Introducing the ‘social unit’ pieces \/|- . Once again the binary sequence (rendered using enamel in different skin tones) in each neckpiece spells out the same two words, ‘social unit’. The unfurled pieces (in the image social unit *) give little hint to their original format.
These works will be on show at Facèré Jewelry Art in the exhibition Drawing the Line which opens on the 3rd of May in downtown Seattle. Come to the opening lecture from 4pm to hear me talk about these and their friends, the Body/Politic and Drone works.
The adequately-oiled machine that is my studio practice has had some time out from being even that reliable of late (for many reasons, a great one being fixing the moisture problem that normally creates a less-than ornamental pond in my studio over the winter months,) so right now I’m busy finishing works and preparing images for two upcoming exhibitions that begin in early May – from the 3rd there’s a group show called Drawing the Line at Facere Art Jewelry in downtown Seattle and then opening on the 4th there’s Seattle Metals Guild and the Wawona – at Northwind Arts Center in Port Townsend.
It’s too early for image spoilers on those (as in, I’ve not taken them yet..!), but if you are keen to get a fix of new works, check out the hashtag #PlateGlassExhibition on Instagram, for a bunch of new works in development by the 29 invited artists of the Plate Glass exhibition. This is the one that I’m curating for the Enamellist Society and will be shown during their biennial conference, this year in Gatlinburg, Tennessee at Arrowmont School of Arts and Crafts in August, from the 2nd – 9th.
Several of the artists are new to the format of the plate, though needless to say I think they’re all doing an amazing job, and I truly cannot wait to reveal every single one of them to y’all in August. Until then we’re all lucky to have these images to marvel at and ponder over.
St Patrick’s day; the middle day of 3 straight days of anniversaries, for me. From the image above I think it’s easy enough to guess what happened to me on the 17th of March 2012. My life, my work, everything changed. But, one can say that about every day that we get to share on this planet. For me, this last 5 years has been full of days like these.
Announcing more stuff! Here’s some other things that I’ll be doing over the coming months:
March: Starting March 18th I’ll be in an exhibition curated by the irrepressible Maggie Smith (not the dame, but a grande dame) called Tech in Craft. So far we have two dates, from the 18th-27th of March at Libbie Mill Library, Henrico Co Virginia, and then directly after at CodeVA’s Eureka Workshop, Richmond VA until May 5th. These are non-traditional exhibitions venues as this series of exhibits is focused on education, so I can’t wait to see what people have to say! More on this shortly.
Studio disruption – Also in March we’ll be having our basement – aka my studio space – waterproofed. On the place side I won’t have to navigate through the space on pontoons during the wet season (and being Seattle, it rains only a paltry nine months.) but on the down side I have to pack up the studio to keep the sensitive equipment – and the sandblaster – away from the dust. (It is well timed to sort out the taxes though…)
May: From the 9th of May I’ll have work in a show at the new Studio 2017 Project Space in Sydney organised by the impressive Sarah Heyward, entitled:
FORCES: Strength and Fluidity in contemporary jewellery and object practice using steel – the dirty metal
Also in May: Along with everyone else I’ll be at the SNAG Conference in New Orleans – come along to the Trunk Show where I’ll have my little collection (including some of the RESISTance) laid out and bag yourself a pretty.
July: I’ll be speaking at the Association for Contemporary Jewellery’s 20:20 Visions Conference in Sheffield in the UK. My presentation will be on my work, and the political turn it has taken which began at a residency I undertook at the University of the West of England in 2011.
August: It’s looking very likely that I’ll head over to Arrowmont for the Enamel Society Conference, where you can see my previously mentioned latest attempt at curating, the exhibition Plate Glass.
At Arrowmont I’ll also have works in the exhibition Alchemy4, the 16th Juried International Enamel Exhibition, sponsored by the Enamelist Society. So please come along to see that too! I plan to be there for the opening on the 4th of August. After Gatlinburg the show will tour, first to the Ohio Craft Museum, Columbus, OH and then beginning early in 2018 it will be exhibited at the National Ornamental Metals Museum, Memphis, TN.
September: In the first week of this month I’ll be teaching an enameling workshop as a part of the Radical Enameling Workshop series presented by the Center for Enamel Art at The Crucible in Oakland, California.
My last jewellery works for 2016 were very… striking?
There’s a few things already on the agenda for 2017, so here, in an attempt at chronological order:
In March I’m headed to Munich for Jewellery Week, as I got into Schmuck with The Drone work! (Full listing of participants on Klimt02) Let me know if you’re heading over so I can look out for you, eh? (Unless you already have, and tbh, you probably did…)
The Shared Concerns exhibition hits Bilk in Canberra in April/May
I’m in an exhibition called Drawing the Line at Facèré here in Seattle, also starting in April.
I’m curating an exhibition for the Enamelist Society conference at Arrowmont this year. Emerging enamelists beware, I’ll be getting on contact with a tight deadline very, very soon.
I have preliminary plans to hit Radiant Pavilion in August/September in Melbourne, where I’m hoping to bring some United States of America-ns to town with me. We’ll be opening/showing Shared Concerns at Bini.
I hope you all had joyful solstice and New Year celebrations too 😉
The resistanceis growing, and coming to a store near you – at least if you live in Seattle, Vancouver BC, Melbourne or Canberra. I have had people purchase at the trunk show, direct from me (thank you Vancouver jewellery denizens) and make orders for sales in Melbourne and Seattle, and I am so proud that we’ll be hitting $100 made for Islamic Relief USA really shortly.
For those of you who were holding on until the pieces reached your timezone, the Melbourne delivery to Bini Gallery was made yesterday and the Canberra batch (to Bilk, of course!) should arrive by Friday at the latest. Each of those stores will also have a resist neckpiece (like the one below), while the earrings are joined by pins and tiny little pendants I’m calling talismans in Vancouver at The Craft Council of BC and at Danaca Design in Seattle.
And I have not forgotten you, Perth. Get in touch as I’ll be making arrangements for a special delivery in the next month or so.
November 24 6 – 8
1386 Cartwright St, Vancouver BC
UNEXPECTED explores the strange and sometimes discordant elements that make the viewing, wearing, and making of Contemporary Jewellery an enjoyable endeavor.
The unexpected and Contemporary Art Jewellery are by no means strange bedfellows- viewers and wearers of Contemporary Jewellery often seek out our discipline because it is unusual and extra-ordinary. The unusual, and unusual elements and materials, have become de rigueur in a creative world that continues to embrace post-disciplinary art practices which move beyond medium centered approaches to making.
This show will see the debut of a new series of enamel and steel works, entitled Resist. An extension of my Body/Politic works, these pieces are individually enameled in a beautiful rainbow of blues, the color that is the opposite of orange on the traditional color wheel. 10% of the purchase price from the Resist line sold anywhere in the world will go to Islamic Relief USA, a non-profit 501(c)(3) humanitarian agency who work on international and domestic US development and relief projects.
Dunno about you, but I woke up with all the nerve endings firing in my gut on Wednesday morning, just before 3am. After nigh on an hour of bleary-eyed semi-consciousness, and after the hopes that sleep would take me back into her embrace had been dashed (such a temperamental lover) I caved in and checked my phone. My sisters in Australia had offered condolences that I didn’t need to swipe through to see, especially the one from Courtenay that ran thusly:
That was the entire message, but it told me that counting had finished and the map had been painted orange. Finally having the early predictions confirmed (I’d gone to bed early, both to avoid the anxiety of waiting and to read a good book – Mary Beard’s recent SPQR: A History of Ancient Rome – which turns out to be quite an apt companion for right now,) was definitely not going to help me sleep.
So I did some thinking. And a bit of googling. And at around 5:30am I placed an enamel order. I’ve never had much call for blue enamel before, so my stocks are paltry. Once this was done, around 6am, I went back to sleep reading about an ancient fallen empire.
My early morning thoughts ran something like this; I already have a body of work that is about putting encoded messages into the world, like this piece:
Body/Politic is a series of jewels where the medium is part of the message. The two-toned grids of pixels represent lines of binary code. Each piece literally spells out a message on the body of the wearer; readable to those who can interpret binary, the language that is the foundation of our digital culture. (These borrow from the visual language set up for the Drone works.) The messages reflect on the human condition, on how we are embodied, and what that means. The words/phrases that became works in the first series exhibited in March include your body is your vote (above), body, vote, unrepresented body, power and recently (just last week, for an upcoming show in May) I completed intensely embodied.
These are pieces are personal and political. They are words that reflect on my own physical body and its position in the world, and on the bodies of others who are in significantly more compromising situations, most particularly those bodies in combat areas, migrating bodies and those bodies who are suffering with illness.
Now before this gets too heavy, lets get back to the quality thinking time that my sleepless hours gifted me. So I have a trunk show booked for next week, and while I’ve been making the measured and politically/socially reflexive jewels like the work above over the last few years, none of those pieces are slated to be on the table next week. My plans for this week were to spend some time reorganising my stash of jewels to find some things that the good folks of Seattle haven’t seen before, and to make a few last pieces from the leftover parts of my La Geometrie laser-cuts to take along with me.
But then y’all had to go and elect an orange for a president.
I very purposely chose a blue top to wear yesterday, in protest (stay with me, this is relevant). And I’m in blue jeans today. Why? Because in my waking hours I was fixating on the fact that blue is the complimentary colour to orange on the colour wheel. Yep, this means it’s the opposite. So I’ve taken all this care dressing because I want to be the opposite of orange (yeah, despite my red hair.) But blue doesn’t just stand in opposition. It is the colour of the tears being shed for this and other depressing and alarming recent political events.
Blue is the colour of that soon-to-be pendant at the top of this (very long) blog post. It is the colour of the stockings on the women fighting to inform, enlighten and protect themselves, and it is the colour that HRC used to paint her campaign, and Bernie Sanders his. It’s the colour of the sky, of steel, and a bloody nice colour for an absolute shit-tonne of enamelled earrings.
And lets reiterate here, in RYB colour theory it’s the colour diametrically opposed to orange.
My search to find the opposite of an orange charity also began in the wee hours of Wednesday, and I’ve selected this one to give 10% of the purchase price of each pair of my brand new line of Resist earrings (pictured above) sold anywhere in the world. They’re going to retail for $30 US, and orders will be direct through me. (For anyone outside of Seattle, my postage price is being confirmed – please see below.)
About my blue charity:
Islamic Relief USA (IRUSA), based in Alexandria, Virginia, is a non-profit 501(c)(3) humanitarian agency and member of the Islamic Relief Worldwide group of organizations. IRUSA was founded in California in 1993. In addition to international relief and development initiatives, Islamic Relief USA also sponsors and funds domestic projects ranging from emergency disaster responses to assisting the American homeless population and supporting those who cannot afford basic healthcare.
Resist Earrings, $30 (US dollars) a pair.
stainless steel + blue enamel.
For your set you can mix and match or play it straight, or even buy an extra one so you can decide what kind of (blue) day you’re having. More colours (yup, all blue*) coming soon. How to get yours? See below or email me: firstname.lastname@example.org
If you’re in Seattle, please come along next week if you’re keen to check out my rainbow of blue earrings* or if you just need a shoulder. Together we can chat about resistance. It’s on at:
5619 University Way NE, Seattle, Washington 98105
Thursday, November 17 at 5:30 PM – 8:00 PM
(Facebook event – do them a favour for catering and let them know if you can 😉 )
Australia: you can count on Bilk and Bini Galleries getting a stack of these in the next week also, and for my sistren in Perth, I’ll see y’all in December and I’ll be sure to carry a few of these in my pocket.
USA: If you’re not in the PNW keep a look out, I’ll be posting the postage details ASAP
Canada– OK, BC: I’m heading up to Vancouver in a couple of weeks (no, not seeking asylum, though did I tell you the one about my grandparent who was born 12 miles south of Tisdale??) so let me know and I’ll bring them with me. The rest of you? Let me figure something out. We’re family!
Everywhere else: If you’re keen please get in contact and I’ll figure out your shipping rate. (I will be in Munich for the second week of March, and might even head to the UK for a hot minute, so if you can hold out that long…)
In the mean time, know that while my heart is blue, my gaze is steely.
*My Dad bought me my first car, back in the day. While we were looking around at listings he told me, “You can have any colour you like, so long as it’s blue.” I gratefully received a Corolla in midnight blue, despite preferring the burgundy…
Often jewelry is created to celebrate and mark milestones in life. As part of marking her milestone of turning 40, jewelry artist Tegan Wallace has invited a collection of artists to take a prototype or unfinished object from Tegan’s own work and breathe new life into them. These Bits and Bobs will become reflections of what Tegan has achieved so far while celebrating the metal community that had given her so much and continues to influence her own artistic growth.
As a part of being in this show Tegan gave me a piece of her work to finish up – incidentally, the pierced dome work that appears in the top third of the photograph above – that she began in her teens. She lovingly and ingeniously created this piece at her parents coffee table, and despite a lot of recent protest that it was practically done already, she didn’t consider it finished. It may not yet be, but for this show I’ve taken it and added my own parts, in steel and liquid enamel of course, and turned it into a piece of jewellery.
Come see it, and even say hello to me and Tegan at the opening, from 6 – 9pm this Friday. The show runs until November 28th.
Danaca Design Studio
5619 University Way NE
Seattle WA 98105