{"id":1327,"date":"2010-09-13T08:30:19","date_gmt":"2010-09-12T22:30:19","guid":{"rendered":"http:\/\/www.melissacameron.net\/blog\/?p=1327"},"modified":"2011-10-04T16:57:04","modified_gmt":"2011-10-04T05:57:04","slug":"connecting-threads","status":"publish","type":"post","link":"https:\/\/www.melissacameron.net\/blog\/?p=1327","title":{"rendered":"connecting threads"},"content":{"rendered":"<p>So it took me a week to get through <a title=\"ABC Australia - website\" href=\"http:\/\/www.abc.net.au\/\" target=\"_blank\">ABC TV&#8217;s<\/a> show <a title=\"Art Nation - currently aired Sundays on ABC 1 + 2\" href=\"http:\/\/www.abc.net.au\/arts\/tv_radio\/art_nation\/\" target=\"_blank\">Art Nation<\/a> last week, I finished it yesterday. Lucky I persevered (which reminds me, I have to get through The Baroque episode I missed before it&#8217;s yanked from <a title=\"ABC iView - see all the shows you missed during the week cos you were too busy in the studio to go home and watch...\" href=\"http:\/\/www.abc.net.au\/iview\/\" target=\"_blank\">iView<\/a>) as there was an interesting segment on a Melbourne based Pacific Islander weaving group.<\/p>\n<p><object width=\"512\" height=\"302\" classid=\"clsid:d27cdb6e-ae6d-11cf-96b8-444553540000\" codebase=\"http:\/\/download.macromedia.com\/pub\/shockwave\/cabs\/flash\/swflash.cab#version=6,0,40,0\"><param name=\"data\" value=\"http:\/\/www.abc.net.au\/tv\/cinerama2\/cineramaEmbed.swf?version=2.0\" \/><param name=\"allowfullscreen\" value=\"true\" \/><param name=\"allowscriptaccess\" value=\"always\" \/><param name=\"flashvars\" value=\"src=rtmp:\/\/cp44823.edgefcs.net\/ondemand\/flash\/tv\/streams\/artsportal\/artnation_10_pacificweavers_lo.flv&amp;width=512&amp;height=288&amp;imageURL=http:\/\/www.abc.net.au\/reslib\/201009\/r632082_4314539.jpg&amp;title=Art Nation - Pacific Weavers&amp;pageURL=http:\/\/www.abc.net.au\/arts\/stories\/s3002030.htm?Innovation_widget=Arts\" \/><param name=\"src\" value=\"http:\/\/www.abc.net.au\/tv\/cinerama2\/cineramaEmbed.swf?version=2.0\" \/><embed width=\"512\" height=\"302\" type=\"application\/x-shockwave-flash\" src=\"http:\/\/www.abc.net.au\/tv\/cinerama2\/cineramaEmbed.swf?version=2.0\" data=\"http:\/\/www.abc.net.au\/tv\/cinerama2\/cineramaEmbed.swf?version=2.0\" allowfullscreen=\"true\" allowscriptaccess=\"always\" flashvars=\"src=rtmp:\/\/cp44823.edgefcs.net\/ondemand\/flash\/tv\/streams\/artsportal\/artnation_10_pacificweavers_lo.flv&amp;width=512&amp;height=288&amp;imageURL=http:\/\/www.abc.net.au\/reslib\/201009\/r632082_4314539.jpg&amp;title=Art Nation - Pacific Weavers&amp;pageURL=http:\/\/www.abc.net.au\/arts\/stories\/s3002030.htm?Innovation_widget=Arts\" \/><\/object><\/p>\n<p>I&#8217;d read about <a title=\"her Mana Couture website\" href=\"http:\/\/web.me.com\/manacouture\/Mana_Couture\/Welcome.html\" target=\"_blank\">Maryann Talia Pau<\/a> on Kevin Murray&#8217;s <a title=\"Maryann Talia Pau profiled on Craft Unbound\" href=\"http:\/\/www.craftunbound.net\/exhibition\/maryann-talia-pau-is-re-making-samoa-in-australia\" target=\"_blank\">Craft Unbound<\/a> site recently, and saw some of her works that were displayed at the <a title=\"The National Gallery of Victoria\" href=\"http:\/\/www.ngv.vic.gov.au\/\" target=\"_blank\">NGV<\/a> alongside the in the <a title=\"Wisdom onf the Mountain in the NGV website\" href=\"http:\/\/www.ngv.vic.gov.au\/whats-on\/exhibitions\/exhibitions\/wisdom-of-the-mountain\" target=\"_blank\">Wisdom of the Mountain: Art of the \u00d6mie<\/a> exhibition at the NGV earlier this year.<\/p>\n<p>Aside from creating truly awesome work which is shown in the piece above, the video explains that she has instituted a group working environment where crafts-people can get together to engage in the other side of making &#8211; communication.<\/p>\n<p>We make to communicate with others, to have a dialogue between ourselves, the object and the wearer or viewer. Even the critics at the <a title=\"My review of the Wheeler Centre event &quot;Critical Failure: Visual Arts Criticism&quot;\" href=\"https:\/\/www.melissacameron.net\/blog\/?p=1308\" target=\"_blank\">Wheeler Centre<\/a> the other night understood the need that artists have to be acknowledged by someone, simply because, as I see it, making art is a form of communication. I make in objects things that I can&#8217;t communicate in any other way. And just like when I talk, I like feedback, to know that my unspoken dialogue is being seen or felt in some way.<\/p>\n<p>So why communicate as you work then? Well, talking as you make work lets the object into the conversation. You communicate at once with your circle and with a future audience via the object under construction. While making you have a dialogue with the object in the hand and with others via the same object, the movements of your hand, as well as through verbal communication.<\/p>\n<p>The works I make when talking amongst a group are different to what I make when I commune with a piece alone, and different again when collaborating with a single other person. The lessons I learn in a group are thus different to those I learn alone in the studio. And in a group I have been exposed to other ways of making than my own, which is one of the most compelling reasons for undertaking such work.<\/p>\n<p>An example: at last week&#8217;s <a title=\"Meeting monthly - Part B discussion group. Come along!\" href=\"https:\/\/www.melissacameron.net\/blog\/?p=1175\" target=\"_blank\">Part B<\/a> meet, <a title=\"Gillian's site\" href=\"http:\/\/www.gillianhillmandesign.com\/\" target=\"_blank\">Gillian Hillman<\/a> gave the group a two minute &#8216;how to&#8217; session for creating a particular gem setting for a ring. She upended the process that <a title=\"Mary Hackett's website\" href=\"http:\/\/www.nmhmetalworks.com.au\/nmh%20web\/maryhackett\/indexmary.html\" target=\"_blank\">Mary<\/a> had been using, explaining one that was both simpler and more refined. Sharing knowledge through working in a group, such as Gillian&#8217;s making process, will obviously make ones output within the group different to ones solo pieces. But there lies the potential to enhance ones solo projects too.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Melissa on recent TV, and how it relates to Real Life\u2122. <\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[44,112,109],"tags":[],"class_list":["post-1327","post","type-post","status-publish","format-standard","hentry","category-contemporary-context","category-dialogue","category-process"],"_links":{"self":[{"href":"https:\/\/www.melissacameron.net\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1327","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.melissacameron.net\/blog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.melissacameron.net\/blog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.melissacameron.net\/blog\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.melissacameron.net\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1327"}],"version-history":[{"count":10,"href":"https:\/\/www.melissacameron.net\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1327\/revisions"}],"predecessor-version":[{"id":3682,"href":"https:\/\/www.melissacameron.net\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1327\/revisions\/3682"}],"wp:attachment":[{"href":"https:\/\/www.melissacameron.net\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1327"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.melissacameron.net\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1327"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.melissacameron.net\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1327"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}