Forces now on in Sydney!

Forces –  10.5.17 – 27.5.17

Fluidity and strength in contemporary jewellery and object practice using steel – the dirty metal
Closing drinks and Artists Talk on Saturday 27th May 2-4pm

An exhibition of contemporary steel art by a selected range of jewellery and object makers, curated by Melbourne artist Sarah Heyward.

The use of steel in contemporary jewellery and object practice is intriguing.  Whilst traditionally used for manufacturing purposes, steel is seductive with a beautiful luster and sheen. Investigations into industrial landscapes, enamel on steel, heat treatment methods, and the repurposed object are all areas in which notable makers have been exploring and engaging with this material within their practice.

“This exhibition explores themes around fluidity and strength in our everyday lives. The push Melisse-Cameron-necklace-neckpeice-forcesand pull of our environment, both in the natural world and political sphere, the forces, which make us feel both fragile and insignificant but also powerful and resilient. At a time where we face potential environmental catastrophes, nature – in which many artists find inspiration – reminds us how merciless the earth’s forces can be. This exhibition hopes to act as a celebration of steel as a material and also the investigations we undertake to make the material speak.” – Sarah Heyward

On Saturday 27th May there will be an Artist Talk accompanied with celebratory drinks from 2-4pm. The artists speaking are Sarah Heyward, Susan Buchanan, and Lindy McSwan; all welcome.

Artists participating: Sarah Heyward, Jin ah Jo, Lindy McSwan, Melissa Cameron, Alicia Carriero, and Susan Buchanan, Inari Kiuru.

Check out the show here:

Studio 20/17 Project Space
53 Ridge Street, North Sydney
Open: 11 – 5 Tues – Sat
+61 411 808 274

or the rest of the images of work on the Studio 20/17 website. It’s a beauty, and I really wish I could be there for the talks, I want to know how the brains work on all three of the attending artists.

Drawing the Line @ Facèré in Seattle

“Attempts to kill…” 2016

I’m really pleased to share the Drone works (half of which is in the image above) will be showing alongside the the Drawing the Line exhibition at Facèré Jewelry Art when it opens this Wednesday, May 3rd, in downtown Seattle. Come to the opening lecture from 4pm to hear me talk about the works in the show – the new additions to the Body/Politic series, and their progenitor, the Drone series.

May 3, 2017 – May 23, 2017
Lecture: Wednesday, May 3 at 4:00 PM
Reception: Wednesday, May 3 at 5:00 PM

social unit

social unit*
2017

stainless steel, vitreous enamel, titanium

Introducing the ‘social unit’ pieces \/|- . Once again the binary sequence (rendered using enamel in different skin tones) in each neckpiece spells out the same two words, ‘social unit’. The unfurled pieces (in the image social unit *) give little hint to their original format.

These works will be on show at Facèré Jewelry Art in the exhibition Drawing the Line which opens on the 3rd of May in downtown Seattle. Come to the opening lecture from 4pm to hear me talk about these and their friends, the Body/Politic  and Drone works.

#PlateGlassExhibition

works by Danielle Embry, Sharon Massey, Kat Cole, Nicolette Absil and Laura Eales

The adequately-oiled machine that is my studio practice has had some time out from being even that reliable of late (for many reasons, a great one being fixing the moisture problem that normally creates a less-than ornamental pond in my studio over the winter months,) so right now I’m busy finishing works and preparing images for two upcoming exhibitions that begin in early May – from the 3rd there’s a group show called Drawing the Line at Facere Art Jewelry in downtown Seattle and then opening on the 4th there’s Seattle Metals Guild and the Wawona –  at Northwind Arts Center in Port Townsend.

It’s too early for image spoilers on those (as in, I’ve not taken them yet..!), but if you are keen to get a fix of new works, check out the hashtag #PlateGlassExhibition on Instagram, for a bunch of new works in development by the 29 invited artists of the Plate Glass exhibition. This is the one that I’m curating for the Enamellist Society and will be shown during their biennial conference, this year in Gatlinburg, Tennessee at Arrowmont School of Arts and Crafts in August, from the 2nd – 9th.

Several of the artists are new to the format of the plate, though needless to say I think they’re all doing an amazing job, and I truly cannot wait to reveal every single one of them to y’all in August. Until then we’re all lucky to have these images to marvel at and ponder over.

5 years

Australia and the USA from the Coat Hanger series, 2012. Recycled steel, steel, vitreous enamel.

St Patrick’s day; the middle day of 3 straight days of anniversaries, for me. From the image above I think it’s easy enough to guess what happened to me on the 17th of March 2012. My life, my work, everything changed. But, one can say that about every day that we get to share on this planet. For me, this last 5 years has been full of days like these.

More upcoming

my studio, circa 2016

Announcing more stuff! Here’s some other things that I’ll be doing over the coming months:

March: Starting March 18th I’ll be in an exhibition curated by the irrepressible Maggie Smith (not the dame, but a grande dame) called Tech in Craft. So far we have two dates, from the 18th-27th of March at Libbie Mill Library, Henrico Co Virginia, and then directly after at CodeVA’s Eureka Workshop, Richmond VA until May 5th. These are non-traditional exhibitions venues as this series of exhibits is focused on education, so I can’t wait to see what people have to say! More on this shortly.

Studio disruption – Also in March we’ll be having our basement – aka my studio space – waterproofed. On the place side I won’t have to navigate through the space on pontoons during the wet season (and being Seattle, it rains only a paltry nine months.) but on the down side I have to pack up the studio to keep the sensitive equipment – and the sandblaster – away from the dust. (It is well timed to sort out the taxes though…)

May: From the 9th of May I’ll have work in a show at the new Studio 2017 Project Space in Sydney organised by the impressive Sarah Heyward, entitled:

FORCES: Strength and Fluidity in contemporary jewellery and object practice using steel – the dirty metal

Also in May: Along with everyone else I’ll be at the SNAG Conference in New Orleans – come along to the Trunk Show where I’ll have my little collection (including some of the RESISTance) laid out and bag yourself a pretty.

July: I’ll be speaking at the Association for Contemporary Jewellery’s 20:20 Visions Conference in Sheffield in the UK. My presentation will be on my work, and the political turn it has taken which began at a residency I undertook at the University of the West of England in 2011.

August: It’s looking very likely that I’ll head over to Arrowmont for the Enamel Society Conference, where you can see my previously mentioned latest attempt at curating, the exhibition Plate Glass.

At Arrowmont I’ll also have works in the exhibition Alchemy4, the 16th Juried International Enamel Exhibition, sponsored by the Enamelist Society. So please come along to see that too! I plan to be there for the opening on the 4th of August. After Gatlinburg the show will tour, first to the Ohio Craft Museum, Columbus, OH and then beginning early in 2018 it will be exhibited at the National Ornamental Metals Museum, Memphis, TN.

September: In the first week of this month I’ll be teaching an enameling workshop as a part of the Radical Enameling Workshop series presented by the Center for Enamel Art at The Crucible in Oakland, California.

 

So, if this is ‘more stuff’, what was the original stuff?

Happy New Year!

jewels  jewellist

My last jewellery works for 2016 were very… striking?

There’s a few things already on the agenda for 2017, so here, in an attempt at chronological order:

  • In March I’m headed to Munich for Jewellery Week, as I got into Schmuck with The Drone work! (Full listing of participants on Klimt02) Let me know if you’re heading over so I can look out for you, eh? (Unless you already have, and tbh, you probably did…)
  • The Shared Concerns exhibition hits Bilk in Canberra in April/May
  • I’m in an exhibition called Drawing the Line at Facèré here in Seattle, also starting in April.
  • I’m curating an exhibition for the Enamelist Society conference at Arrowmont this year. Emerging enamelists beware, I’ll be getting on contact with a tight deadline very, very soon.
  • I have preliminary plans to hit Radiant Pavilion in August/September in Melbourne, where I’m hoping to bring some United States of America-ns to town with me. We’ll be opening/showing Shared Concerns at Bini.

I hope you all had joyful solstice and New Year celebrations too 😉

Resist – in a store near you!

dmc_b-p_resistearrings03a

The resistance is growing, and coming to a store near you – at least if you live in Seattle, Vancouver BC, Melbourne or Canberra. I have had people purchase at the trunk show, direct from me (thank you Vancouver jewellery denizens) and make orders for sales in Melbourne and Seattle, and I am so proud that we’ll be hitting $100 made for Islamic Relief USA really shortly.

For those of you who were holding on until the pieces reached your timezone, the Melbourne delivery to Bini Gallery was made yesterday and the Canberra batch (to Bilk, of course!) should arrive by Friday at the latest. Each of those stores will also have a resist neckpiece (like the one below), while the earrings are joined by pins and tiny little pendants I’m calling talismans in Vancouver at The Craft Council of BC and at Danaca Design in Seattle.

Body/Politic - Resist neckpiece

And I have not forgotten you, Perth. Get in touch as I’ll be making arrangements for a special delivery in the next month or so.

Unexpected – Exhibition opening – Vancouver

HEAT: Single Panel Array. Stainless steel, vitreous enamel, cotton ribbon. 2015
HEAT: Single Panel Array. Stainless steel, vitreous enamel, cotton ribbon. 2015
UNEXPECTED
CCBC Gallery
24 Nov – 08 Dec

Hey Vancouver! I’m coming to see you this coming week, starting on Thursday for the opening of Unexpected, and then I’m going to participate in a panel talk with some other exhibitors:

Artist Talk: (space is limited please RSVP to attend)
November 26th (Saturday), 7pm-8.30pm 

UNEXPECTED OPENING
November 24 6 – 8
CCBC Gallery
1386 Cartwright St, Vancouver BC

UNEXPECTED explores the strange and sometimes discordant elements that make the viewing, wearing, and making of Contemporary Jewellery an enjoyable endeavor.

The unexpected and Contemporary Art Jewellery are by no means strange bedfellows- viewers and wearers of Contemporary Jewellery often seek out our discipline because it is unusual and extra-ordinary. The unusual, and unusual elements and materials, have become de rigueur in a creative world that continues to embrace post-disciplinary art practices which move beyond medium centered approaches to making.

See you there!

Seattle Trunk Show – Thursday!

Body/Politic - Resist neckpiece
‘resist neckpiece 001’ from the Body/Politic series. 2016

On Thursday I’m having a trunk show with Iris Guy. Please come!

Danaca Design
Thursday, November 17 from 5:30 PM – 8:00 PM
5619 University Way NE, Seattle, Washington 98105
Facebook event

This show will see the debut of a new series of enamel and steel works, entitled Resist. An extension of my Body/Politic works, these pieces are individually enameled in a beautiful rainbow of blues, the color that is the opposite of orange on the traditional color wheel. 10% of the purchase price from the Resist line sold anywhere in the world will go to Islamic Relief USA, a non-profit 501(c)(3) humanitarian agency who work on international and domestic US development and relief projects.

If I have piqued your interest in these brand new works, there’s more info about them in my previous post here.

I would love to see you on Thursday night. I can share my new blues with you and together we can talk about resistance.

Yours in peace and love,

xx m