity begets creativity. It’s a wonderful thing.

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And the bride wore… wood!

Still on last month’s activities… (yes, I’m still playing catch up) I had three full days home, consisting mostly of frantic bench-time, once I returned from Pittsburgh before I hopped on a plane to Australia. When I got off I was whisked first to meet my three-month-old nephew, and then via a quick change (I got christened with baby-spew to boot!) to my sister’s hens party. We don’t go in for veils for the bride, so part of my bench-time earlier in the week was devoted to making this little morsel.

This year’s bride is a cabinetmaker, thus this year’s neckpiece, specifically created for wear at her hens day, (and brought out again during the hair/makeup session on the day) was rendered in timber. As you would expect.

Melissa Cameron, Bride, 2013. Timber, recycled wooden beads. Image © Melissa Cameron

Melissa Cameron, Bride, 2013. Timber, recycled wooden beads. Image © Melissa Cameron

Melissa Cameron, Bride, 2013. Timber, recycled wooden beads. Image © Melissa Cameron

Melissa Cameron, Bride, 2013. Timber veneer, recycled wooden beads. Image © Melissa Cameron

It was such a frail object I was sure that during the night’s shenanigans it would snap. It didn’t! The Lady Tradie sure knows how to look after timber ;)

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Last day in Pittsburgh

Well, my final day in Pittsburgh last month was the day of the Out of Hand show at SCC. I got to have some rest time in the morning after the previous day’s efforts. Friday had been my final day of teaching the high school seniors, and had also included making a presentation to more Uni students, this time to JoAnna Commandaros’s class from the Studio Arts Department at the Pittsburgh University, which took place at SCC so they could see the exhibition works on display.

Jim and Yoko came into town early (they were also invited to Out of Hand that evening) to show me some of the Pittsburgh sights I hadn’t yet made it to, so we headed out to the Carnegie Museums (of art – incorporating architecture and decorative arts! – and natural history) and the University of Pittsburgh’s Cathedral of Learning, the interior of which is a unique pastiche of historical world architecture (much of which was closed, it being a Saturday and all) though we did get up the tower to see the amazing view of Pittsburgh from the top floors. Equally impressive was the steel staircase in the student lounge way up there, which I managed a couple of quick snaps of, once I realised it was not made from timber but actually slowly rusting steel.

And as the sun set on the steel city, I wend back into SCC to finish out the week where I started it, standing amongst my works on the exhibition floor.

01 Carnegie Museum of Art 02 Catherdral of Learning ground floor interior 03 University staircase 04 University staircase 2 05 University tower of learning 06 Pittsburgh Sunset

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Deadlines April 2013

Upcoming opportunities to exhibit, learn, earn or perhaps even teach, from all over the place (but mostly in Australia and the USA.) ** New additions

Undated Opportunities

Patina Gallery seeks Master International Artists. Make ‘Soul-Stirring’ works? Wanna be one of 3 artists added to their stable? No deadline, but post went up Jan 23rd, so perhaps sooner rather than later?

Tributaries: Call for entries. The Metal Museum, in Memphis, has an ongoing call for exhibitions from emerging and mid-career artists. First deadline Feb 2013, for upcoming shows, and they keep applications on file for 2 years.

The Imperial Centre for the Arts + Sciences in North Carolina have a permanent exhibition call out, with shows booked 2-3 years in advance.

Lord Coconut in Melbourne has outdone himself by publishing this listing of opportunities for artists in his gallery. As ever, this is to exhibit jewellery for men. Thanks to Karen at Melbourne Jeweller for the heads up.

Opportunities with deadlines

Quality Images of Contemporary Brooches and Pins. Clunky title, interesting idea. Have your work shown at the 2013 SNAG conference, without the hassle of international postage/customs. Show images! Due April 20, 2013.

Toowoomba Contemporary Wearables. Australia and New Zealand resident artists, this one is for you. Entries must be postmarked Friday May 3, 2013

2013 SNAG Conference – Meta-Mosaic. Toronto, May 15-18 2013.

** Artist in Residence – applications open for Edinburgh College of Arts. Head of metals is Stephen Bottomley who studied under David Watkins and who works with computer cutting and enamels. Other opportunities open as well. Applications due May 17 2013.

Cheongju International Craft Biennale. South Korean competition and exhibition. This year’s theme: Something old, something new. Prize money amounts, and amount of awards being made have changed since 2011, with more money for less artists being the general trend (this info is available under the 첨부파일 (2) link which appears just below the ‘Attach Entry Form’ link, which is all on the landing page from my link above). June 13, 2013

Making Jewelry Magic with the Orion Pulse Arc Welders: OK, so it’s just a class at the Southern Highland Craft Center in Asheville, NC, but I really want to go. I’ve been stopping into Orion’s page a lot of late (Tony Price – whoever that is – still keeps on trying to engage me with chat each time I open the window…) so when I saw this I was already primed to go. Anyway, it’s only $110, and on June 22nd and 23rd 2013.

** Craft and Design Enquiry have a call for papers for their OPEN section, for Issue 6, 2014. Deadline for submission June 30 2013.

** AJF Emerging Artist Award. The 2013 edition of this competition closes midnight on June 30th.

** Participation and Exchange – 2013 Jewellers and Metalsmiths Group of Australia conference in Brisbane, Australia. Conference dates: 12-14 July 2013, with early-bird registrations open now!

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See also SNAG’s Springboard, (the successor to SNAGnet) to check out and add new opportunities.

**disclaimer – please check all dates for veracity, and watch out for time zone shenanigans**

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Still in Pittsburghia

During my travels I overheard a local mention that Pittsburgh was on its way to becoming ‘the new Portland’. Given that actual Portland is only a 3 hour drive from Seattle you think I’d be able to make a call on this… I’ll let you know when I get down there.

So while I was in Pittsburgh I spent part of Tuesday, Wednesday and Friday teaching a group of seniors at a local high-school the basics of working with recycled materials, so that each could make a small wearable pendant. I don’t have images of those guys, but I hope to have images of their works to share with you at some stage.

What I do have however is an image of what I made on Wednesday before class, after an overnight dumping of 5 inches of snow. It’s meant to be a snow kangaroo – a ‘White Boomer’, if you will.

Boomer

Yes, I know, it’s more of a snow wallaby. Or a snow quokka even.

On Thursday I went out to Slippery Rock University with assistant professor in metalsmithing Sean Macmillan. He also just happens to be one of the first people to have put one of my works in an exhibition in the ‘States, many moons ago. Turns out I incorrectly stated that he was actually the first to bring my stylings to America. I have since had a read of my own CV (memory failing already is it jewellist?) and realised that I first got a piece into SFASU in Texas, with Slippery Rock not far behind. Sorry guys!

Out on the big Slippery Rock campus I first got a tour of the jewelry/metals building and then did, for want of a better description, a technical demonstration of Autocad. Using my computer I went through a bunch of my drawings and explained what and how I ideate and then design straight into cad. I had with my one of my lasercuts as well as a bunch of my drawings printed at scale and a few completed works that I make from such a beast. Using them as props I described how I work, the concessions I have to make for the laser and the general process I have for when I’m making drawings for someone else to cut.

After this we had a coffee and a quick tour of the creative buildings of the campus, including the new textiles facility, before I went back to the 3d/sculpture building to give a second presentation on my work. The lovely Sharon Massey (previously mentioned as part of my Monday night capers) came out to The ‘Rock (she now runs the gallery that Sean was previously in charge of on campus) and we all went for lunch that turned into a great discussion that lasted half the afternoon.

Metalsmithing studio overview.

Metalsmithing studio overview.

Metalsmithing studio, view over the soldering/casting area.

Metalsmithing studio, view over the soldering/casting area.

Sharon Massey in the enamelling room of the SRU's metals building

Sharon Massey in the enamelling room of the SRU’s metals building

Sean Macmillan in his office/studio.

Sean Macmillan in his office/studio.

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Pittsburgh… Interrupted

Now, before I interrupted myself with the last post, I was reminiscing about my trip to Pittsburgh last month. Where was I?

Ahh, yes. Now as I recall… I never actually put up images of the *actual exhibition*. I know, installation shots of jewellery are always a little anaemic looking, but humour me here, ok?

01 Bridge Installed 2013 02 Bridge Installed 2013 03 Bridge Installed 2013 04 Bridge Installed 2013 05 Bridge Installed 2013 06 Bridge Installed 2013

The Drop In Studio in the basement of SCC where people were able to make a take-home work inspired by the exhibition above.

The Drop In Studio in the basement of SCC where people were able to make a take-home work inspired by the exhibition above.

One for the road - a pic taken of my weekend workshop students in the jewellery workshop at SCC.

One for the road – a pic taken of my weekend workshop students in the jewellery workshop at SCC.

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