Still seeking containers from specific places in the USA – we’re getting there!
*** UPDATED June 8th*** – Thank you everyone who has participated – the list is much smaller!
I have not yet been promised an object for my project from the places listed below. Please let me know (firstname.lastname@example.org) if you can send me a container from one of these towns, and I will take it off the list.
So much to see and do at the SNAG conference this week, but try these for starters!
For those of y’all headed to Portland for the SNAG conference, here’s a few things I’m involved with that I’d love for you to check in on:
Crossings is a combined show of Portland Creative Metal Arts Guild (CMAG) and Seattle Metals Guild (SMG) members. Come check out the best of the Northwest!
It’s on at: Annie Meyer Gallery
Wednesday 23rd May-Saturday the 26th May
12-5:30pm and during Gallery Crawl – 5-8pm on Thursday
120 NW 9th Ave Ste 102, Portland, Oregon 97209
The Crossings show explores the intersection of diverse disciplines, processes, and media. Artists were encouraged to work across craft boundaries such as incorporating ceramics, wood, or glass. Collaborations between artists were also encouraged. This show represents a cross section of our metals communities and a wide variety of styles and materials will be represented, including jewelry and sculpture.
It’s the only exhibition I’m involved in that’s in a real gallery, so please get out and support it!
/ / /
The rest are a part of SNAG’s own Adorned Spaces, which runs Thursday, May 24th, 10:00 am – 6:00 pm and Friday, May 25th, 10:00 am – 8:00 pm at the conference venue: Portland Marriott Downtown Waterfront, 1401 SW Naito Pkwy, Portland, OR.
2\ (Un)common Interest
Curated by (and including) Sharon Massey, it showcases: April Wood, Ben Dory, Kat Cole, Jim Dunn, Michael Dale Bernard, Jessica Tolbert, Maia Leppo, Lynn Batchelder, Melissa Cameron, Sarah Holden and Michael Hull. Need a hint as to why we’re all together in this one? We all like to work in STEEL! (who doesn’t?)
See in rooms G,H and I next to the main ballroom that is hosting all of the presentations.
3\ In Touch
Katja Toporski and Anja Eichler’s co-curated exhibition from Munich Jewellery Week, In Touch, is getting a second outing just for SNAG, and I for one am very pumped to finally see it! And see it I will, long and often, as it is kitty-corner (don’t you love Americanisms?) from the Plate Glass show, in Salons C + D, on the same level as the main SNAG presentation venue!
This time it will feature one of my award-winning social unit works beautifully arranged, as I (and the universe – I did not invent the signage from which it takes its form,) originally intended.
…hopefully… There’s a lot to get done that afternoon, folks, because…
4\ Plate Glass
is having it’s 3rd and final outing in the USA. I’m making the display equipment out of cardboard, while coordinating the object drop-off for my current container-to-jewellery barter scheme (which is ultimately to complete the Monday-Gun Day project) which means I have also been able to add to the design a handy place to stash all the containers I receive from you this week!
Please consider helping out with the swap project if you can (forward it on to those distant cousins in Florida, why doncha? – or if you are at SNAG, I’ll have self-addressed padded envelopes for you to pick up to help you mail me something in return for your jewel), and definitely come and see this show. It’s received rave reviews in its two previous incarnations, and I think this is the best display yet! (Or it will be when I finish it…)
Phew! And if you’re chillin around these parts often, (and coming to P-town this week) you might recall I mentioned that it was my birthday couple of weeks back. The hottest rumor is a combined Seattle-peeps birthday celebration on one of the nights… Come say helloooo and get the skinny.
Check out the beauties at Brooch Brunch in the U District of Seattle on Saturday
It’s Mothers Day on Sunday, and Danaca Design in Seattle have organised a Brooch Brunch for the preceeding day, to kick of the weekend in style (and for you to get your mama something special from their roster of artists!) featuring a casual buffet-style champagne brunch and a gallery full of brooches made by local, national and international metalsmiths!
It’s on 12-3pm at Danaca Design
5619 University Way NE, Seattle, Washington 98105
Take your parental unit and treat them to a new bit o’bling.
I’d love to be there, but I’ll be celebrating a different milestone in Australia instead. Fear not, creative folk of the Northwest (or indeed, any other) persuasion, I’ll be back in Seattle early next week 😉
The Enamelist Society wants your new news, stat. Published in 2 months
The deadline for the Enamelist Society Newsletter is hurtling towards me, and thus far, I have nothing. Nada. Niente. Nil. OK, so there’s actually Jane, exhibiting some works at SNAG (image, Jane?), but aside from that…
Please see my last post on being the purveyor of Global Enamel News for all the important details. The one thing I will remind y’all of is that I have to hand in my copy about 2 months before publication, so next Tuesday I’ll hand over stuff that will appear in print in early July. So if you have anything for July/August/September, please hit me up now.
And fair warning, I’m on holiday/vacation in Australia right now, so if you send something, I will receive but just not respond until the deadline is nigh, so please include all the details and images that you can as there won’t be time for me to cross-check details.
This exhibition, begun in 2016, seems to pick up more relevance as it goes. If you’d like to see it in your town, please let us know.
Before I present all the details, I wanted to tell you that this show is a real labor of love for the curator, Boris Bally. I had the privilege to hear him speak last year at the Association for Contemporary Jewellery20:20 Visions Conference in the UK about the genesis of this exhibition, and to speak with him about the show both there and at SNAG. In speaking with him, it’s clear that he’s driven by the pure desire, in fact need, to make these things go away from the hands of vulnerable people in this country. He also just happens to be one of the most generous and humble artists that I have ever had the pleasure to meet, so if you are anywhere near St Louis, I really do urge you to go see him speak. (And if you do, please tell him that I sent you, and that I’m thinking of him.) And more amazingly, he is but one part of an incredible line-up of presenters, panelists and artists who will be talking about gun violence in St Louis and the USA.
Craft Alliance Center of Art + Design will partner with Maryville University to present I.M.A.G.I.N.E. Peace Now, a powerful traveling exhibition created as a positive response to the rising tide of gun violence in America. Conceived by metalsmith Boris Bally and brought to St. Louis through the help of his long-time collector Michael Staenberg, the exhibition features works by some 100 artists who have crafted sculptures using decommissioned firearms collected during community buy-back programs.
Over the last twenty years, we have seen the rise of this violence sweep into our schools, movie theaters, malls, and neighborhoods. Throughout history, artists have often served as the voices and illustrators of movements for change. This exhibition is an invitation to conversations about violence in America today and about potential constructive responses to that crisis.
Maryville University Opening Reception + Panel Discussion
Morton J. May Foundation Gallery
Thursday, April 5, 5:00 – 8pm
Conversation Towards Peace
Thursday, April 5, 7:00 -8 pm
Maryville University Auditorium
With the opening of I.M.A.G.I.N.E Peace Now, we invite you to join metalsmith / activist / organizer Boris Bally, Geriann Brandt, director of Maryville University’s Criminal Justice program; a spokesperson from Moms Demand Action; and Becky Tingle, CRC, CLPC, child therapist with Alive, Inc. They will discuss the effects of gun violence in our everyday lives. Panel moderator is Art Holliday, award-winning KSDK newscaster. This event is free + open to the public.
Craft Alliance Center of Art + Design Opening Reception + Curator’s Talk
Friday, April 6, from 5:30 – 8:30pm
Boris Bally Curator’s talk, 5:30 – 6:30pm
Craft Alliance’s Delmar Loop Gallery
Thursday, April 12, 4pm
Matt Donovan will read excerpts from Gun Shy, his book-length work-in-progress that delves deep into America’s gun culture. Donovan is an acclaimed author whose works include A Cloud of Unusual Size and Shape: Meditations on Ruin and Redemption and two collections of poetry – Vellum and Rapture & the Big Bam.
Bullets into Bells
Saturday, April 14, 7 – 9 p.m.
The Stage at KDHX in Grand Center
In partnership with the Saint Louis Poetry Center, local poets and activists will read from the anthology Bullets into Bells: Poets and Citizens Respond to Gun Violence.
Missed our initial afternoon tea? Well you’re in luck, it’s Tea II – Electric Boogaloo
You might remember the invitation to Plate Glass, the enamel exhibition I recently curated, from a few weeks back. Well this is an invitation to the closing party. Yes, Sally at Fancy and I enjoyed our first Afternoon Tea so much that we’re doing it again!
Join us for closing shenanigans at Fancy;
1914 2nd Avenue, Seattle
any time between 2-5pm on Saturday the 10th of March. We’ll share some more apple crumble slice and another pot of tea 😉
I’m not going, but about 18 of my closest steel and titanium and enamel and silver and gold friends _are_!
This is one of my works that will feature in the exhibition In Touch, curated by Anja Eichler and Katja Toporski, taking place in the week we like to call Munich Jewellery Week (we’re #61 on their map) beginning this Wednesday in beautiful Munich.
Our list of artists is really impressive: Anja Eichler, Catarina Hällzon, Lore Langendries, Moniek Schrijer, Anneleen Swillen, Katja Toporski, Mallory Weston, and of course me, Melissa Cameron.
The show is on at – »Verein für Originalradierung« Ludwigstrasse 7, 80539 Munich
Opening Reception: Wednesday, March 7, 2018, 5 – 9pm
Opening hours: Thu – Sat 10am – 7pm, Sun 10am – 2pm.
Please go along and say “G’day!” to Katja and Anja for me, and congratulate them on pulling this whole wonderful thing together. They’ve done an amazing job at artist-wrestling and installing. [Insert rapturous applause from Seattle.] And if you are in Munich – and I know who some of you are already – stay warm, and have a whale of a time!
Going to Munich Jewellery Week? Schmuck? Well go see In Touch!
Munich Jewellery Week (Current Obsession, Klimt02) is almost upon us, and if you’re like me, you’ll live the action vicariously through Instagram and Twitter. But if you’re going, then have I got a show for you…!
»Verein für Originalradierung« , Ludwigstrasse 7, 80539 Munich
Opening Reception: Wednesday, March 7, 2018, 5 – 9pm
Opening hours: Thu – Sat 10am – 7pm, Sun 10am – 2pm
(I remember this venue from last year for the courtyard that buffers it from the street, and finally getting a close-up of Carina Shoshtary‘s works.)
They already have images of most of our works up on the In Touch Facebook page if you’re keen on a sneak peek of what will be in the show. I have sent a bunch of brand new pieces never before exhibited (one, my new favourite, I finished last week), as well as a few that have had only one or two outings before, which includes an award-winning series that was recently displayed in Japan.
And if you find yourself in Munich, with your phone in hand, think of the starving eyes not in Germany, craving new images that showcase the full diversity of exhibitions and beautiful bejeweled outfits that are happening.
Why am I still ranting about guns? Explanation finally comes 16 episodes in.
**HERE LIVES THE MOTHER OF ALL TRIGGER WARNINGS**
There’s been a lot of news about guns in the last week. Last Tuesday I filed this article away for inclusion in today’s regular post; the Guardian reported that Remington was filing for bankruptcy, due at least in part to what they had termed “‘The Trump slump.'” A friendly administration for the gun lobby, and gun owners, has spelled radically decreased sales for gun manufacturers. But then on Wednesday, in a turn-around that would give you whiplash were you researching anything other than gun violence in the US, there was a mass shooting at a school in Florida on Valentine’s day. The cycle begins again.
My Monday – Gun Day series began on the 9th of October, 2017, a week and a day after the largest mass shooting involving a single perpetrator in US history had taken place in Las Vegas (all the modifiers are to remind us that there have been larger massacres in US history, usually racially motivated like that at Wounded Knee, or the Colfax Massacre, which was perpetrated by white Southern Democrats against about 150 black men.)
Since then, across 16 posts (including this one) made on Mondays (US Pacific time), I’ve been sharing my research about guns, and more specifically, the guns used in the 63 incidents in which people were killed on January 1st, 2017. But why? Well, firstly, some backstory that might help to explain.
I began the Monday – Gun Day series with an introduction to my work Gun from 2013/14. To design the work I replicated the AR-15 knock-off (made by Remington) used in the Sandy Hook mass shooting of 2012, into which I incorporated facts and figures I had researched about that days killings, which was, at that time, the second most deadly mass shooting perpetrated by a single person ever in the United States. I was making a series of pieces that used the tools of war to make a statement about humanity’s continuing poor relationship with itself, which I entitled The Escalation Series. My use of this gun, with all of its associations, pointed out an additional fact; the other tools of war I made pieces about were designed for, and were chiefly only accessible to, organised armies. This weapon, designed for and known as as the M-16 in the US armed forces, was and still is far too easily accessible to regular citizens of this country.
I thought after The Escalation series, in which I made jewellery pieces that depicted the following weapons of war:
cartridges with Minié ball bullets
Lapua Magnum shells (sniper rifle shells) from Combat Paper
as well as 3 versions of HEAT, a work (pictured below) that shows the molten metal spatter and penetration of a HEAT missile through armoured tank steel, that my association with weapons was done for a while. My focus had made a gentle pivot which saw me making mosaics out of enamelled laser cut steel, with which I could write by turns gentle, piercing and witty messages in binary.
Then two things happened. I had been recently juried into the Elizabeth R. Raphael Founder’s Prize, for which I am to make a work out of found materials, and on the 1st of October I decided to do a stock-take of all the found objects I have lying about in my study, the same day that the current most deadly mass shooting perpetrated in modern times (this seems to be accepted as anything since 1950,) by a single shooter, happened.
Having memorialised a single-person shooting before, I did not want to go down that route again. I’ve read a lot of stories about Sandy Hook, and will continue to do so the rest of my days (it’s reportage on unjustified killings of defenseless white children in a 1st world nation, and thanks to our social/political/class climate, we will find it in the media for the foreseeable future,) and it’s a lot. And I don’t want to have to repeat myself.
I have other things that horrify me just as much as 59 deaths by one person in a day. 59 deaths on any day is a pretty shit day by most of the world’s standards, and I wanted a way to make that point. So I picked a day, New Year’s Day 2017, and got to work.
We know the weapons of the mass shootings because they get so much publicity. (The Guardian already has 3 pages of articles about last week’s shooting.) [I’m getting cynical, which I usually try to banish from my writings, but it’s almost as if the amount of publicity is inverse to the amount of action that will be taken against the problem, despite the fact that I learned in another Guardian article linked to the Trump Slump article that, “Only 22 to 31% of Americans adults say they personally own a gun.” And what they call “gun super-ownership” is actually concentrated to 3% of the population.] Anyway, digressions aside. We know so little about the other gun deaths that happen in this country because everyone is so inured by the frequency of the killings that everyday gun violence doesn’t make it to the national news. But the weapons used by the mass murderer are studied ad nauseam, so of course we learn about the guns, the shells, the alternate weapons, the victims, the scene, the police department response, the slow and painful moving on.
But what about all the the other shootings? Which guns are responsible there?
Hopefully in just a few years time the gun lobby will face a shakedown that will be compared to that experienced by the tobacco lobby, and their unconscionable actions will be pored over in as much details as the lives of those involved in the Sandy Hook massacre. For right now, I’ve learned that there are great resources for finding out who was killed, when, and where, and more loosely, how. What’s becoming clear is that there is no focus put on the gun responsible, nor its manufacturer. In any other arena, should over 30,000 people get killed by any single type of object in a year, we, the public, would cry out for all the statistics on the make, model, age and condition of the thing responsible.
Thus my research project; for each person listed as killed on the Gun Violence Archive on the 1st of January, 2017, I am finding out what make and model of gun killed them, (or my best estimation thereof,) to draw a picture of what that gun looked like.
And when I have a picture of those weapons, I’m going to make a wearable piece of jewellery that incorporates every f*cking one of them.