Enamel Class – September

Coat hanger experiments, 2012. Steel, vitreous enamel, silver solder

The Center for Enamel Art in California has invited me to lead one of their Radical Enameling workshops, so I’m headed to The Crucible in Oakland from the 6th – 8th of September for:

Enameling Recycled Steel for Jewelry and Objects – a workshop with Melissa Cameron

Got a hankering to try out some experimental enameling? Join us to find out how straightforward and un-fussy enameling can be. We’re going to work on all types of steel – including that which we find on the street – to make beautifully enamelled jewels and objects, with the addition of porcelain enamel that will be applied in its liquid form.

I always look forward to these classes because of the way people surprise themselves when confronted with a medium that can be used in such diverse ways; behaving like watercolor, spray paint or even sand. Its versatility enables each maker to leverage their mastery in traditional materials – say even pencil and markers – and then make permanent the results by literally baking them on.

And hey, it’s in “beautiful, downtown Oakland, California!”

(Thanks to Roman Mars of the 99% Invisible podcast for being the indelible voice in my head for that line 😉 )

Steeling myself

Image of a Resist neckpiece (that spells 'resist' in binary) in stainless steel and vitreous enamel. Photograph by Melissa Cameron.
Body/Politic – Resist neckpieces, collage. 2017

I’m on route to Sheffield to speak at the ACJ 20:20 Visions Conference about my works (spoiler, I’m on Saturday afternoon), and I’m getting pretty excited, and no, just not just to go to the multiple steel museums!

Now that the final programme has been published I see that along with catching up with friends I’ve not seen since I was last in the UK in 2011, I get to check in with a few faces familiar from other global jewellery haunts, which I’m really looking forward to.

I’ve found as the annual SNAG conference has become much more familiar to me, my participation has become very business-like (thanks especially to the annual Editorial Advisory Committee meeting and always spending the preceding week finishing work for the trunk show.) I’m looking forward to being able to learn about a less-familiar jewellery culture while meeting some heroes and making a few new friends. And having some relaxing tours of local museums and such, while finally (fingers crossed!) experiencing summer in England.

If you’re on Instagram, expect to see supreme random-ness from Sheffield, London, Birmingham and Manchester 😉 And if you’re in those places, look out for me in my hat!

Sale now on!

Image of jewellery work made from a found jam jar lid by Melissa Cameron. Photograph by Melissa Cameron.

If you’re anywhere near Sydney get on over to Studio 2017 Project Space at Bridget is having a SALE! There are a lot of artists involved in this space, including the maestro Bridget herself, so it’s worth it just to check out what treasures she has stashed around the gallery.

Studio 20/17 are the longest supporters and continuous stockists of my work, so they have quite the back catalogue of pieces, many of which simply aren’t available anywhere else (and some that never were.) This really is your only chance to see and try these works, and to maybe pick yourself out a little something while it’s going for a song!

Open Tuesday to Saturday 11-5pm.
Phone 0411 808 274
Instagram @studio2017_project_space
Facebook www.facebook.com/studio2017projectspace

Sale closes July 1st!

Bro.och

Hooray! I’m in a show with Trophy Wife Barbie! Check her out (link goes to Instagram) if you’re not familiar.

This show feature brooches by Melissa Cameron, Marian Hosking, Nick Bastin,
Panjapol Kulpapangkorn, Kath Inglis, Johannes Kuhnen, Helen Aitken-Kuhnen,
Eugenie Keefer Bell, Inari Kiuru, Janice Vitkovsky, Jo Hawley, Jasmine Watson, Larah Nott, Zoe Brand, Laura Eyles and the Trophy Wife Barbie (Annelies Hofmeyr).

UK people

And those willing to travel, here’s an opportunity for you to see me amongst some incredible speakers next month:

2020 Visions

ACJ’s 20:20 Visions Conference 7 – 9 July, Sheffield 

Speakers confirmed include Boris Bally (USA), Elizabeth Shaw (Australia), Melissa Cameron (USA), Johanna Zellmer (NZ / Germany) Simon Fraser (UK) and many more!

Delegate fees £180 / £100 for an amazing 3 day programme including food

What’s not to love?! Food too!
(BTW – jealous of Johanna and her 2 listed countries 😉 )

I’m going to talk about my work and especially my enamel journey. As you’ll all remember (…or not – don’t worry, no test…) my pieces in enamel started in 2011 thanks to the infectious and unrelenting energy of Elizabeth Turrell (see her latest project here) and has become an essential component of my protest work, the vehicle I use for spelling out encoded messages, which is practically all the work I have made this year. I’m also going to gad about England for a couple of weeks, so if you’re in London, Birmingham, Manchester, Sheffield or briefly Liverpool, lets grab a cuppa and have a chin-wag, yeah?!

(Lawd, I’m such a dag… ok, so look that up, and for the love of language, get beyond the first definition…)

I’m very much looking forward to it, but in the meant time, for all my friends across the pond, good luck with your election today. I know the world is feeling voted-out (or out voted) right now, but it’s one powerful way to get your message across. Being in a place where I don’t get to have my say, I can tell you, it’s worth a lot more than you might think.

xx m

drawing a line between Facere in Seattle to the SNAG conference in New Orleans…

While Paul Klee tumble turns at my drawing and undrawing of lines, I’ll illuminate what these two things mentioned in the header have in common (apart from the obvious), since you didn’t ask…

This little social unit and their friends are in their last day of the Drawing The Line exhibition at Facèré gallery in Seattle today, while the drawn (or perhaps fully combobulated) images of the set have just been made into postcards which will be available from me at SNAG conference in New Orleans, starting on tomorrow! I’ll also be at the Trunk Show on Saturday afternoon:

Sheraton Hotel
2nd Floor, Waterbury Ballroom
500 Canal St, New Orleans, LA 70130

times:
3:30-4:30 – VIP Trunk Show
4:30-6:30 – Trunk Show is open to the public!

I have created new works in the Resist range – new neckpieces and earrings and a bigger pin – to debut at the show (think of the necklaces as lines, similar to the above), and for this special occasion the customary donation of 10% of the ticket price of this series will be split between Islamic Relief (as previously) AND the ACLU!

Please stop by and check this new collection out!

this week in NOLA

Making America Great – presented by Platforma

10,000 Songs, 2013.

Part of the Adorned Spaces exhibit at the 2017 SNAG conference, Making America Great is a showcase of jewellery made by immigrants. It runs on the 25th and 26th of May at the Sheraton Hotel on Canal St in New Orleans.

Platforma is curators Bella Neyman and Ruta Reifen

Forces now on in Sydney!

Forces –  10.5.17 – 27.5.17

Fluidity and strength in contemporary jewellery and object practice using steel – the dirty metal
Closing drinks and Artists Talk on Saturday 27th May 2-4pm

An exhibition of contemporary steel art by a selected range of jewellery and object makers, curated by Melbourne artist Sarah Heyward.

The use of steel in contemporary jewellery and object practice is intriguing.  Whilst traditionally used for manufacturing purposes, steel is seductive with a beautiful luster and sheen. Investigations into industrial landscapes, enamel on steel, heat treatment methods, and the repurposed object are all areas in which notable makers have been exploring and engaging with this material within their practice.

“This exhibition explores themes around fluidity and strength in our everyday lives. The push Melisse-Cameron-necklace-neckpeice-forcesand pull of our environment, both in the natural world and political sphere, the forces, which make us feel both fragile and insignificant but also powerful and resilient. At a time where we face potential environmental catastrophes, nature – in which many artists find inspiration – reminds us how merciless the earth’s forces can be. This exhibition hopes to act as a celebration of steel as a material and also the investigations we undertake to make the material speak.” – Sarah Heyward

On Saturday 27th May there will be an Artist Talk accompanied with celebratory drinks from 2-4pm. The artists speaking are Sarah Heyward, Susan Buchanan, and Lindy McSwan; all welcome.

Artists participating: Sarah Heyward, Jin ah Jo, Lindy McSwan, Melissa Cameron, Alicia Carriero, and Susan Buchanan, Inari Kiuru.

Check out the show here:

Studio 20/17 Project Space
53 Ridge Street, North Sydney
Open: 11 – 5 Tues – Sat
+61 411 808 274

or the rest of the images of work on the Studio 20/17 website. It’s a beauty, and I really wish I could be there for the talks, I want to know how the brains work on all three of the attending artists.

Drawing the Line @ Facèré in Seattle

“Attempts to kill…” 2016

I’m really pleased to share the Drone works (half of which is in the image above) will be showing alongside the the Drawing the Line exhibition at Facèré Jewelry Art when it opens this Wednesday, May 3rd, in downtown Seattle. Come to the opening lecture from 4pm to hear me talk about the works in the show – the new additions to the Body/Politic series, and their progenitor, the Drone series.

May 3, 2017 – May 23, 2017
Lecture: Wednesday, May 3 at 4:00 PM
Reception: Wednesday, May 3 at 5:00 PM

SMG and the Wawona

Wawona – Pixel by pixel, 2017. Wawona wood, titanium, stainless steel

Launched in 1897, the Wawona was the largest three-masted sailing schooner ever built in North America. The ship was used to haul lumber up and down the Pacific Coast and used in the Bering Sea codfishing trade. In 1970 the Wawona became a National Historic Site and she was the first ship in the nation to be listed on the National Register. In 2009 she was deemed too expensive to restore and was demolished.

Come and see what the Seattle Metals Guild have done with the pieces of the ship that were not made into the huge sculpture by John Grade at MOHAI (that’s the Museum of History and Industry for all y’all not in the PNW [Pacific North West – and yes, I did that one to be facetious 😉 .])

The exhibition opens at Northwind Arts Center May 6 – 5:30 pm

701 Water Street, Port Townsend, WA
Thursday – Monday, 11:30am-5:30pm
Tuesday – Wednesday, Noon-5pm
360-379-1086

May 4 – 29 | Opening and closing dates
May 6 – 5:30 pm – Opening Reception and Art Walk
May 7 – 1:00 pm – Art Talk
See Klimt02 for more teaser images, and the Northwind Arts Center page for extra info.