St Patrick’s day; the middle day of 3 straight days of anniversaries, for me. From the image above I think it’s easy enough to guess what happened to me on the 17th of March 2012. My life, my work, everything changed. But, one can say that about every day that we get to share on this planet. For me, this last 5 years has been full of days like these.
Can’t wait to see my friends at my first international jewellery hook-up (it’s not that kind, please,) for the year, starting next week. If you want to see my work, and it’s just the one, it’s at Schmuck 2017, from the 8th-14th of March, 9:30am – 6pm daily at the International Handwerkmesse, in the Fairground Messe München, Hall B1.
And if you want to see a couple of my mates? Well the best place to see the line up, and what everyone else is up to, is on the Current Obsession website, or better yet in their Paper edition which you can purchase in select places in Munich (of course there’s also the shorter Master Program with metro map here, with thanks to Klimt02). Seek out Claire McArdle’s work in Sextet, opening Thursday March 9 from 6-8pm at Das KloHäuschen. And Zoe Brand will be exhibiting with Atta Gallery in Hall B1 – as a part of the internationally gallery line-up at the IHM. Then there’s Kat Cole in Perfect Strangers, and a tonne more people in Duality of Presence – just look up the CO list, yeah?
Meanwhile, lots of work to finish. Eeep!
NB: a post about guns and where you can see an exhibition of them. With a snow-friend chaser.
For those of you in the greater Boston area whose interest was piqued at the mention of the opening of Imagine Peace Now at the Society for Arts and Crafts last week, there’s a place to RSVP if you’re planning to attend.
Opening reception for I.M.A.G.I.N.E. Peace Now (IPN) will be held on Thursday, February 23, 2017 from 6:00 PM to 9:00 PM (EST) at the new Society of Arts + Crafts in Boston.
And if your interest was piqued by mention of the catalogue, then you might want to go here to grab yourself a copy. I received mine last week, and it’s an intense read. The images are universally great, and as you might imagine, the included artist statements are by turns affecting, depressing and thought-provoking.
There is also a new Findings section in Metalsmith Magazine (in the newly refreshed format – something we have had in the pipeline for the last eight months – I have mine and I’m proud to have my name in it as it’s a corker!) featuring a couple of the works from the IPN exhibition. You can see it via a digital free trial or you can purchase yourself a hard copy to keep forever!
Finally, Boris Bally, the man to whom we owe this whole exhibition, the man who sourced, stored and then sent out all of the ‘hardware’ used to make pieces for the show, is a keynote speaker at the ACJ 20:20 Visions Conference in Sheffield in July. He will be speaking about this show, and no doubt his deep antipathy towards guns. And as I mentioned last week, I’ll be there too, speaking about the evolution of my work from my residency in the UK in 2011 until today, namely all of the protest art (including the pieces about/with guns) that I have created over this period.
Phew, heavy topics.
OK, we’re in dark times, and sometimes you just need a breather. This is not something I would normally share, but I think it’s time to take a moment to contemplate a (very) simple joy:
Announcing more stuff! Here’s some other things that I’ll be doing over the coming months:
March: Starting March 18th I’ll be in an exhibition curated by the irrepressible Maggie Smith (not the dame, but a grande dame) called Tech in Craft. So far we have two dates, from the 18th-27th of March at Libbie Mill Library, Henrico Co Virginia, and then directly after at CodeVA’s Eureka Workshop, Richmond VA until May 5th. These are non-traditional exhibitions venues as this series of exhibits is focused on education, so I can’t wait to see what people have to say! More on this shortly.
Studio disruption – Also in March we’ll be having our basement – aka my studio space – waterproofed. On the place side I won’t have to navigate through the space on pontoons during the wet season (and being Seattle, it rains only a paltry nine months.) but on the down side I have to pack up the studio to keep the sensitive equipment – and the sandblaster – away from the dust. (It is well timed to sort out the taxes though…)
May: From the 9th of May I’ll have work in a show at the new Studio 2017 Project Space in Sydney organised by the impressive Sarah Heyward, entitled:
FORCES: Strength and Fluidity in contemporary jewellery and object practice using steel – the dirty metal
Also in May: Along with everyone else I’ll be at the SNAG Conference in New Orleans – come along to the Trunk Show where I’ll have my little collection (including some of the RESISTance) laid out and bag yourself a pretty.
July: I’ll be speaking at the Association for Contemporary Jewellery’s 20:20 Visions Conference in Sheffield in the UK. My presentation will be on my work, and the political turn it has taken which began at a residency I undertook at the University of the West of England in 2011.
August: It’s looking very likely that I’ll head over to Arrowmont for the Enamel Society Conference, where you can see my previously mentioned latest attempt at curating, the exhibition Plate Glass.
At Arrowmont I’ll also have works in the exhibition Alchemy4, the 16th Juried International Enamel Exhibition, sponsored by the Enamelist Society. So please come along to see that too! I plan to be there for the opening on the 4th of August. After Gatlinburg the show will tour, first to the Ohio Craft Museum, Columbus, OH and then beginning early in 2018 it will be exhibited at the National Ornamental Metals Museum, Memphis, TN.
September: In the first week of this month I’ll be teaching an enameling workshop as a part of the Radical Enameling Workshop series presented by the Center for Enamel Art at The Crucible in Oakland, California.
So, if this is ‘more stuff’, what was the original stuff?
It feels as though it’s getting harder to imagine every day, but if you’re keen for a refresher on what’s at stake if we can’t find a way to work together, the IMAGINE show is a great start. And it’s not all doom and gloom, there’s a dark sense of humour driving several of these works. If you’re in the area please head to the newly relocated Society of Arts and Crafts at 100 Pier 4 Boulevarde, Suite 100, in Boston from 6-9pm on Thursday the 23rd of February for the opening.
This is the second stop for this exhibition, which is running for quite a time, so you have until June to see a sobering collection of metal art made from decommissioned weapons seized by the Pittsburgh Police Department. If you can’t get along, there is a pretty amazing catalogue in the works which I’m sure will be available in Boston, and I’ll post the details of where you can source it from elsewhere very soon.
OK, so strictly speaking, he perhaps did not call me “young”, though possibly “younger”;
“Younger writers—or writers who only recently started writing on jewelry—would include”
This Is Where I Am.
In Conversation with Benjamin Lignel
By Susan Cummins
I’m young or I’m recent – either way, thanks Ben 😉
If you’re keen but haven’t yet made it out to see the Bellevue Arts Museum Biennial Metalmorphosis exhibition, the hourglass is telling me that there’s very few grains of sand left in the top bulb, so you’d better get along. The last day is Sunday the 5th of February. To tempt you – this is a short video of my work My House – Tanya Lippe’s Lunch Box in progress.
Yup, that’s me, breaking a saw blade. The abrupt ending (to the video) is a good analogue of how I felt every time I broke one, and it happened a lot that day…
A spot of promo for Metalsmith:
2017 Curated “Exhibition in Print” – Call for Related WorkRepair and Renewal: Making Things Whole AgainGuest Curator, Stuart Kestenbaum
Deadline: January 15
Besides prolonging the life of an object, repair also speaks to our yearning to make things right again, to make things whole. Repairing is more than fixing–it’s a metaphorical way to look at the role of makers. When we repair things, are we also fixing ourselves? Can giving renewed life to objects and materials-perhaps ones that have had other functions-renew us as well? How does the world look when we say that what is broken can be made whole again, using ingenuity and imagination?
For the 2017 “Exhibition in Print” Repair and Renewal: Making Things Whole Again, curator Stuart Kestenbaum is seeking work that addresses these questions. While the work does not need to have been repaired, it should have the spirit of repair, and be fueled by a desire to extend an object’s value and usefulness.
Deadline is this Sunday, January 15, 2017.
My last jewellery works for 2016 were very… striking?
There’s a few things already on the agenda for 2017, so here, in an attempt at chronological order:
- In March I’m headed to Munich for Jewellery Week, as I got into Schmuck with The Drone work! (Full listing of participants on Klimt02) Let me know if you’re heading over so I can look out for you, eh? (Unless you already have, and tbh, you probably did…)
- The Shared Concerns exhibition hits Bilk in Canberra in April/May
- I’m in an exhibition called Drawing the Line at Facèré here in Seattle, also starting in April.
- I’m curating an exhibition for the Enamelist Society conference at Arrowmont this year. Emerging enamelists beware, I’ll be getting on contact with a tight deadline very, very soon.
- I have preliminary plans to hit Radiant Pavilion in August/September in Melbourne, where I’m hoping to bring some United States of America-ns to town with me. We’ll be opening/showing Shared Concerns at Bini.
I hope you all had joyful solstice and New Year celebrations too 😉