Ben Lignel called me young..!

The one in which Ben Lignel did not call me young, but I bang on about it as if he did 😉

OK, so strictly speaking, he perhaps did not call me “young”, though possibly “younger”;

“Younger writers—or writers who only recently started writing on jewelry—would include”

This Is Where I Am.
In Conversation with Benjamin Lignel
By Susan Cummins

I’m young or I’m recent – either way, thanks Ben 😉

BAM Biennial – last days

Last days to see my work at Bellevue Arts Museum as a part of Metalmorphosis

If you’re keen but haven’t yet made it out to see the Bellevue Arts Museum Biennial Metalmorphosis exhibition, the hourglass is telling me that there’s very few grains of sand left in the top bulb, so you’d better get along. The last day is Sunday the 5th of February. To tempt you – this is a short video of my work My House – Tanya Lippe’s Lunch Box in progress.

Yup, that’s me, breaking a saw blade. The abrupt ending (to the video) is a good analogue of how I felt every time I broke one, and it happened a lot that day…

in the spirit of repair…

Repair and Renewal: Making Things Whole Again – the 2017 Curated “Exhibition in Print” for Metalsmith wants YOU!

19C Caltrop, 2015. Part of the Escalation Series.

A spot of promo for Metalsmith:

2017 Curated “Exhibition in Print” – Call for Related Work
Repair and Renewal: Making Things Whole Again
Guest Curator, Stuart Kestenbaum
Deadline: January 15

  

Besides prolonging the life of an object, repair also speaks to our yearning to make things right again, to make things whole. Repairing is more than fixing–it’s a metaphorical way to look at the role of makers. When we repair things, are we also fixing ourselves?  Can giving renewed life to objects and materials-perhaps ones that have had other functions-renew us as well?  How does the world look when we say that what is broken can be made whole again, using ingenuity and imagination?

For the 2017 “Exhibition in Print” Repair and Renewal: Making Things Whole Again, curator Stuart Kestenbaum is seeking work that addresses these questions.  While the work does not need to have been repaired, it should have the spirit of repair, and be fueled by a desire to extend an object’s value and usefulness.

Deadline is this Sunday, January 15, 2017.

Ever made something that fits this description? Then perhaps you might share it with us – it’s really simple – email some photos/links to the email address listed in the post.

Happy New Year!

It’s been a while but it was inevitable. I’m back after a month off, and with a lot to tell you!

jewels  jewellist

My last jewellery works for 2016 were very… striking?

There’s a few things already on the agenda for 2017, so here, in an attempt at chronological order:

  • In March I’m headed to Munich for Jewellery Week, as I got into Schmuck with The Drone work! (Full listing of participants on Klimt02) Let me know if you’re heading over so I can look out for you, eh? (Unless you already have, and tbh, you probably did…)
  • The Shared Concerns exhibition hits Bilk in Canberra in April/May
  • I’m in an exhibition called Drawing the Line at Facèré here in Seattle, also starting in April.
  • I’m curating an exhibition for the Enamelist Society conference at Arrowmont this year. Emerging enamelists beware, I’ll be getting on contact with a tight deadline very, very soon.
  • I have preliminary plans to hit Radiant Pavilion in August/September in Melbourne, where I’m hoping to bring some United States of America-ns to town with me. We’ll be opening/showing Shared Concerns at Bini.

I hope you all had joyful solstice and New Year celebrations too 😉