{"id":6935,"date":"2016-05-25T11:47:35","date_gmt":"2016-05-25T01:47:35","guid":{"rendered":"http:\/\/www.melissacameron.net\/blog\/?p=6935"},"modified":"2016-05-25T11:47:35","modified_gmt":"2016-05-25T01:47:35","slug":"5-true-facts","status":"publish","type":"post","link":"https:\/\/www.melissacameron.net\/blog\/?p=6935","title":{"rendered":"5 true facts!"},"content":{"rendered":"
\"Metalsmith<\/a>
Metalsmith Spring 2016 – featuring Hanna Hedman’s glorious works<\/figcaption><\/figure>\n

Here’s a few facts you might not know about Metalsmith – the industry publication that started for and is partially funded by the SNAG membership<\/a>:<\/p>\n

    \n
  1. You can buy digital copies online<\/a> for only $5.99 (USD) and can buy it singly at news stands or news agencies.<\/li>\n
  2. A year-long digital subscription<\/a> of 5 mags is $31 (USD, or approx $43 AUD, or \u20ac<\/span>28 or \u00a321!)<\/li>\n
  3. It features some of the best writing on jewellery in print anywhere, with regular contributions from such luminaries as Liesbeth den Besten, Andrea DiNoto and Bella Neyman. And it’s the only place where you’ll find special contributions by artists and collectors like Susie Ganch and Helen Williams Drutt English (and that’s just in Vol 35 No 5!<\/a>)<\/li>\n
  4. Metalsmith Extra<\/a> has all the online content you can’t get in a print publication but expect from an online-only source, like videos by and about the artists and artisans featured in the magazine. They’re listed by issue, with folks in the newest edition featured at the top.<\/li>\n
  5. The current issue, which features<\/a> profiles on Mirjam Hiller, Vivian Beer and obviously Hanna Hedman, and a LOOK<\/em> section written by Jillian Moore, is in my opinion THE BEST<\/strong> issue EVER<\/em><\/strong> produced by editor Suzanne Ramljak and her crack team of writers.*<\/li>\n<\/ol>\n

    So as my mate Molly likes to say – do yourselves a favour, yeah?<\/p>\n

    *I’m not just saying that because I’m on the editorial advisory committee, nor because even the editor described it as<\/a> the “Women in Metal” issue, and you know I’m all about women and metal. Turns out it’s a bloody solid read \ud83d\ude09<\/p>\n","protected":false},"excerpt":{"rendered":"

    Metalsmith Magazine y’all. It’s a doozy!<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[44,112,49],"tags":[],"class_list":["post-6935","post","type-post","status-publish","format-standard","hentry","category-contemporary-context","category-dialogue","category-publications"],"_links":{"self":[{"href":"https:\/\/www.melissacameron.net\/blog\/index.php?rest_route=\/wp\/v2\/posts\/6935","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.melissacameron.net\/blog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.melissacameron.net\/blog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.melissacameron.net\/blog\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.melissacameron.net\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=6935"}],"version-history":[{"count":4,"href":"https:\/\/www.melissacameron.net\/blog\/index.php?rest_route=\/wp\/v2\/posts\/6935\/revisions"}],"predecessor-version":[{"id":6940,"href":"https:\/\/www.melissacameron.net\/blog\/index.php?rest_route=\/wp\/v2\/posts\/6935\/revisions\/6940"}],"wp:attachment":[{"href":"https:\/\/www.melissacameron.net\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=6935"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.melissacameron.net\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=6935"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.melissacameron.net\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=6935"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}