I will be sticking around in Oakland to attend day one of a weekend of large scale enameling at KVO Industries on the 9th, which is super-exciting. Knowing that I have plans to make some more panel-based works in the next year or so for a show in the UK, I’m looking to up my large-format game, and since Judy Stone at the Center for Enamel Art – all-round champion of enamel and artists – suggested I do it, how could I refuse? Not that my moderate-panel game appears to be too shabby, as I recently won a prize for Wall Works (for the above) in the Enamelist Society Alchemy 4 Juried Exhibition!
I’ll also be giving a free public lecture next Wednesday night at California College of the Arts:
“From a tamper-proof fence to Body Politic – my enamel journey so far” 7:30pm, Nahl Hall, Oakland Campus, 5212 Broadway (map)
Looking forward to spending time in the heat after just finishing up my Aussie shenanigans of the past few weeks. Northern Summer, come at me!
Introducing the ‘social unit’ pieces \/|- . Once again the binary sequence (rendered using enamel in different skin tones) in each neckpiece spells out the same two words, ‘social unit’. The unfurled pieces (in the image social unit *) give little hint to their original format.
These works will be on show at Facèré Jewelry Art in the exhibition Drawing the Line which opens on the 3rd of May in downtown Seattle. Come to the opening lecture from 4pm to hear me talk about these and their friends, the Body/Politic and Drone works.
St Patrick’s day; the middle day of 3 straight days of anniversaries, for me. From the image above I think it’s easy enough to guess what happened to me on the 17th of March 2012. My life, my work, everything changed. But, one can say that about every day that we get to share on this planet. For me, this last 5 years has been full of days like these.
It feels as though it’s getting harder to imagine every day, but if you’re keen for a refresher on what’s at stake if we can’t find a way to work together, the IMAGINE show is a great start. And it’s not all doom and gloom, there’s a dark sense of humour driving several of these works. If you’re in the area please head to the newly relocated Society of Arts and Crafts at 100 Pier 4 Boulevarde, Suite 100, in Boston from 6-9pm on Thursday the 23rd of February for the opening.
This is the second stop for this exhibition, which is running for quite a time, so you have until June to see a sobering collection of metal art made from decommissioned weapons seized by the Pittsburgh Police Department. If you can’t get along, there is a pretty amazing catalogue in the works which I’m sure will be available in Boston, and I’ll post the details of where you can source it from elsewhere very soon.
Guest Curator, Stuart Kestenbaum
Deadline: January 15
Besides prolonging the life of an object, repair also speaks to our yearning to make things right again, to make things whole. Repairing is more than fixing–it’s a metaphorical way to look at the role of makers. When we repair things, are we also fixing ourselves? Can giving renewed life to objects and materials-perhaps ones that have had other functions-renew us as well? How does the world look when we say that what is broken can be made whole again, using ingenuity and imagination?
For the 2017 “Exhibition in Print” Repair and Renewal: Making Things Whole Again, curator Stuart Kestenbaum is seeking work that addresses these questions. While the work does not need to have been repaired, it should have the spirit of repair, and be fueled by a desire to extend an object’s value and usefulness.
Deadline is this Sunday, January 15, 2017.
Ever made something that fits this description? Then perhaps you might share it with us – it’s really simple – email some photos/links to the email address listed in the post.
My last jewellery works for 2016 were very… striking?
There’s a few things already on the agenda for 2017, so here, in an attempt at chronological order:
In March I’m headed to Munich for Jewellery Week, as I got into Schmuck with The Drone work! (Full listing of participants on Klimt02) Let me know if you’re heading over so I can look out for you, eh? (Unless you already have, and tbh, you probably did…)
The Shared Concerns exhibition hits Bilk in Canberra in April/May
I’m in an exhibition called Drawing the Line at Facèré here in Seattle, also starting in April.
I’m curating an exhibition for the Enamelist Society conference at Arrowmont this year. Emerging enamelists beware, I’ll be getting on contact with a tight deadline very, very soon.
I have preliminary plans to hit Radiant Pavilion in August/September in Melbourne, where I’m hoping to bring some United States of America-ns to town with me. We’ll be opening/showing Shared Concerns at Bini.
I hope you all had joyful solstice and New Year celebrations too 😉
I have it from a reliable source in North Carolina that this exhibition is already open. If you’re in the area, or want to get along to the official opening, get to it! Suffice to say, as one of the 94 participants, I am completely without bias when I tell you that it’s another bloody ripper of a show.
I.M.A.G.I.N.E. PEACE NOW Opens in Greenville
The Innovative Merger of Art & Guns to Inspire New Expressions, or I.M.A.G.I.N.E. PEACE NOW exhibition, includes 94 pieces of art, created by artists from 6 countries around the world, responding to the gun violence that is prevalent in American culture today. Participating artists received a dismantled pistol collected from the Pittsburgh buyback program, where the weapons were rendered inoperable, in order to transform them into (un)loaded objects of art.