Last Week!

Marfa, TX, the exhibition will close this Saturday 19 October

5811
venn c (6130, 6132, 6134, 6136, 6138, 6145b, 6149, 6151)
5843b
steel found in Marfa, TX, stainless steel, 750 gold, vitreous enamel

Dear friends,
This is the last week of my solo exhibition at Bilk Gallery in Canberra.
If that’s a bit far to travel, you can see images of the works and listen to my interview with ArtSound FM at the Bilk website.

xx m

ArtSound FM Interview

Melissa’s appearance on Arts Café on ArtSound FM

I forgot to mention that while in Canberra for the opening of Marfa, TX a couple of weeks ago, I was interviewed by Neil Doody for the Arts Café program on Canberra’s ArtSound FM. I missed it, despite a week of rebroadcasts, but thankfully Neil has shared the radio interview with us so I can give you my 5 minutes of audio fame right here!

Upcoming talk

Talking about recent works at the JMGA monthly meeting in WA

this picture is just me showing off. it gets worse…

Next Tuesday, the 24th of September, I’m going to be talking to some of y’all at the JMGA WA monthly meeting. If you’re not across it but you’re in the WA area (visitors welcome, just let me know and I’ll look out for you) you’re hereby invited to come hear and see what I’ve been up to over the last couple of years, jewel-wise.

It’s on at 7:30 pm@ WA Lapidary and Rock-hunting Club 
31/35 Gladstone Road, Rivervale WA 6103 

As for the photo, this was taken by Helen Aitken-Kuhnen (*clang* first name drop) at last weekend’s masterclass with these legends of jewellery in Australia. For the finished product of David Walker’s endeavours (as you might expect, he put us all to shame with his work ethic and the quality of his output), and to hear me spill the tea about another jewellery-legend that I lunched with this week (*hint* he’s over from Europe [just…] and been at #RadPav and The Jam in the last week) you’d better get in on time to claim a seat.

In all honesty, I could fill my time just talking about the last two weeks. BTW, does anyone know how much time I have??

Toowoomba Contemporary Wearables

… and we celebrated with?

Image of corporate entity / corporeal entity in stainless steel, vitreous enamel and titanium. Photograph by Melissa Cameron.
Image of corporate entity / corporeal entity in stainless steel, vitreous enamel and titanium. Photograph by Melissa Cameron.

Thank you to Toowoomba Regional Art Gallery for the Contemporary Weatables ‘19 award. I got the call yesterday while showing my family all the work I’ve just finished making for Marfa, TX. My niece, 4 years old, told me very sternly that what she was seeing was not jewellery.

“What is jewellery then?” I asked?

“Jewellery is hearts.”


Sorry to disappoint! The acquired piece is a double-header – yes, one side is my red head 👩🏻‍🦰 – which is at least anatomy.

corporate entity / corporeal entity


A double-sided neckpiece with pixelated images on opposing sides, depicting; the US Federal Reserve building, and, my face as photographed for my last US visa. Decoded from ASCII/Binary, the Fed reads “corporate entity”, my face, “corporeal entity”. The Fed background reads “not-me, not-you, not-them, not-us.”, while the opposing background “I-you-him/her/them-we-you(pl)-they”.

In the US and Australia, and other countries I checked, maximizing employment is at the core of government monetary policy (in these cases, the three written rules supposed to dictate how governments will benefit their citizens). The difference between the US Federal Reserve and the Reserve Bank of Australia is “the economic prosperity and welfare of the people of Australia”, is the third of three government-mandated duties. In the US, the third objective of the Fed is moderating interest rates.

Thank you again to Toowoomba Regional Art Gallery for your long-term commitment to this artform, and to Sue Lostroh for your call, it was a highlight of a very proud day 🙂

See the exhibition at Toowoomba Regional Art Gallery until November 3.

Invitation to Marfa, TX

My new solo exhibition at Bilk Gallery in Canberra

Please join us and meet Melissa Cameron for her solo exhibition opening of Marfa, TX. 

My past is a foreign country. We do things differently t/here.

In 2017 I went on vacation to Marfa, TX, with Bruce and Elaine. A town put on the map as a railroad water stop, it’s three hours drive from El Paso and one hour from the Rio Grande. In the last century ranchers, rangers, POW’s, and refugees have all passed through. Since the 1970’s it’s been a permanent home to the works of artist/designer Donald Judd. Since his death these installations, and his preserved studios, have drawn visitors from all over the globe. 

Marfa is in the Chihuahuan desert; there, dropped steel has a long life on the ground. Seeing steel, and knowing I could geotag what I picked up using my phone’s camera, I started a solo scavenger hunt. It covered a campsite; a former US military base (now a part of the Chinati Foundation); the grounds of hotels, diners, galleries and museums; and the dusty streets and sidewalks of the town.

My time/space capsule of finds moved continent with me in 2018-2019. It was finally reopened in Perth. I printed the photos, matched and mapped the finds, researched, and drew. I used this data, and the found objects, to make jewellery.

Since childhood I have picked up bits of metal from the ground. In Marfa, recording and collecting felt instinctive, inevitable. In Perth, I struggled to understand my compulsion at that time and in that place. I had to be with the collection and contextualize it, almost archeologically, in order to reimagine it. 

Some finds have been altered significantly. Others minimally. All have travelled far. As have I.

Melissa Cameron

August 2019
 

Opening Friday 13 September August 6pm – 8pm

Exhibition dates 11 September – 13 October 2019.

12 Palmerston Lane, Manuka, ACT 2603   Phone +61 (0) 2 61622761  

Hours Wed-Fri 11-5  Sat 11-4

*images on the Bilk site by Melissa Cameron, Elaine Cheung and Bruce Cooper

Exhibition – Marfa, TX

5807: 30,18.2138N, 104,1.3102W

I’ll post the invitation to the opening as soon as I have it, but in the mean time, there’s a few preview photos for my upcoming exhibition, entitled Marfa, TX, going up about the place. First up there’s Garland, and check Bilk’s website for the latest sneak peek.

And for those of you in the vicinity of Canberra, come see me at the opening on Friday the 13th. Bilk is helping me to transform the space just a little for the show so there’ll be a lot to see, beyond the 30+ works in found steel, enamel and, (wait for it) gold!

And if you check Instagram today you can see a work in progress in the videos. Not to mention the months of previous progress shots…

Marfa, TX

mapping the places I picked up bits of discarded steel in Texas

In 2017 I went on vacation to Marfa, TX, with Bruce and Elaine. It’s in the Chihuahuan desert; there, dropped steel has a long life on the ground. Seeing steel, and knowing I could geotag what I picked up using my phone’s camera, I started a solo scavenger hunt. It covered a campsite; a former US military base (now a part of the Chinati Foundation); the grounds of hotels, diners, galleries and museums; and the dusty streets and sidewalks of the town.

This map shows what I found where, and when.

click on a point to see the find in that location

Master Class Workshop – Liquid Enamel for Steel and Copper with visiting artist Melissa Cameron.

fuckthispresidentandtheregimeherodeinon 2017. Stainless steel, titanium, vitreous enamel

14 – 15 September 2019

In her practice Melissa Cameron has perfected the application of liquid enamel onto small objects. It’s a unique enamelling method, well suited to both flat and dimensional forms, with coating found objects like wire and tiny laser-cut parts being Melissa’s specialties.

In this workshop with the artist, learn her tips and tricks for using liquid enamel on steel and copper, from metal surface preparation to enamel mixing, application, and firing. Extend your decorative palette with textures and patterns using simple techniques, well suited for use on items of jewellery and small objects.

This masterclass is being held in conjunction with Melissa Cameron’s solo exhibition at Bilk Gallery opening on Friday the 13 September 2019, 6pm – 8pm.

Workshop details
Time: 9.30 am – 5pm, Saturday and Sunday 14 – 15 September.
Location: Workshop Bilk, 403 Captians Flat Road Carwoola Queanbeyan NSW Australia. Attendees will need to bring their own lunch. Coffee and tea will be provided.
Materials: All materials and tools will be supplied.
Cost: $450 per person for the two days. Maximum of six places available.