they’re playing my song!
Zoe Brand’s blog
Now, to get all ‘trainspotter’ on you – in her Boldfaced Humanity post, under her heading: 2# THE ‘WHAT DO PEOPLE REALLY THINK OF CONTEMPORARY JEWELLERY?’ POST is a photo.
And amid the brooch-y goodness, the brooch closest to the bottom of that image, is by me!
I was having a think the other day “I wonder where those two got to…”
This work is called ‘measuring the space between’. It’s a collaboration between myself and Chloe Vallance. Chloe is a good friend and fellow artist, who describes her practice as fine artist/painter/drawer. She’s a regular at the Craft Hatch markets, so her work may be familiar if you have been to one of them. Like the other spoons, this piece is going into the upcoming Hand Held show, and in fact Chloe had her own show at Hand Held in January.
We’ve been seeking an excuse to work together for a while. Chloe began separating out the figure from its context in her works last year, and I remember at the time thinking that the idea was ripe for interpretation as jewellery. Especially since our material aesthetic seems to overlap; in her case small works on timber offcuts and recycled board stand edge to edge with larger new panels and tessellated images on squares of watercolour paper. My piercing practice is summed up by “I’ll attempt to drag a blade through any material”, so the plan to work on small wooden objects was born.
Look out for some more shared works in the future.
So, who noticed the deliberate* mistake in the plans? Well if you did, write to me to claim your prize!
After adhering print-outs of the plans to the spoons, I cut out spoon one (as laid out pre-assembly above, with spoon two similarly arranged below it) and then drilled and began to cut into spoon two. And in the second round of saw-peircing, I noticed that the circuit that I was seperating from the main body of the spoon had no holes marked on the drawing, and therefore no holes drilled through the piece. By then it should have had both. So I got out the old texta, marked eight appropriate spots, and went back to the drill press.
*deliberate = complete, absent-minded omission
Finally some output from the new studio. Following the Helen Britton guide to brooch-backs, I’ve given this baby a double pin. For my work it’s a pretty heavy piece, so it needed it. It’s 86mm in diameter at the points.
The colouring was fun; I didn’t expect my gas-only torch to be up for the job, but I guess that’s the difference between a dedicated source of compressed gas and a multi-torch setup. I hadn’t planned a colour scheme before-hand and found that getting consistent colours was really easy, so I went up the steel-heating-spectrum and then had a play when I reached the end.
As for the texture, I tried sandblasting with the glass beads first. While they gave a lovely finish, they didn’t get rid of all the soldering muck and discolouration, so I had to go back to a heavier grit to clean up the joins. I stuck with the aluminium oxide it for the whole piece in the end, but I might try a two step process next time, since the more shiny finish did look appealing to me.