Imagine Peace Now – RSVP, books and Metalsmith article

A post about guns, and where you can see them. With a snow-friend chaser.

NB: a post about guns and where you can see an exhibition of them. With a snow-friend chaser.

For those of you in the greater Boston area whose interest was piqued at the mention of the opening of Imagine Peace Now at the Society for Arts and Crafts last week, there’s a place to RSVP if you’re planning to attend.

Opening reception for I.M.A.G.I.N.E. Peace Now (IPN) will be held on Thursday, February 23, 2017 from 6:00 PM to 9:00 PM (EST) at the new Society of Arts + Crafts in Boston.

And if your interest was piqued by mention of the catalogue, then you might want to go here to grab yourself a copy. I received mine last week, and it’s an intense read. The images are universally great, and as you might imagine, the included artist statements are by turns affecting, depressing and thought-provoking.

There is also a new Findings section in Metalsmith Magazine (in the newly refreshed format – something we have had in the pipeline for the last eight months – I have mine and I’m proud to have my name in it as it’s a corker!) featuring a couple of the works from the IPN exhibition. You can see it via a digital free trial or you can purchase yourself a hard copy to keep forever!

Finally, Boris Bally, the man to whom we owe this whole exhibition, the man who sourced, stored and then sent out all of the ‘hardware’ used to make pieces for the show, is a keynote speaker at the ACJ 20:20 Visions Conference in Sheffield in July. He will be speaking about this show, and no doubt his deep antipathy towards guns. And as I mentioned last week, I’ll be there too, speaking about the evolution of my work from my residency in the UK in 2011 until today, namely all of the protest art (including the pieces about/with guns) that I have created over this period.

Phew, heavy topics.

OK, we’re in dark times, and sometimes you just need a breather. This is not something I would normally share, but I think it’s time to take a moment to contemplate a (very) simple joy:

More upcoming

I’m getting about, gadding about, even. If you want to see me in the flesh, try checking these places:

my studio, circa 2016

Announcing more stuff! Here’s some other things that I’ll be doing over the coming months:

March: Starting March 18th I’ll be in an exhibition curated by the irrepressible Maggie Smith (not the dame, but a grande dame) called Tech in Craft. So far we have two dates, from the 18th-27th of March at Libbie Mill Library, Henrico Co Virginia, and then directly after at CodeVA’s Eureka Workshop, Richmond VA until May 5th. These are non-traditional exhibitions venues as this series of exhibits is focused on education, so I can’t wait to see what people have to say! More on this shortly.

Studio disruption – Also in March we’ll be having our basement – aka my studio space – waterproofed. On the place side I won’t have to navigate through the space on pontoons during the wet season (and being Seattle, it rains only a paltry nine months.) but on the down side I have to pack up the studio to keep the sensitive equipment – and the sandblaster – away from the dust. (It is well timed to sort out the taxes though…)

May: From the 9th of May I’ll have work in a show at the new Studio 2017 Project Space in Sydney organised by the impressive Sarah Heyward, entitled:

FORCES: Strength and Fluidity in contemporary jewellery and object practice using steel – the dirty metal

Also in May: Along with everyone else I’ll be at the SNAG Conference in New Orleans – come along to the Trunk Show where I’ll have my little collection (including some of the RESISTance) laid out and bag yourself a pretty.

July: I’ll be speaking at the Association for Contemporary Jewellery’s 20:20 Visions Conference in Sheffield in the UK. My presentation will be on my work, and the political turn it has taken which began at a residency I undertook at the University of the West of England in 2011.

August: It’s looking very likely that I’ll head over to Arrowmont for the Enamel Society Conference, where you can see my previously mentioned latest attempt at curating, the exhibition Plate Glass.

At Arrowmont I’ll also have works in the exhibition Alchemy4, the 16th Juried International Enamel Exhibition, sponsored by the Enamelist Society. So please come along to see that too! I plan to be there for the opening on the 4th of August. After Gatlinburg the show will tour, first to the Ohio Craft Museum, Columbus, OH and then beginning early in 2018 it will be exhibited at the National Ornamental Metals Museum, Memphis, TN.

September: In the first week of this month I’ll be teaching an enameling workshop as a part of the Radical Enameling Workshop series presented by the Center for Enamel Art at The Crucible in Oakland, California.

 

So, if this is ‘more stuff’, what was the original stuff?

Radical Jewelry Makeover

Radical Jewelry Makeover. It’s like a perpetual motion machine, which if you think about it really fits their mission, don’t you think?

The work made for our friends over at RJM is on tour again, and right now it’s stopped in New Mexico:
Radical Jewelry Makeover Artist Project
Through February 19
form & concept
There’s a great write up at the Santa Fe Arts Journal, as well as a short and informative artist talk given by Jenn Carroll Wilson, one of the exhibition artists, over at form and concept’s website.

IMAGINE Peace Now

The Imagine show featuring decommissioned weapons is on soon in Boston.

It feels as though it’s getting harder to imagine every day, but if you’re keen for a refresher on what’s at stake if we can’t find a way to work together, the IMAGINE show is a great start. And it’s not all doom and gloom, there’s a dark sense of humour driving several of these works. If you’re in the area please head to the newly relocated Society of Arts and Crafts at 100 Pier 4 Boulevarde, Suite 100, in Boston from 6-9pm on Thursday the 23rd of February for the opening.

This is the second stop for this exhibition, which is running for quite a time, so you have until June to see a sobering collection of metal art made from decommissioned weapons seized by the Pittsburgh Police Department. If you can’t get along, there is a pretty amazing catalogue in the works which I’m sure will be available in Boston, and I’ll post the details of where you can source it from elsewhere very soon.