to anyone who got sent to Twitch instead of YouTube by clicking on my link yesterday, I’m really sorry. I don’t know where the twitch link came from – I had that URL in a draft of one of my posts for a tiny moment, 6 weeks ago! I did make the mistake of copying an pasting from a previous post, but it was the published version that links to YouTube! Be aware folks, the internet NEVER forgets…
On the upside, we had a great q+a with a bunch of email questions and live questions from Instagram thanks to my dm’s, and you can go back in time to catch it all here:
If your answer to the above question is yes, come join me in my studio for the next six or so months. In this link (click on the Live Stream link – if it’s there, I’m in the studio) you can see live footage of me as I work on hand sawing a piece from a few 3m x 82cm sheets of custom orb steel.
So if you’re tired of all the usual options: a/ you have no need of boiled water b/ your grass is in hibernation c/ you can’t possibly bear witness to any more paint drying… come take a peek into my studio. And if you’re not in the mood now, don’t worry, this one will take some time (that’s kinda the point) so feel free to check in later.
In her practice Melissa Cameron has perfected the application of liquid enamel onto small objects. It’s a unique enamelling method, well suited to both flat and dimensional forms, with coating found objects like wire and tiny laser-cut parts being Melissa’s specialties.
In this workshop with the artist, learn her tips and tricks for using liquid enamel on steel and copper, from metal surface preparation to enamel mixing, application, and firing. Extend your decorative palette with textures and patterns using simple techniques, well suited for use on items of jewellery and small objects.
This masterclass is being held in conjunction with Melissa Cameron’s solo exhibition at Bilk Gallery opening on Friday the 13 September 2019, 6pm – 8pm.
Workshop details Time: 9.30 am – 5pm, Saturday and Sunday 14 – 15 September. Location: Workshop Bilk, 403 Captians Flat Road Carwoola Queanbeyan NSW Australia. Attendees will need to bring their own lunch. Coffee and tea will be provided. Materials: All materials and tools will be supplied. Cost: $450 per person for the two days. Maximum of six places available.
The last post was all about the impending photo shoot of the above-titled work, which took place without a hitch just over two weeks ago. A huge ovation and a raucous Hip-Hip-Hooray! for my 56 intrepid volunteers, who modeled the 73 pieces that I had made in the previous month like absolute professionals. We worked basically by city, so we managed to get the works arrayed across our models.
I then took all the wearable works back into the studio to photograph them with the 73 containers from which they had come. After that I packed up the whole of 1.1.2017 and sent it to Contemporary Craft in Pittsburgh, and emailed a batch of the finished photos of the piece by the deadline, as per our contract. Then I reclaimed my weekends!
Contemporary Craft are now assembling the works of the 26 artists juried into Transformation 10: Contemporary Works in Found Materials in preparation for opening the exhibition and awarding the Elizabeth R. Raphael Founder’s Prize on the 14th of September.
Now I’m working towards other deadlines. Have I mentioned that I’ll be in an exhibition With Other Eyes starting at the Ruthin Craft Centre in Wales on the 29th of September? I’m currently waiting on my first ever order of enamel decals (don’t worry, you’ll hear about it) while slowly slicing some 2mm shipping container steel.
So that’s why I regretfully don’t have any images to share of the work, or the shoot, just yet. But if you seek them out on Facebook, a few of my volunteers posted their images and thoughts. And yes, I’m still doing the editing on the pictures that I didn’t send (we shot about 680 images on the Saturday in Fremont, and I took about that many again in the studio), so I will be able to share images of everyone involved, and the whole work, very soon.
Thank you to the big flock of people who have signed up already, and sorry to everyone for still harping on about this, but we’re really, really close to making our volunteer target for Saturday’s photo shoot. If you have been thinking about signing up but just haven’t got around to it yet, I’d really appreciate you (and your mates!) getting on board today.
This will be the only opportunity to see these neckpieces in Seattle, as the whole work (both the pendants and containers from which they were cut – 146 pieces all told) will go on display in the exhibition Transformations 10at Contemporary Craft in Pittsburgh in September. And as most of y’all know, not long after that I move back to Australia so I won’t be in the USA to organize a Seattle venue.
And to keep us all sane despite the idea behind the pieces we’re photographing, we are working hard behind the scenes to make this an enjoyable experience for everyone!
For the last time – photo shoot details at-a-glance:
– 7/7/18, 8am – 12pm
– Meet at the parking lot under the Fremont Bridge (not next to the Troll – the one that opens)
– 8am-9am sign in
– 9am-12pm all 73 people in 73 different gun-shaped pendants stand together for the shoot (if we finish early we all go home early)
– You wear something comfortable with dark top-half and no logos, I loan you a pendant to wear for the morning
– Drinks and snacks provided
– Kids, families welcome – but no pets please.
As I promised last week, I’m back in the US from Australia, where I was celebrating my 40th birthday with my family!
And now I’m here, I have a favor to ask:
Regular readers of this blog will be familiar with my series of posts, entitled: Monday – Gun Day, where I have been cataloguing the weapons used in each of the fatal shootings in the US on January 1st, 2017. (There’s more intel as to why in this post.) Thanks to the incredible resources of the Gun Violence Archive I’m almost through the research phase – in which I made drawings of all the guns used in fatal incidents on that day – and I’m ready to start making.
I was going to used objects – containers specifically – that I had to hand, but now that doesn’t feel right. I have objects from all over the place – I’ve picked them up in my travels throughout North America, Australia, Asia and Europe. And that is the problem. The rate of gun violence, as we are now almost constantly being reminded, is unique to each country. So using objects from other places in a project referencing gun violence in the USA doesn’t ring true.
So I suddenly find myself in need of containers from a specific list of places. Fifty-four places, in fact. And if you have a friend or relative in the area, please feel free to pass this along.
This is where you come in. If you happen to live in one of the places listed:
Send me a container to become a permanent part of this artwork, and I will send you a limited edition jewellery piece in return.
I sense your next question: “Container, what kind of container?”
Practically anything accepted – well washed food tins, plastic milk containers or even a yogurt tub, I don’t mind. Upcycle or re-gift me, please! I love a thrift store find, or new things from grocery stores or markets – I seek and find all over. Wood too! I just need to be able to cut or saw-pierce a motif into it, so not too thick, but most materials accepted. (Preferably not stainless steel – the best way to check that tiny, cute but essentially useless colander you have is with a magnet. I love magnetic steels – I’ll cut them for days – but if it doesn’t stick it’s probably regular stainless.)
I’m looking for a single container (though multiples needed in a few places) from each of the places listed below. Or, if you own a souvenir item from one of these places, that you are willing to part with, I would gladly accept it. (And yes, I do consider ashtrays, coasters and trays containers, too. See image at top for a portion of my current stash.)
1/ Get in touch – email@example.com
Please be in contact before you send something, to make sure I have not yet received anything from your place. I only need one container from most of this list, and so I’ll work on a first-come, first served basis.
If you happen to have an item in mind, please email me a photo of the container I can used for planning. I will also add your object as ‘pending’ on my list for others to see.
2/ Send the item (to arrive by June 20th, 2018)
2212 Queen Anne Ave. N. #412
Seattle WA 98109
Naturally, include the place name of the object in the packaging, as well as a name/address + email contact to ensure you get your jewel
3/ Jewels shipped in August
stay tuned to the blog for developments of this very special limited series.
*** List of places still remaining – June 20th update*** (and updated printable list ofPlaces June 8 – this includes all the maybe’s – if you are in a place that I have only a maybe commitment, please get in touch!):
City Or County
Yes, it’s like a Kickstarter but instead of cash, it’s local objects being turned into jewels. A barter-kickstarter, if you will. Please pass this along, and lets come together and make some art!
If you’re keen but haven’t yet made it out to see the Bellevue Arts Museum Biennial Metalmorphosis exhibition, the hourglass is telling me that there’s very few grains of sand left in the top bulb, so you’d better get along. The last day is Sunday the 5th of February. To tempt you – this is a short video of my work My House – Tanya Lippe’s Lunch Box in progress.
Yup, that’s me, breaking a saw blade. The abrupt ending (to the video) is a good analogue of how I felt every time I broke one, and it happened a lot that day…