Being in the world

Auction for Aid – contemporary jewellery to help the current refugee crisis, and Alliages, with their new calendar page for jewellery events.

I’ve found a couple of things:

1/ Auction for Aid – raising funds for the Refugee/Migrant Crisis

Like their About page on Facebook says, they are an “Auction For Aid – Contemporary Jewellery Auction to benefit the refugee crisis.” A bunch of UK based jewellers, (amounts are in GBP) are auctioning off some pretty great looking work on Facebook (yes, you do seem to need an account to bid) that will post/ship internationally.

Welcome to the 2016 Auction For Aid. All money raised will be going to two charities, MOAS (Migrant Offshore Aid Station) and SALAM LADC (‘Salam: LADC’ stands for ‘Peace: Lebanese Association for Development and Communication’), both charities doing wonderful work to help with the current refugee crisis.

2/ Alliages – The contemporary art jewelery agenda

Finally! An interactive calendar for jewellery events! Look out for deadline info there, and add your own to boot.

The jewelery agenda, the place you can see the contemporary art jewelery events : exhibitions, openings, lectures, awards, etc … You can propose your event to be published in the agenda by clicking in the “Add Event” blue button

Have at it, my sistren.

And like Bilk just announced…

Melissa’s been acquired. It’s ok, she didn’t go cheap…

If you’ve already seen this on Instagram my apologies, but the lovely co-director of Bilk, Mio Kuhnen, let the world know over the weekend that two of my pieces from the recent Body Politic exhibition in Canberra were just acquired by the National Gallery of Australia. This takes their Melissa Cameron tally up to 3!

I was in a bit of shock to have such a long and considered gallery visit with Dr Robert Bell (curator of decorative arts at the NGA) while I was in Canberra, on the day before the official opening of the show. He was very inquisitive, and if you’re read any of the text surrounding these works, you’ll have seen that there are a lot of stories to tell, so I was honoured to impart my narrative of these and the other works. He even asked my opinion – what I thought of the pieces he was deliberating and why – and I had to tell him that it took me a long time to come to terms with the Tank piece especially, as I found it brutal and dark when I first finished it.

Finishing that work as one of the earliest in the series – the Cannon and Tank were conceived at the same time – made continuing and then creating even more complex pieces an easier pill to swallow. I look back now and see that they were really just a prelude to the Gun piece, which, while only completed in late 2013 early 2014, was really begun with the horrific events in Sandy Hook in December of 2012. I see now that I put those details away for a while, and decided to start in more neutral territory – a Civil War era cannon and an M1 Abrams tank as fitted out for use by the Australian Army, as a sort of way to first test and then brace myself before moving deeper into this series.

I had a terrible grief-ridden winter this year as I finished up this series, and while the Drone probably didn’t help, I can’t say it hurt either. I now conflate the two in my memory. The Drone and last winter were inevitable, and surviving each of them needed the other as a crutch, in a sort of incongruous symbiosis.

But before all that, when I just had a Tank and a Cannon in my arsenal, I wasn’t sure if I would continue. The duo could have easily remained an outlier, an experiment that was discontinued before it had really begun. So it’s also them I have to thank for begetting the rest of the Escalation series, including the Drone that got me through.

Goodbye good friends, I hope to see you again some time 😉

1100 Shot Round (breastplate) and M1 Abrams (neckpiece)
1100 Shot Round (breastplate) and M1 Abrams (neckpiece)
Jewellery from the Escalation series of altered new and vintage objects by Melissa Cameron
Seven Personnel (neckpiece) and 11 RPH Cannon (brooch)

Conference Papers

Geeet your used conference papers here!

I’ve done a bit of house-keeping today, and finally added my SNAGnext presentation from May to the list of conference papers, located over in that sidebar to the left (or above if you’re moblie-y inclined).  While I was there, I made Conference Papers into its own menu, so that you can now easily reach each of the three papers I’ve delivered to a few select audiences over the years. The new one I added today, and also (as of today) the 2013 paper from the JMGA conference in Brisbane, have in-line slides that go along with the text, which add something interesting to look at, especially useful if you get bored of all those words.

Below are links to each of them, starting from the most recent and working my way back. (And yes, I hope to work on sorting out the same deal for the symposium papers next 😉 )

1/ Holistic Thinking: Interconnectivity In Jewels And Practice, presented at the 2016 SNAGnext conference, in Asheville, North Carolina on the 19th of May, 2016.

2/ How to become an artist jeweller: a Seattle community case study, from the JMGA conference in Brisbane, first presented on the 14th of July in 2013 at the State Library of Queensland.

3/ This final one has been kicking around on the internet for a while – my presentation for the 2010 JMGA conference in Perth held at the Central Institute of Technology in April of that year, entitled:

Examining the connections between architecture and jewellery: Looking into the last 100 years to inform a vision of jewellery practice in the future.