Vote for more IMAGINE Peace Now

Boris Bally must not sleep.

Do you like what we are doing with the I.M.A.G.I.N.E. Peace Now exhibition?  If so, we could really use your help.

This national competition opens for voting today and is a chance for us to support the exhibition’s travel to Southern Indiana and Southern Kentucky and to include vital community programming aimed at the gun violence epidemic in this region.

Vote here. Vote often

(you can vote daily til May 12 – that’s the 13th of May in Aus!)

My work from the exhibition will (hopefully!) be heading along with the touring show, so if you are in Indiana or Kentucky and you want to see it, please vote 😉 And for those of you who will vote but won’t get to the US, here’s a video I made of the making process:

social unit

social unit*
2017

stainless steel, vitreous enamel, titanium

Introducing the ‘social unit’ pieces \/|- . Once again the binary sequence (rendered using enamel in different skin tones) in each neckpiece spells out the same two words, ‘social unit’. The unfurled pieces (in the image social unit *) give little hint to their original format.

These works will be on show at Facèré Jewelry Art in the exhibition Drawing the Line which opens on the 3rd of May in downtown Seattle. Come to the opening lecture from 4pm to hear me talk about these and their friends, the Body/Politic  and Drone works.

5 years

Australia and the USA from the Coat Hanger series, 2012. Recycled steel, steel, vitreous enamel.

St Patrick’s day; the middle day of 3 straight days of anniversaries, for me. From the image above I think it’s easy enough to guess what happened to me on the 17th of March 2012. My life, my work, everything changed. But, one can say that about every day that we get to share on this planet. For me, this last 5 years has been full of days like these.

Going to Munich

spread from Art Aurea

Can’t wait to see my friends at my first international jewellery hook-up (it’s not that kind, please,) for the year, starting next week. If you want to see my work, and it’s just the one, it’s at Schmuck 2017, from the 8th-14th of March, 9:30am – 6pm daily at the International Handwerkmesse, in the Fairground Messe München, Hall B1.

And if you want to see a couple of my mates? Well the best place to see the line up, and what everyone else is up to, is on the Current Obsession website, or better yet in their Paper edition which you can purchase in select places in Munich (of course there’s also the shorter Master Program with metro map here, with thanks to Klimt02). Seek out Claire McArdle’s work in Sextet, opening Thursday March 9 from 6-8pm at Das KloHäuschen. And Zoe Brand will be exhibiting with Atta Gallery in Hall B1 – as a part of the internationally gallery line-up at the IHM. Then there’s Kat Cole in Perfect Strangers, and a tonne more people in Duality of Presence – just look up the CO list, yeah?

Meanwhile, lots of work to finish. Eeep!

Radical Jewelry Makeover

The work made for our friends over at RJM is on tour again, and right now it’s stopped in New Mexico:
Radical Jewelry Makeover Artist Project
Through February 19
form & concept
There’s a great write up at the Santa Fe Arts Journal, as well as a short and informative artist talk given by Jenn Carroll Wilson, one of the exhibition artists, over at form and concept’s website.

BAM Biennial – last days

If you’re keen but haven’t yet made it out to see the Bellevue Arts Museum Biennial Metalmorphosis exhibition, the hourglass is telling me that there’s very few grains of sand left in the top bulb, so you’d better get along. The last day is Sunday the 5th of February. To tempt you – this is a short video of my work My House – Tanya Lippe’s Lunch Box in progress.

Yup, that’s me, breaking a saw blade. The abrupt ending (to the video) is a good analogue of how I felt every time I broke one, and it happened a lot that day…

in the spirit of repair…

19C Caltrop, 2015. Part of the Escalation Series.

A spot of promo for Metalsmith:

2017 Curated “Exhibition in Print” – Call for Related Work
Repair and Renewal: Making Things Whole Again
Guest Curator, Stuart Kestenbaum
Deadline: January 15

  

Besides prolonging the life of an object, repair also speaks to our yearning to make things right again, to make things whole. Repairing is more than fixing–it’s a metaphorical way to look at the role of makers. When we repair things, are we also fixing ourselves?  Can giving renewed life to objects and materials-perhaps ones that have had other functions-renew us as well?  How does the world look when we say that what is broken can be made whole again, using ingenuity and imagination?

For the 2017 “Exhibition in Print” Repair and Renewal: Making Things Whole Again, curator Stuart Kestenbaum is seeking work that addresses these questions.  While the work does not need to have been repaired, it should have the spirit of repair, and be fueled by a desire to extend an object’s value and usefulness.

Deadline is this Sunday, January 15, 2017.

Ever made something that fits this description? Then perhaps you might share it with us – it’s really simple – email some photos/links to the email address listed in the post.

Happy New Year!

jewels  jewellist

My last jewellery works for 2016 were very… striking?

There’s a few things already on the agenda for 2017, so here, in an attempt at chronological order:

  • In March I’m headed to Munich for Jewellery Week, as I got into Schmuck with The Drone work! (Full listing of participants on Klimt02) Let me know if you’re heading over so I can look out for you, eh? (Unless you already have, and tbh, you probably did…)
  • The Shared Concerns exhibition hits Bilk in Canberra in April/May
  • I’m in an exhibition called Drawing the Line at Facèré here in Seattle, also starting in April.
  • I’m curating an exhibition for the Enamelist Society conference at Arrowmont this year. Emerging enamelists beware, I’ll be getting on contact with a tight deadline very, very soon.
  • I have preliminary plans to hit Radiant Pavilion in August/September in Melbourne, where I’m hoping to bring some United States of America-ns to town with me. We’ll be opening/showing Shared Concerns at Bini.

I hope you all had joyful solstice and New Year celebrations too 😉

Resist – in a store near you!

dmc_b-p_resistearrings03a

The resistance is growing, and coming to a store near you – at least if you live in Seattle, Vancouver BC, Melbourne or Canberra. I have had people purchase at the trunk show, direct from me (thank you Vancouver jewellery denizens) and make orders for sales in Melbourne and Seattle, and I am so proud that we’ll be hitting $100 made for Islamic Relief USA really shortly.

For those of you who were holding on until the pieces reached your timezone, the Melbourne delivery to Bini Gallery was made yesterday and the Canberra batch (to Bilk, of course!) should arrive by Friday at the latest. Each of those stores will also have a resist neckpiece (like the one below), while the earrings are joined by pins and tiny little pendants I’m calling talismans in Vancouver at The Craft Council of BC and at Danaca Design in Seattle.

Body/Politic - Resist neckpiece

And I have not forgotten you, Perth. Get in touch as I’ll be making arrangements for a special delivery in the next month or so.

Unexpected – Exhibition opening – Vancouver

HEAT: Single Panel Array. Stainless steel, vitreous enamel, cotton ribbon. 2015
HEAT: Single Panel Array. Stainless steel, vitreous enamel, cotton ribbon. 2015
UNEXPECTED
CCBC Gallery
24 Nov – 08 Dec

Hey Vancouver! I’m coming to see you this coming week, starting on Thursday for the opening of Unexpected, and then I’m going to participate in a panel talk with some other exhibitors:

Artist Talk: (space is limited please RSVP to attend)
November 26th (Saturday), 7pm-8.30pm 

UNEXPECTED OPENING
November 24 6 – 8
CCBC Gallery
1386 Cartwright St, Vancouver BC

UNEXPECTED explores the strange and sometimes discordant elements that make the viewing, wearing, and making of Contemporary Jewellery an enjoyable endeavor.

The unexpected and Contemporary Art Jewellery are by no means strange bedfellows- viewers and wearers of Contemporary Jewellery often seek out our discipline because it is unusual and extra-ordinary. The unusual, and unusual elements and materials, have become de rigueur in a creative world that continues to embrace post-disciplinary art practices which move beyond medium centered approaches to making.

See you there!