Got a hankering to try out some experimental enameling? Join us to find out how straightforward and un-fussy enameling can be. We’re going to work on all types of steel – including that which we find on the street – to make beautifully enamelled jewels and objects, with the addition of porcelain enamel that will be applied in its liquid form.
I always look forward to these classes because of the way people surprise themselves when confronted with a medium that can be used in such diverse ways; behaving like watercolor, spray paint or even sand. Its versatility enables each maker to leverage their mastery in traditional materials – say even pencil and markers – and then make permanent the results by literally baking them on.
And hey, it’s in “beautiful, downtown Oakland, California!”
(Thanks to Roman Mars of the 99% Invisible podcast for being the indelible voice in my head for that line 😉 )
I’m on route to Sheffield to speak at the ACJ 20:20 Visions Conference about my works (spoiler, I’m on Saturday afternoon), and I’m getting pretty excited, and no, just not just to go to the multiple steel museums!
Now that the final programme has been published I see that along with catching up with friends I’ve not seen since I was last in the UK in 2011, I get to check in with a few faces familiar from other global jewellery haunts, which I’m really looking forward to.
I’ve found as the annual SNAG conference has become much more familiar to me, my participation has become very business-like (thanks especially to the annual Editorial Advisory Committee meeting and always spending the preceding week finishing work for the trunk show.) I’m looking forward to being able to learn about a less-familiar jewellery culture while meeting some heroes and making a few new friends. And having some relaxing tours of local museums and such, while finally (fingers crossed!) experiencing summer in England.
If you’re on Instagram, expect to see supreme random-ness from Sheffield, London, Birmingham and Manchester 😉 And if you’re in those places, look out for me in my hat!
Speakers confirmed include Boris Bally (USA), Elizabeth Shaw (Australia), Melissa Cameron (USA), Johanna Zellmer (NZ / Germany) Simon Fraser (UK) and many more!
Delegate fees £180 / £100 for an amazing 3 day programme including food
What’s not to love?! Food too!
(BTW – jealous of Johanna and her 2 listed countries 😉 )
I’m going to talk about my work and especially my enamel journey. As you’ll all remember (…or not – don’t worry, no test…) my pieces in enamel started in 2011 thanks to the infectious and unrelenting energy of Elizabeth Turrell (see her latest project here) and has become an essential component of my protest work, the vehicle I use for spelling out encoded messages, which is practically all the work I have made this year. I’m also going to gad about England for a couple of weeks, so if you’re in London, Birmingham, Manchester, Sheffield or briefly Liverpool, lets grab a cuppa and have a chin-wag, yeah?!
(Lawd, I’m such a dag… ok, so look that up, and for the love of language, get beyond the first definition…)
I’m very much looking forward to it, but in the meant time, for all my friends across the pond, good luck with your election today. I know the world is feeling voted-out (or out voted) right now, but it’s one powerful way to get your message across. Being in a place where I don’t get to have my say, I can tell you, it’s worth a lot more than you might think.
Fluidity and strength in contemporary jewellery and object practice using steel – the dirty metal
Closing drinks and Artists Talk on Saturday 27th May 2-4pm
An exhibition of contemporary steel art by a selected range of jewellery and object makers, curated by Melbourne artist Sarah Heyward.
The use of steel in contemporary jewellery and object practice is intriguing. Whilst traditionally used for manufacturing purposes, steel is seductive with a beautiful luster and sheen. Investigations into industrial landscapes, enamel on steel, heat treatment methods, and the repurposed object are all areas in which notable makers have been exploring and engaging with this material within their practice.
“This exhibition explores themes around fluidity and strength in our everyday lives. The push and pull of our environment, both in the natural world and political sphere, the forces, which make us feel both fragile and insignificant but also powerful and resilient. At a time where we face potential environmental catastrophes, nature – in which many artists find inspiration – reminds us how merciless the earth’s forces can be. This exhibition hopes to act as a celebration of steel as a material and also the investigations we undertake to make the material speak.” – Sarah Heyward
On Saturday 27th May there will be an Artist Talk accompanied with celebratory drinks from 2-4pm. The artists speaking are Sarah Heyward, Susan Buchanan, and Lindy McSwan; all welcome.
Artists participating: Sarah Heyward, Jin ah Jo, Lindy McSwan, Melissa Cameron, Alicia Carriero, and Susan Buchanan, Inari Kiuru.
Check out the show here:
Studio 20/17 Project Space
53 Ridge Street, North Sydney
Open: 11 – 5 Tues – Sat
+61 411 808 274
I’m really pleased to share the Drone works (half of which is in the image above) will be showing alongside the the Drawing the Line exhibition at Facèré Jewelry Art when it opens this Wednesday, May 3rd, in downtown Seattle. Come to the opening lecture from 4pm to hear me talk about the works in the show – the new additions to the Body/Politic series, and their progenitor, the Drone series.
May 3, 2017 – May 23, 2017
Lecture: Wednesday, May 3 at 4:00 PM
Reception: Wednesday, May 3 at 5:00 PM
Introducing the ‘social unit’ pieces \/|- . Once again the binary sequence (rendered using enamel in different skin tones) in each neckpiece spells out the same two words, ‘social unit’. The unfurled pieces (in the image social unit *) give little hint to their original format.
These works will be on show at Facèré Jewelry Art in the exhibition Drawing the Line which opens on the 3rd of May in downtown Seattle. Come to the opening lecture from 4pm to hear me talk about these and their friends, the Body/Politic and Drone works.
The adequately-oiled machine that is my studio practice has had some time out from being even that reliable of late (for many reasons, a great one being fixing the moisture problem that normally creates a less-than ornamental pond in my studio over the winter months,) so right now I’m busy finishing works and preparing images for two upcoming exhibitions that begin in early May – from the 3rd there’s a group show called Drawing the Line at Facere Art Jewelry in downtown Seattle and then opening on the 4th there’s Seattle Metals Guild and the Wawona – at Northwind Arts Center in Port Townsend.
It’s too early for image spoilers on those (as in, I’ve not taken them yet..!), but if you are keen to get a fix of new works, check out the hashtag #PlateGlassExhibition on Instagram, for a bunch of new works in development by the 29 invited artists of the Plate Glass exhibition. This is the one that I’m curating for the Enamellist Society and will be shown during their biennial conference, this year in Gatlinburg, Tennessee at Arrowmont School of Arts and Crafts in August, from the 2nd – 9th.
Several of the artists are new to the format of the plate, though needless to say I think they’re all doing an amazing job, and I truly cannot wait to reveal every single one of them to y’all in August. Until then we’re all lucky to have these images to marvel at and ponder over.
St Patrick’s day; the middle day of 3 straight days of anniversaries, for me. From the image above I think it’s easy enough to guess what happened to me on the 17th of March 2012. My life, my work, everything changed. But, one can say that about every day that we get to share on this planet. For me, this last 5 years has been full of days like these.
Announcing more stuff! Here’s some other things that I’ll be doing over the coming months:
March: Starting March 18th I’ll be in an exhibition curated by the irrepressible Maggie Smith (not the dame, but a grande dame) called Tech in Craft. So far we have two dates, from the 18th-27th of March at Libbie Mill Library, Henrico Co Virginia, and then directly after at CodeVA’s Eureka Workshop, Richmond VA until May 5th. These are non-traditional exhibitions venues as this series of exhibits is focused on education, so I can’t wait to see what people have to say! More on this shortly.
Studio disruption – Also in March we’ll be having our basement – aka my studio space – waterproofed. On the place side I won’t have to navigate through the space on pontoons during the wet season (and being Seattle, it rains only a paltry nine months.) but on the down side I have to pack up the studio to keep the sensitive equipment – and the sandblaster – away from the dust. (It is well timed to sort out the taxes though…)
May: From the 9th of May I’ll have work in a show at the new Studio 2017 Project Space in Sydney organised by the impressive Sarah Heyward, entitled:
FORCES: Strength and Fluidity in contemporary jewellery and object practice using steel – the dirty metal
Also in May: Along with everyone else I’ll be at the SNAG Conference in New Orleans – come along to the Trunk Show where I’ll have my little collection (including some of the RESISTance) laid out and bag yourself a pretty.
July: I’ll be speaking at the Association for Contemporary Jewellery’s 20:20 Visions Conference in Sheffield in the UK. My presentation will be on my work, and the political turn it has taken which began at a residency I undertook at the University of the West of England in 2011.
August: It’s looking very likely that I’ll head over to Arrowmont for the Enamel Society Conference, where you can see my previously mentioned latest attempt at curating, the exhibition Plate Glass.
At Arrowmont I’ll also have works in the exhibition Alchemy4, the 16th Juried International Enamel Exhibition, sponsored by the Enamelist Society. So please come along to see that too! I plan to be there for the opening on the 4th of August. After Gatlinburg the show will tour, first to the Ohio Craft Museum, Columbus, OH and then beginning early in 2018 it will be exhibited at the National Ornamental Metals Museum, Memphis, TN.
September: In the first week of this month I’ll be teaching an enameling workshop as a part of the Radical Enameling Workshop series presented by the Center for Enamel Art at The Crucible in Oakland, California.
My last jewellery works for 2016 were very… striking?
There’s a few things already on the agenda for 2017, so here, in an attempt at chronological order:
In March I’m headed to Munich for Jewellery Week, as I got into Schmuck with The Drone work! (Full listing of participants on Klimt02) Let me know if you’re heading over so I can look out for you, eh? (Unless you already have, and tbh, you probably did…)
The Shared Concerns exhibition hits Bilk in Canberra in April/May
I’m in an exhibition called Drawing the Line at Facèré here in Seattle, also starting in April.
I’m curating an exhibition for the Enamelist Society conference at Arrowmont this year. Emerging enamelists beware, I’ll be getting on contact with a tight deadline very, very soon.
I have preliminary plans to hit Radiant Pavilion in August/September in Melbourne, where I’m hoping to bring some United States of America-ns to town with me. We’ll be opening/showing Shared Concerns at Bini.
I hope you all had joyful solstice and New Year celebrations too 😉