Toowoomba Contemporary Wearables

… and we celebrated with?

Image of corporate entity / corporeal entity in stainless steel, vitreous enamel and titanium. Photograph by Melissa Cameron.
Image of corporate entity / corporeal entity in stainless steel, vitreous enamel and titanium. Photograph by Melissa Cameron.

Thank you to Toowoomba Regional Art Gallery for the Contemporary Weatables ‘19 award. I got the call yesterday while showing my family all the work I’ve just finished making for Marfa, TX. My niece, 4 years old, told me very sternly that what she was seeing was not jewellery.

“What is jewellery then?” I asked?

“Jewellery is hearts.”


Sorry to disappoint! The acquired piece is a double-header – yes, one side is my red head 👩🏻‍🦰 – which is at least anatomy.

corporate entity / corporeal entity


A double-sided neckpiece with pixelated images on opposing sides, depicting; the US Federal Reserve building, and, my face as photographed for my last US visa. Decoded from ASCII/Binary, the Fed reads “corporate entity”, my face, “corporeal entity”. The Fed background reads “not-me, not-you, not-them, not-us.”, while the opposing background “I-you-him/her/them-we-you(pl)-they”.

In the US and Australia, and other countries I checked, maximizing employment is at the core of government monetary policy (in these cases, the three written rules supposed to dictate how governments will benefit their citizens). The difference between the US Federal Reserve and the Reserve Bank of Australia is “the economic prosperity and welfare of the people of Australia”, is the third of three government-mandated duties. In the US, the third objective of the Fed is moderating interest rates.

Thank you again to Toowoomba Regional Art Gallery for your long-term commitment to this artform, and to Sue Lostroh for your call, it was a highlight of a very proud day 🙂

See the exhibition at Toowoomba Regional Art Gallery until November 3.

Wanneroo Community Art Awards

Melissa’s a sculptor – who knew?

As advertised last Friday was the opening of the City of Wanneroo Community Art Awards, and at the opening I was awarded the main prize in the Sculpture category!!

Me and the Wanneroo Mayor

If you’re in WA and want to see the show, head to 3 Rocca Way, Wanneroo from Monday to Saturday until the 14th of June, from 10am-4pm.

For those nowhere near, there’s a bunch of images of the night on their Facebook page (spot one of me and Coop that bucks the trend of us taking only awful photos together – well done that photographer, you may have broken the hex) or have a look at the virtual tour of the exhibition.
Or check out the list of the award winners here. (And a big hello to the person I met at the exhibition during the Welcome To Country hand-linking – now that I’ve seen that work I get you, and I’m on the same page 😉 )

1.1.2017

Images from the photo shoot and from Contemporary Craft in Pittsburgh, with details about the Transformations 10 exhibition

The folks at Contemporary Craft shared these images this week:

I got these and my heart swelled – I’m so proud of Tegan and her son Calder, and of everyone for coming out on the 7th of July to make these images with me. There are so many of them, which I’ve shared with all the participants, but here’s the big group one:

1.1.2017

and one of the pairings images I sent to Contemporary Craft

1.1.2017

Contemporary Craft sent out their invitations this week for the free and public opening of the Transformations 10 exhibition on Friday the 14th of September, (at that link you can see the Tegan + Calder pairing too) as well as for the public artist talks that happen the next afternoon with some of the exhibiting artists. I told Pittsburgh folks at SNAG months ago that I would be going to this event, and I am making good on that promise. I will see this work installed before I leave the USA, and I hope that if you’re in the Pittsburgh area that you’ll come along and share the experience with me.

Next week I will send out all of the barter jewels to my container donors for this project, so stay tuned to see what they look like – and if you sent me something, your trade jewel will be in the mail next week!

 

(And if you want to know what I’m on about, there’s the post about donations, the post about the photo shoot and all of the Monday-Gun Day posts to learn more about this project.)

DANGERR

A Design Competition with Designs Aiming for a New #GunSense Emphasis on Regulations & Reform

And while we’re on the subject of Boris Bally, he’s organising a design competition to raise money for the The Rhode Island Coalition Against Gun Violence (RICAGV), which was founded in 2013 after the Sandy Hook Shooting. If you’re nowhere near being able to see Boris speak, perhaps you’d like to help out his cause by getting involved with this.

From the website:
(for the full competition details, click through)

The Competition:
We are looking for bold, affordable works of wearable, useable or decorative art to further an awareness of the gun violence epidemic we still face.  We hope to promote conversations that spark debate while providing needed resources to support real action including a planned gun amnesty/buy-back organized by artist Scott Lapham.  The competition will also support the RICAGV’s continued advocacy for responsible gun laws.

Designers, artists and metalsmiths are intrigued by material, technique and the challenges presented by engineering obstacles. Not only do they shape objects for wear, use and decoration but also for political commentary. The goal of this competition is to showcase, promote and sell the best designs which may employ an arsenal of wit and skill to transform weapon imagery beyond its deadly intent.  The winning entries will ultimately support the entrants as well as the efforts of the RICAGV.

Criteria for selected work:
Jury will consider overall design originality, skill, impact and production feasibility.  The design’s ability to convey the mission of the RICAGV will be crucial.

Jury:
A group of nationally recognized Jurors will select the final pieces to be placed into production:

Emily Zilber                Editor, Metalsmith magazine, Independent Curator
Dominic Molon         Richard Brown Baker Curator of Contemporary Art,
RISD Museum
Linda Finn                    Executive Director, RICAGV
Peter Diepenbrock    Sculptor, Designer
Boris Bally                    Metalsmith, Organizer

First Place Award:
The Top Award will receive a purchase order from RICAGV for the purchase of twenty units at their maximum wholesale cost of $100 (value up to $2,000).

Finalist Awards:
The RICAGV will initially purchase the original prototype entries from each of the finalist’s jury-selected designs.  The designs will remain the property of the designer with the stipulation that the RICAGV may promote and sell these designs. These top designs will be professionally photographed and promoted on the RICAGV website, in mailings and at events using the designer’s name in all promotions. These selected designs will be offered for retail sale to the public by the RICAGV and their affiliated locations.  As orders are received, they will be turned over to the artist for timely production.  The RICAGV will in turn fulfill orders directly to the customer. Artists will receive their wholesale price and RICAGV will receive the balance to support their ongoing work.

The Jury reserves the right to pick as many design finalists as they wish.

 

Get to it, creative activists!

Hammer time

My work for the Artist Trust Auction, coming up later in February.

Point Line Plane brooch iv, 2013

You can touch this. If you go to the Artist Trust auction (Saturday, February 24, 2018 at the Fisher Pavilion, Seattle Center) you could even win it! The menu is up and the artist works already online look good. Just sayin…

And on now:

I am very pleased to have my work Ruchnoy Protivotankovy Granatomyot (or RPG) in this exhibition, which, as the exhibition media tells it, “drew over 1,000 submissions from 8 countries around the world. Juror Perry A. Price selected 70 works for exhibition at the Patterson-Appleton Arts Center including works from 27 states in varying media including metal, wood, plastic, ceramic, fiber, glass, and mixed media.”

31st annual Materials: Hard + Soft International Contemporary Craft Competition & Exhibition
Meadows Gallery, Patterson-Appleton Arts Center
Opening Reception | Friday, February 2, 6 – 8 PM (Artist Awards at 7 PM)
February 3 – May 5, 2018

Recognized as one of the premier craft exhibitions in the country, Materials: Hard + Soft began in 1987 and was originally initiated by area artist Georgia Leach Gough. Now in its 31st year, the exhibition opens to international artists as we celebrate the evolving field of contemporary craft and the remarkable creativity and innovation of artists who push the boundaries of their chosen media.

Yep, pleased as punch!

A plethora

Exhibits, exhibitions, shows and prizes!

of exhibitions contain my work right now!

Social Unit, 2017

Beijing International Jewelry Exhibition 2017 has some of my enamel works, and it has a short run, from November 18-26, 2017 at Beijing Institute of Fashion Technology Park (BIFTPARK)

Itami International Jewellery Exhibition in Japan also began on November 18 and runs until December 24, 2017. I’m pleased to share that I was awarded one of the Judge’s Choice prizes for the Social Unit series (above) in this years Itami!

And finally, Bilk gallery has White Christmas, for which I made a few new goodies, like the ornament below, and some jewels to go along with them of course. Because who doesn’t want to match their decor this celebration season?

Wreath ornament, 2017

Vote for more IMAGINE Peace Now

Boris Bally must not sleep, so please vote for the IMAGINE show to keep touring so he can get some rest! Me, I sleep, a lot. I made a video (in my waking moments) of the work that’s in Boris’ show, for those of you who won’t get to see it IMAGINE Peace Now.

Boris Bally must not sleep.

Do you like what we are doing with the I.M.A.G.I.N.E. Peace Now exhibition?  If so, we could really use your help.

This national competition opens for voting today and is a chance for us to support the exhibition’s travel to Southern Indiana and Southern Kentucky and to include vital community programming aimed at the gun violence epidemic in this region.

Vote here. Vote often

(you can vote daily til May 12 – that’s the 13th of May in Aus!)

My work from the exhibition will (hopefully!) be heading along with the touring show, so if you are in Indiana or Kentucky and you want to see it, please vote 😉 And for those of you who will vote but won’t get to the US, here’s a video I made of the making process:

Going to Munich

Going to Schmuck, going to Schmuck, going to Schmuck hey hey, hey hey! (You like my song?)

spread from Art Aurea

Can’t wait to see my friends at my first international jewellery hook-up (it’s not that kind, please,) for the year, starting next week. If you want to see my work, and it’s just the one, it’s at Schmuck 2017, from the 8th-14th of March, 9:30am – 6pm daily at the International Handwerkmesse, in the Fairground Messe München, Hall B1.

And if you want to see a couple of my mates? Well the best place to see the line up, and what everyone else is up to, is on the Current Obsession website, or better yet in their Paper edition which you can purchase in select places in Munich (of course there’s also the shorter Master Program with metro map here, with thanks to Klimt02). Seek out Claire McArdle’s work in Sextet, opening Thursday March 9 from 6-8pm at Das KloHäuschen. And Zoe Brand will be exhibiting with Atta Gallery in Hall B1 – as a part of the internationally gallery line-up at the IHM. Then there’s Kat Cole in Perfect Strangers, and a tonne more people in Duality of Presence – just look up the CO list, yeah?

Meanwhile, lots of work to finish. Eeep!

Bellevue Arts Museum Biennial – Metalmorphosis

The Bam Biennial starts next week – see you at the opening!

Detail image of work My House - Tanya Lippe's Lunch Box, made out of lunch box steel, stainless steel, vitreous enamel. 2016.
Detail image of work My House – Tanya Lippe’s Lunch Box, made out of lunch box steel, stainless steel, vitreous enamel. 2016.

Yesterday my newly finished piece My House: Tanya Lippe’s Lunch Box was installed at Bellevue Arts Museum just in time for the opening of the much anticipated juried metal exhibition Metalmorphosis, which opens this Thursday night.

Delivery of the pieces and installation went smoothly, though the complexity of hanging my piece made it the longest single hang of the exhibition thus far (Maria Phillips’ hang was still in progress – I think she’s now officially the longest BAM hang of all time!) … A dubious honour  I can tell you, as Elizabeth, who I spent the day working with, is a real pro. That said, the 3rd floor of the museum was an incredible place to be yesterday, especially as most of the works were in situ (and those with power were running) and it is looking really magnificent. I hitched a ride home with Kirk Lang (a locally-based jeweller/sculptor who is an incredibly precise metalsmith and artist) and both of us were sharing our experience of awe on arrival into the space, at seeing the pieces already installed. It’s a little hard to communicate how amazed and thrilled I am to have my work precariously dangled alongside the glorious fruits of so many high calibre artists and artisans.

Needless to say, if you’re in the Seattle area and you haven’t already got a ticket, then please consider yourself invited to the Thursday night shindig by me! You can head over to the ticketing page and grab a ticket for the opening night party that starts at 6pm on Thursday the 1st, or they’ll be $20 on the door. If you’re willing to wait a day (you will miss out on seeing me though…) you can have free entry for Friday’s opening to the general public. And if you’re in Seattle right now but are going to be in town before February, I encourage you to get along. It’s a heck of a show, and I’ve not even seen it fully installed yet!

From the exhibition media:

BAM received a record-breaking 330 applications for this year’s biennial. From this vast and talented pool of applicants, 49 Northwest artists were selected to participate:

Rik Allen, WA Ruth Beer, BC Lanny Bergner, WA
Jana Brevick, WA Julie Brooks, WA John Buck, MT
Ben Buswell, OR Deborah Butterfield, MT Melissa Cameron, WA
Christine Clark, OR Andy Cooperman, WA Maria Cristalli, WA
Casey Curran, WA Garri Dadyan, WA Marita Dingus, WA
Andrew Fallat, WA Chelsea Gaddy, WA Aran Galligan, WA
Catherine Grisez, WA Laurie J. Hall, OR Bruno Hervieux (Normandie Woodworks), WA
Ron Ho, WA Mary Lee Hu, WA Lynne Hull, WA
David Keyes, WA Bob Kramer, WA Kirk Lang, WA
Cheryll Leo-Gwin, WA Phillip Levine, WA Keith Lewis, WA
Micki Lippe, WA Susan Madacsi, ID Chris McMullen, WA
Taiji Miyasaka &
David Drake, WA
Ries Niemi, WA Allan Packer, WA
Ross Palmer Beecher, WA Beverly Petow, BC Maria Phillips, WA
Peter Reiquam, WA Lyndsay Rice, OR Midori Saito, WA
Anika Smulovitz, ID Julie Speidel, WA Spencer Staley, OR
Nicky Statius, OR Lori Talcott, WA Kristin Tollefson, WA
Nancy Worden, WA