Afternoon tea at Fancy? Don’t mind if I do! Come for the plates, stay for the tea!
You are cordially invited to join me and Sally, staunch patron of the arts here in Seattle (and not to mention gallery owner), for afternoon tea tomorrow from 2pm. Come sip and munch delectable treats surrounded by beautiful art, in the freshly landscaped garden of delights that is Fancy, at 1914 2nd Ave, Seattle.
With exquisite treasures on show (such as the work by Nicolette Absil, pictured above and Steffi Götze, below) there will be something to surprise and impress even the most winter-weary residents of the Emerald City.
For those who simply can’t tomorrow, the exhibition closes March 10th.
Monday – gun day, 2. Click through to see what 33,636 guns looks like.
Wow, a whole week has rolled around without an intervening post – sorry team, that wasn’t mean to happen, but the Northwest Jewelry and Metals Symposium took over my focus late last week (from making works for Bilk Gallery in Canberra – more on that soon…) and the whole weekend, and what can I say, it was a CORKER! The best yet. If you’re ever in the area for the third weekend in October, you HAVE to head to it. And I can say this with unbiased hand to unbiased heart, as I’ve been off the organising committee a full two symposia now 😉
So, it’s Monday – gun day, part II.
I have a bunch of gun research that stretches back to 2012, which I’ve decided to start sharing, and lucky for y’all, this seems to be the obvious place. I’m not trying to trigger anyone, so if you’re not keen on following this line of thought, know that on Monday (Tuesday in some time-zones,) there will be posts generated as a result of my past and ongoing gun research.
The above images comes from a really interesting post that I first saw a couple of years ago, in 2015. I see it semi-regularly, as the post has been open in my web-browser since the day I came across it. I found it really arresting, but I didn’t know what to do with it. It’s so affecting, however, that I now count it amongst my always-open tabs (there are a random assortment of site alongside this, not just my mail client.) When I occasionally run across it, I’ll again scroll through to see what 33,636 guns looks like.
The author of this really unusual ‘article’, Matt Haughey writes; “According to the Centers for Disease Control, in 2013 all deaths due to firearms in the US amounted to 33,636 people.” He found a unique and very compelling way to visualise this, which proves really ‘sticky’ (you know what I mean?), at least to my brain.
Speaking Out: Art & Politics in Words – September 27, 2017 – November 10, 2017. Home meet the artists at the opening!
Speaking Out: Art & Politics in Words
September 27, 2017 – November 10, 2017
Openings: 1-3pm and 5-7pm on Wednesday, September 27, 2017
Speaking Out highlights artists who use words as the basis of their work, creating pieces that inspire discussion around topics of political and social justice. What are the words necessary to start the discussion or argument, to pull people together or apart? How can language be used to share, to trivialize or to provoke? Can a word help you to see what it is like in the shoes of another? And how can a word of indifference end a discussion? We hope that you will see the work in the gallery as a starting place for conversation around topics that are highlighted in current events and contemporary activism.
Melissa’s work stays in Seattle while she’s debuting new Resist pieces at SNAG in NOLA!
While Paul Klee tumble turns at my drawing and undrawing of lines, I’ll illuminate what these two things mentioned in the header have in common (apart from the obvious), since you didn’t ask…
This little social unit and their friends are in their last day of the Drawing The Line exhibition at Facèré gallery in Seattle today, while the drawn (or perhaps fully combobulated) images of the set have just been made into postcards which will be available from me at SNAG conference in New Orleans, starting on tomorrow! I’ll also be at the Trunk Show on Saturday afternoon:
2nd Floor, Waterbury Ballroom
500 Canal St, New Orleans, LA 70130
3:30-4:30 – VIP Trunk Show
4:30-6:30 – Trunk Show is open to the public!
I have created new works in the Resist range – new neckpieces and earrings and a bigger pin – to debut at the show (think of the necklaces as lines, similar to the above), and for this special occasion the customary donation of 10% of the ticket price of this series will be split between Islamic Relief (as previously) AND the ACLU!
Melissa is exhibiting at a group show at Facèré Jewelry Art in Seattle. Lecture and opening: Wednesday, May 3 at 4 and 5pm!
I’m really pleased to share the Drone works (half of which is in the image above) will be showing alongside the the Drawing the Line exhibition at Facèré Jewelry Art when it opens this Wednesday, May 3rd, in downtown Seattle. Come to the opening lecture from 4pm to hear me talk about the works in the show – the new additions to the Body/Politic series, and their progenitor, the Drone series.
May 3, 2017 – May 23, 2017
Lecture: Wednesday, May 3 at 4:00 PM
Reception: Wednesday, May 3 at 5:00 PM
Launched in 1897, the Wawona was the largest three-masted sailing schooner ever built in North America. The ship was used to haul lumber up and down the Pacific Coast and used in the Bering Sea codfishing trade. In 1970 the Wawona became a National Historic Site and she was the first ship in the nation to be listed on the National Register. In 2009 she was deemed too expensive to restore and was demolished.
Come and see what the Seattle Metals Guild have done with the pieces of the ship that were not made into the huge sculpture by John Grade at MOHAI (that’s the Museum of History and Industry for all y’all not in the PNW [Pacific North West – and yes, I did that one to be facetious 😉 .])
The exhibition opens at Northwind Arts Center May 6 – 5:30 pm
701 Water Street, Port Townsend, WA
Thursday – Monday, 11:30am-5:30pm
Tuesday – Wednesday, Noon-5pm
It’s been a while but it was inevitable. I’m back after a month off, and with a lot to tell you!
My last jewellery works for 2016 were very… striking?
There’s a few things already on the agenda for 2017, so here, in an attempt at chronological order:
In March I’m headed to Munich for Jewellery Week, as I got into Schmuck with The Drone work! (Full listing of participants on Klimt02) Let me know if you’re heading over so I can look out for you, eh? (Unless you already have, and tbh, you probably did…)
The Shared Concerns exhibition hits Bilk in Canberra in April/May
I’m in an exhibition called Drawing the Line at Facèré here in Seattle, also starting in April.
I’m curating an exhibition for the Enamelist Society conference at Arrowmont this year. Emerging enamelists beware, I’ll be getting on contact with a tight deadline very, very soon.
I have preliminary plans to hit Radiant Pavilion in August/September in Melbourne, where I’m hoping to bring some United States of America-ns to town with me. We’ll be opening/showing Shared Concerns at Bini.
I hope you all had joyful solstice and New Year celebrations too 😉
This show will see the debut of a new series of enamel and steel works, entitled Resist. An extension of my Body/Politic works, these pieces are individually enameled in a beautiful rainbow of blues, the color that is the opposite of orange on the traditional color wheel. 10% of the purchase price from the Resist line sold anywhere in the world will go to Islamic Relief USA, a non-profit 501(c)(3) humanitarian agency who work on international and domestic US development and relief projects.
Often jewelry is created to celebrate and mark milestones in life. As part of marking her milestone of turning 40, jewelry artist Tegan Wallace has invited a collection of artists to take a prototype or unfinished object from Tegan’s own work and breathe new life into them. These Bits and Bobs will become reflections of what Tegan has achieved so far while celebrating the metal community that had given her so much and continues to influence her own artistic growth.
As a part of being in this show Tegan gave me a piece of her work to finish up – incidentally, the pierced dome work that appears in the top third of the photograph above – that she began in her teens. She lovingly and ingeniously created this piece at her parents coffee table, and despite a lot of recent protest that it was practically done already, she didn’t consider it finished. It may not yet be, but for this show I’ve taken it and added my own parts, in steel and liquid enamel of course, and turned it into a piece of jewellery.
Come see it, and even say hello to me and Tegan at the opening, from 6 – 9pm this Friday. The show runs until November 28th.
Danaca Design Studio
5619 University Way NE
Seattle WA 98105
In answer to a reader question; yes, the material that makes the work My House – Tanya Lippe’s Lunch Box is all from Tanya’s old lunch box, barring the stainless steel rivets, c-shaped connections, chain (handmade and otherwise) and cable that joins the altered parts together.
In fact there’s actually a few parts missing. The plastic handle and chrome fittings are not part of the design, and there is a series of five small pins (about 27 x 4mm each) that are not part of the installation. One of these I have kept (not a habit of mine, but these were particularly meaningful to me, in a piece that became surprisingly personal over the course of the design and making), and four were given to Micki before the piece was installed.
What you can’t see in this image is the hinge pin that was removed, the handle tethers, and an internal feature meant to hold a thermos flask in place in the top section of the box (it was roughly the shape of the stylized ‘V’ on the front.) All this was wire, in approximately 1.5 – 2mm diameter steel, which was cut up, drilled into, enameled and re-joined to make the chain that holds the big ‘snowflake’ section in the centre.